Letzte Tage, Letzte Nächte is probably the most “rock” sounding work of Popol Vuh’s production. Recorded by the classic trio of Fricke, Fichelscher and Yun, plus Ted de Jong on tamboura and Amon Düül members Al Gromer on sitar and Renate Knaup on additional vocals, its sounds seem to be more based on power than on ambient. Strong guitar passages emphasize this, with Fischelscher’s playing being harder than the Conny Veit ethereal parts on earlier records. The title track is also the first time that Popol Vuh record English words on a song.
“With his blistering and emotional guitar work Fichelscher made his mark on many of the Popol Vuh albums. An album like ‘Letzte Tage, letzte Nachte’(1976 ) would not be possible without him. But also this album would be impossible without multi-tracking, a technique that Popol Vuh was heavily dependent on throughout their existence. This album shows Popol Vuh from its most rocking and dynamic side. But even here it is evident that a remarkable spiritualism defines the music. In a down-to-earth way Fricke wanted his music to be a ‘healing force’, an ‘uplifting experience for the human soul’. This spiritual quality is inherent and constitutive for all the music he made during his career. This proves Fricke was successful in communicating these intentions to the musicians involved.” Dolf Mulder (www.popolvuh.nl) Limited edition, featuring one bonus track not on the original vinyl and remastered sound, issued in a reproduction of its original sleeve and with an insert featuring photos and liner notes.
It has been master Cut by Lex Van Coeverden @ www.thevinylroom.nl for a high quality sound pressing that will satisfy the most exquisite audiophile.