{"title":"Just Added - D2C  (for Homepage)","description":"For use on homepage in a section only shown to D2C customers.  Products in this collection must have both a just-added tag and a D2C tag, so on the home page D2C users won't be able to see products that should be hidden from D2C.  This collection is only for D2C customers on the homepage.","products":[{"product_id":"philosophy-of-the-world","title":"Philosophy Of The World","description":"\u003cp\u003e[[Release Detail]]\u003c\/p\u003e\n\u003cp\u003eIn 1968, three sisters from Fremont, New Hampshire strapped on their instruments and declared themselves The Shaggs. At that moment begun a peculiar tale that would last far beyond the group’s five-year run. Dot, Betty and Helen (and occasionally Rachel, the fourth sister) played in the group on the insistence of their father, Austin Wiggin Jr., who was convinced they were going to be big. Years earlier, Austin’s mother gave him a palm reading, predicting that her son would marry a strawberry blonde woman, that he would have two sons after his mother died, and that his daughters would form a popular music outfit. The first two became reality, so Austin was certain the third would follow suit.\u003c\/p\u003e\n\u003cp\u003eWith pure confidence and his mother’s bold prediction, Austin decided that his daughters would forgo attending the local high school in favor of home schooling interspersed with a strict regiment of instrumental and vocal practice, along with jumping jacks and sit-ups. Soon after The Shaggs would enter Fleetwood Recording studios in Revere, Massachusetts to record their sole album, \u003cem\u003ePhilosophy Of The World\u003c\/em\u003e, a collection of garage rock tunes that balanced charm and discordance in equal measure. Austin would spend most of his savings not only on the session but also on the manufacturing costs to press up 1,000 copies of the album (900 of which mysteriously vanished upon completion).\u003c\/p\u003e\n\u003cp\u003eThroughout _Philosophy_… simple truths are revealed through the pen of sister Dot, the songwriter of the band. The rich people want what the poor people got, just as the poor people want what the rich people got. Your parents love you. There is happiness in nearness and sadness in the farness.\u003c\/p\u003e\n\u003cp\u003eThe album failed to fulfill Austin’s expectations of rock stardom, though the group remained together until their father’s death, performing frequently at the Fremont town hall and a local nursing home, no further albums were released. That might have been the end of it, until rock band \u003cspan class=\"caps\"\u003eNRBQ\u003c\/span\u003e discovered a copy at a Massachusetts radio station and re-released it in 1980. \u003cem\u003eRolling Stone’s\u003c\/em\u003e reviewer at the time described it as “the most stunningly awful wonderful record I’ve heard in ages”.\u003c\/p\u003e\n\u003cp\u003eNearly 50 years later, the album ranks among the most polarizing LPs of all time. Some said it was the worst thing ever made. Others felt it was one of the great long players of the 20th century. Frank Zappa famously dubbed the band “better than The Beatles”, while Kurt Cobain placed the album at #5 on his list of Top 50 favorite albums. Original copies of the album fetch for $10,000.\u003c\/p\u003e\n\u003cp\u003eDecades later and one could argue that maybe Austin was right all along. We’re all here, still enthralled by the purity of The Shaggs.\u003c\/p\u003e\n\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eIn 1968, three sisters from Fremont, New Hampshire strapped on their instruments and declared themselves The Shaggs. At that moment begun a peculiar tale that would last far beyond the group’s five-year run. Dot, Betty and Helen (and occasionally Rachel, the fourth sister) played in the group on the insistence of their father, Austin Wiggin Jr., who was convinced they were going to be big. Years earlier, Austin’s mother gave him a palm reading, predicting that her son would marry a strawberry blonde woman, that he would have two sons after his mother died, and that his daughters would form a popular music outfit. The first two became reality, so Austin was certain the third would follow suit.\u003c\/p\u003e\n\u003cp\u003eWith pure confidence and his mother’s bold prediction, Austin decided that his daughters would forgo attending the local high school in favor of home schooling interspersed with a strict regiment of instrumental and vocal practice, along with jumping jacks and sit-ups. Soon after The Shaggs would enter Fleetwood Recording studios in Revere, Massachusetts to record their sole album, \u003cem\u003ePhilosophy Of The World\u003c\/em\u003e, a collection of garage rock tunes that balanced charm and discordance in equal measure. Austin would spend most of his savings not only on the session but also on the manufacturing costs to press up 1,000 copies of the album (900 of which mysteriously vanished upon completion).\u003c\/p\u003e\n\u003cp\u003eThroughout the album’s simple truths are revealed through the pen of sister Dot, the songwriter of the band. The rich people want what the poor people got, just as the poor people want what the rich people got. Your parents love you. There is happiness in nearness and sadness in the farness.