Available for the first time ever on vinyl, we are pleased to present John Williams’ tremendous score for BLACK SUNDAY. The 2XLP is housed in a deluxe gatefold jacket featuring a Shrapnel pierced Die-Cut interior gatefold, original artwork and packaging concept by Jay Shaw and liner notes by Brian Satterwhite.

Available for the first time ever on vinyl, we are pleased to present John Williams’ tremendous score for BLACK SUNDAY. The 2XLP is housed in a deluxe gatefold jacket featuring a Shrapnel pierced Die-Cut interior gatefold, original artwork and packaging concept by Jay Shaw and liner notes by Brian Satterwhite.

A good part of the magic of this movie comes from the music of Carter Burwell, who dove deep into the period of the film, and the multiple film genres that it explores in each of its many tangents (including a musical number performed by Channing Tatum.) Also, drawing heavy on the red-scare, bringing selections performed by the Red Army Choir to add bombast to the scenes with would be antagonists of this story.

Discussing his work on Hail, Caesar!, Burwell says: “The challenge and the fun of composing the score to Hail, Caesar! is that the it contains scenes from many films-in-the-making, and each of those was scored in a manner authentic to the period— basically MGM in the 1950s. There is an Esther Williams water ballet, a Hopalong Cassidy Western, a Roman Christ epic, and all of these are subsumed by a kidnapping mystery, which is itself subsumed by a studio executive’s crisis of faith. Melodies are shared between these bits of bright cloth to tie them together into a whole, and some of the recording was even done on the same stage where the MGM classics were recorded.”