NEWS
05.18.12 at 09:20 AM
Free Basin' Fridays - Limited Edition Kris Kristofferson Silk Screened Poster!
Ah it's that time of the year again. Spring (or rather Summer) cleaning! We were partaking in this age-old past time and found a few copies of the limited Kristofferson poster that artist Drew Christie created for the Kristofferson Please Don't Tell Me How The Story Ends: The Publishing Demos 1968-72 release. The poster is 18" x 24" and was limited to 100 copies (all signed by the artist). You can order one of these last few copies here at LITA-LTD or enter your chance to win one now!
MORE NEWS
05.15.12 at 09:13 AM
Annette Peacock "I'm The One" | CD & Limited Edition LP | PRE-ORDER
“I’m the one, you don’t have to look any further. I’m the one. I’m here, right here for you,” oozes jazz, rock, and electronic music pioneer Annette Peacock on the leadoff title track of her solo debut LP. The album's wide range of vocal emotions and diverse sonic palette (featuring Robert Moog’s early modular synthesizers, which the singer actually transmitted her voice through to wild effect) places it firmly at the forefront of the pop avant-garde. Originally
NEW RELEASE
Lee Hazlewood - The LHI Years: Singles, Nudes, & Backsides (1968-71)
( LITA 084 )
As a true legend of the great American songbook and a rebellious pioneer who left behind a lengthy trail of echo laden pop masterpieces, Lee Hazlewood’s influence continues to reverberate today. Between 1968-71, Hazlewood not only released his finest solo work, but produced numerous artists on LHI. From acid-folk and country-rock to pop-psych and soul, LHI issued dozens of long forgotten 45s and LPs. This series will include material from LHI (re-mastered for the first time from the original analog tapes), along with Lee’s output for other labels, rarities, and unreleased gems.
FEATURED
( LITA 036 )
It’s one of the lost classics of the ‘60s, a psychedelic masterpiece drenched in colour and inspired by life, love, poverty, rebellion. The album is Cold Fact, and what’s more intriguing is that its maker – a shadowy figure known as Rodriguez – was, for many years, lost too. A decade ago, he was rediscovered working as a day laborer in Detroit, Michigan. He was unaware that his defining album had become not only a cult classic, but for the people of South Africa, a beacon of revolution.