\u003c\/p\u003e\n\u003cp\u003eThe album failed to fulfill Austin’s expectations of rock stardom, though the group remained together until their father’s death, performing frequently at the Fremont town hall and a local nursing home, no further albums were released. That might have been the end of it, until rock band \u003cspan class=\"caps\"\u003eNRBQ\u003c\/span\u003e discovered a copy at a Massachusetts radio station and re-released it in 1980. \u003cem\u003eRolling Stone’s\u003c\/em\u003e reviewer at the time described it as “the most stunningly awful wonderful record I’ve heard in ages”.\u003c\/p\u003e\n\u003cp\u003eNearly 50 years later, the album ranks among the most polarizing LPs of all time. Some said it was the worst thing ever made. 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Mid-Eighties echoes of Spacemen 3 and the Jesus and Mary Chain also roll through the scoured-guitar sustain and Alex Maas’ rocker-monk incantations. But he knows what time it is. ’You say the Beatles stopped the war,” Maas sings in ‘Never\/Ever.’ ‘They might’ve helped to find a cure\/But it’s still not over.’ Even so, this medicine works wonders.\" – \u003cstrong\u003eDavid Fricke, Rolling Stone\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen last we met The Black Angels, they were staring into the desert sun somewhere outside of Austin, Texas. Two years later, night has fallen and the spirits have come out. It’s time for The Black Angels to provide \u003cem\u003eDirections To See A Ghost\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eIf you’re familiar with \u003cem\u003ePassover\u003c\/em\u003e, the band’s 2006 debut, you’ll know that The Black Angels’ music alone is enough to invoke spirits. There’s a name for the band’s sound: \"hypno-drone 'n' roll.\" It’s the sound of long nights on peyote, dreams of a new world order, and half-invented memories of the seamy side of 60s psychedelia.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe Black Angels formed in Austin, Texas, in 2004, comprised of six people (now five) from very different backgrounds. Singer\/vocalist Christian Bland is the son of a Presbyterian Pastor and was raised in a devoutly religious household. Bassist\/guitarist Nate Ryan was born on a cult compound, and drummer Stephanie Bailey claims she’s a descendent of Davy Crocket. She and Alex Maas (vocals\/guitar) both believe a little girl in a red linen dress haunts the group’s home.\u003c\/p\u003e\n\u003cp\u003e“Civil War battlefields are prime spots for seeing ghosts,” says Bland. “One time at Kennesaw mountain in Georgia, I was climbing the mountain in the middle of June and it must have been close to 100 degrees, but in this one particular spot it was very cold. The hairs on my neck stood up and I knew something strange was happening. Then the wind whispered something like ‘retreat,’ and I did. I later learned that the spot where I was on the battlefield was known as ‘the dead angle,’ the place where the fiercest fighting took place. The confederates ended up retreating from the mountain towards Peachtree Creek.”\u003c\/p\u003e\n\u003cp\u003eThe band released \u003cem\u003ePassover\u003c\/em\u003e in 2006 to critical acclaim for both the album and song sharing the same name, \u003cem\u003eThe First Vietnamese War\u003c\/em\u003e. Most of all, \u003cem\u003ePassover\u003c\/em\u003e established The Black Angels as a band with brains, gusto, and a strong message. And this time around, the message is there to read in a 16-page booklet.\u003c\/p\u003e\n\u003cp\u003e“Our central theme is that people need to open up their minds and let everything come through, and to learn from past mistakes,” says Christian. “Only then will we understand the reality of this world and progress beyond where we are now as humans. We’ve built upon that theme with \u003cem\u003eDirections To See A Ghost\u003c\/em\u003e. We want people to study the booklet we are providing with the album in hopes that they will be able to relate each song to something in their life.”\u003c\/p\u003e\n\u003cp\u003e\"War is Peace.\u003c\/p\u003e\n\u003cp\u003eFreedom is Slavery.\u003c\/p\u003e\n\u003cp\u003eIgnorance is Strength.\u003c\/p\u003e\n\u003cp\u003eKeep Music Evil.\"\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Black Angels’ classic sophomore album\u003c\/li\u003e\n\u003cli\u003ePressed at \u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"caps\"\u003e\u003cspan\u003eTriple LP housed in a Stoughton tri-fold gatefold jacket\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSpecial color edition pressed on Metallic Silver Wax\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]LITA 033[[Artist]]The Black Angels\u003c\/p\u003e","brand":"Light in 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His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.\u003c\/p\u003e\n\u003cp\u003eBy coincidence–or perhaps not–Jim’s 1969 debut album was titled \u003cem\u003eU.F.O.\u003c\/em\u003e Originally released in tiny numbers on a private label, \u003cem\u003eU.F.O.\u003c\/em\u003e was truly lost until Light in the Attic begun a years-long quest to give it the full release it always deserved–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.\u003c\/p\u003e\n\u003cp\u003eFor record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. \u003cem\u003eU.F.O.\u003c\/em\u003e was one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame: hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, \u003cem\u003eEasy Rider\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFriend and actor Al Dobbs thought he could change all that and founded a label– Monnie Records–to release Jim’s album, enlisting the assistance of Phil Spector’s legendary Wrecking Crew to do so. That’s Don Randi, Earl Palmer, and Jimmy Bond you can hear, the latter also acting as producer and arranger.