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Zoot Sims

Down Home

BCP6051
Release Notes
  • 180 gram LP x 1 standard sleeve
  • Mono Recording
  • Recorded: June 7th 1960, NYC

Tenor saxophonist Zoot Sims recorded on a regular basis as a leader for most of 45 years, and virtually all of his many sessions are worth acquiring. Sims’s Bethlehem date also gives one a look at the great pianist Dave McKenna in his early days, along with bassist George Tucker and drummer Dannie Richmond. Sims mostly explores standards from the swing era (including a rare version of “Bill Bailey”) on this enjoyable and consistently swinging set. Scott Yanow

John Haley “Zoot” Sims had built a solid career by the time he recorded Down Home, although not one rife with innovation. Heavily influenced by Lester Young, Sims combined a heavy dose of West Coast cool and plenty of swing to create a style that was always accessible. None of the songs here is a Sims composition (he rarely wrote his own music), but just listen to him go on “Bill Bailey,” for instance, using all of his wiles to draw you in to the tune. With Dave McKenna on piano, George Tucker on bass and, taking a break from his work with Charles Mingus, Dannie Richmond on drums, the rhythm section laid down the perfect beat for Sims to glide over.

Bethlehem Records was a major jazz label in the 1950’s formed by Gus Wildi with an impressive roster of artists including singers Nina Simone, Carmen MacRae, Chris Conner & Mel Torme, to name a few; arrangers: Marty Paich, Russ Garcia, Frank Hunter; and musicians including: Dexter Gordon, Roland Kirk, Charles Mingus, Frank Rosolino, Herbie Mann, Stan Levey, Art Blakey, Milt Hinton, Errol Garner, Zoot Sims, Duke Ellington, JJ Johnson and many, many others. The label distinguished itself by giving artists creative control of their projects and presented albums of rather cutting edge graphic design.

By trusting its staff and artists to make their own creative decisions, to experiment, and thus to flourish, Bethlehem actively helped create and not just document a whole and diverse era of Jazz music.In1960, when this album was recorded, was one of Zoot Sims’ most productive years. The performances here are recognised as being the masterpieces of Sims’ middle period.