Attention International Consumers: We are experiencing difficulty with our First Class Mail options. For international orders with only 1-3 items (cassette, CD, or LP) - After your order is placed, please email [email protected] with your nine-digit order confirmation number to confirm shipping details. We will adjust the shipping when applicable. Thanks for your support!

Idrissa Soumaoro Et L´eclipse De L´i.j.a.

Le Tioko-Tioko

Release Notes
  • A sought-after rarity from the Malian golden age.
  • 1978, funky masterpiece packed with organ-driven riffs and incredible drum breakbeats.

Idrissa Soumaoro, L’Eclipse De L’I.J.A.’s sought- after album ‘Le Tioko-Tioko’ was originally released in the German Democratic Republic (GDR) in 1978 and has been a long-time favourite at Mr Bongo. Two tracks from the album were featured on our 2017 compilation ‘The Original Sound Of Mali’ (MRBLP135),
and we subsequently released the track ‘Nissodia’ on its own 12” (MRB12053) in 2020, complete with a blistering dancefloor re-edit by Mike D of The Beastie Boys.

‘Le Tioko-Tioko’ is one of the rarest vinyl albums from the already scarce Malian vinyl discography,
partly as the album was never released commercially,
only independently distributed via the MalianAssociation for the Blind in Bamako. Though recorded
at Radio Mali under the aegis of master engineerBoubacar Traoré; the album was originally releasedin East Germany. The tapes had been taken by some Malian students to East Berlin as part of a student exchange program. It was then manufactured and released on the East German state owned label Eterna with only a few boxes of records beingshipped back to Bamako. 

A true masterpiece, this legendary LP offers somedevastating songs such as ‘Djama’ (society),
‘Nissodia’ (joy of optimism), and ‘Fama Allah’ (anode to god). Hypnotic organ riffs and breakbeats convey an unknown funk quality in Malian music, it now stands as a loving tribute to an unsung Maliangolden age. Sadly, like many of the other now desired and prized vinyl rarities, at the time of release, it almost immediately disappeared without a trace due to a lack of promotion, and distribution. So, it feels fitting to share this gem of a record again, and hopefully it with reach the wider audience it deserved over 45 years ago. 

Many thanks to Florent Mazzoleni for contributing sections of these notes.