Each side of the album, which showcases John’s intimate vocal and guitar style, shares a part of Angaiak’s culture and history: Side One is sung in Yup’ik, while the material on Side Two is delivered in English. Both are equally emotional, deeply personal and extremely affecting. Over 13 songs, Angaiak speaks to his community and also to the world. “Ak’a Tamaani,” for one, became a regional hit in Alaska and reached as far as Greenland where Angaiak later performed in concert. Though I’m Lost in the City garnered a small mention in industry bible Billboard, regardless of the album’s cultural value, it sold poorly outside of Alaska and other northern communities, never finding a broader audience. In addition to his work as a painter and author, Angaiak is a proud family man and a source of great knowledge of his people and the changes they have faced over the years, shifting from a subsistence hunting, fishing, and sharing lifestyle to an increasingly urban influenced cash-based existence. An important statement on indigenous life and the human condition, I’m Lost in the City showcases Angaiak’s first hand perspective on this challenging transition, something that we can all learn a great deal from.