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eU.F.O.\u003c\/em\u003e was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; the LP was a fully realized album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy but with filled with despair. The album is punctuated with a string section (that recalls David Axelrod); other times, a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show).\u003cem\u003e U.F.O.\u003c\/em\u003e is a slice of American pop music filtered from the murky depths of Los Angeles by way of the deep south.\u003c\/p\u003e\n\u003cp\u003eWith no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left for Nashville and the promise of a new life as a sessioneer in the home of C\u0026amp;W. That’s where things get hazy.\u003c\/p\u003e\n\u003cp\u003eWe know he was stopped by cops for swerving on the highway in Santa Rosa some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day, his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes, and several copies of his second album, but no note... and no Jim. It was as if he had simply vanished into thin air.\u003c\/p\u003e\n\u003cp\u003eJim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening, Jim and Buster were talking about what one would do if they had to disappear. Jim said he’d walk into the desert and never come back.\u003c\/p\u003e\n\u003cp\u003eTracking down the truth behind Jim’s mystery became an obsession of Light in the Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love with it. He embarked on a cross-country pilgrimage in search of master tapes and truth but came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings, and meetings with Jim’s wife, son, and producer. Thanks to superb digital mastering techniques, Light in the Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.\u003c\/p\u003e\n\u003cp\u003eThe Jim Sullivan Story on YouTube: \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WsIouGN0Wr8?si=UHrL6T6D8Bidnaot\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUltra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector)\u003c\/li\u003e\n\u003cli\u003eFirst time on CD, first LP reissue\u003c\/li\u003e\n\u003cli\u003eNewly remastered\u003c\/li\u003e\n\u003cli\u003eLacquers cut by John Golden Mastering\u003c\/li\u003e\n\u003cli\u003ePlated at Record Technology Inc. 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After taking out a second mortgage to help cover costs, Don Sr. also built his children a 300-capacity concert hall (dubbed Camp Jammin’) replete with ticket booth, stage, and fully functioning snack bar. The only problem was that the projected audience never quite materialized, despite a prime time TV profile entitled “The Rock And Roll Farmers” from nearby Spokane, Washington. Even the Emerson brothers' school pals were nonplussed at their privately pressed long player; hand distributed to local music stores, but not quite so far as Seattle, five hours away from their rural home. Somewhat dejected by the muted response but never surrendering, both Donnie and Joe continued down a musical path and are still active as performers today.\u003c\/p\u003e\n\u003cp\u003eThis rare slice of bedroom-funk gets the usual Light In The Attic treatment with newly remastered audio, detailed liner notes, and expanded original album art with loads of photos from the Emerson’s collection. 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Mastered from the original tapes, and untouched for over 30 years, this release features detailed liner notes by Oliver Wang (Soul Sides, \u003cem\u003eBetty Davis\u003c\/em\u003e and \u003cem\u003eThey Say I’m Different\u003c\/em\u003e re-issue contributor), the originally intended artwork housed in a lavishly packaged digipak, rare photos, archival material, and recent interviews with Davis and her skin-tight band, Funk House.\u003c\/p\u003e\n\u003cp\u003eBetty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (\u003cem\u003eBetty Davis\u003c\/em\u003e and \u003cem\u003eThey Say I’m Different\u003c\/em\u003e), and \u003cem\u003eNasty Gal\u003c\/em\u003e for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Country (Louisiana), a creative difference with her then label caused the platter to be unexpectedly shelved. Davis would cut one final album and soon retreat from the music business, completely disappearing from the public eye.\u003c\/p\u003e\n\u003cp\u003eNever bootlegged, never released, never heard until now, the secret story of this lost album will finally enter the history books and cement this bold soul sisters contributions to music and popular culture. 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\u003cspan class=\"caps\"\u003ePPM\u003c\/span\u003e and when Mary Travers became a mother, they released the Peter, Paul and Mommy album. 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Their passionate live performances inspired solid press coverage and exclusive spins on \u003cspan class=\"caps\"\u003eBBC\u003c\/span\u003e Radio One by Zane Lowe.\u003c\/p\u003e\n\u003cp\u003eThese accolades primed major media and swarms of new fans to The Black Angels’ self-titled debut EP, which was highly recommended by the Village Voice and Spin. Selling close to 5,000 copies and charting #28 on the \u003cspan class=\"caps\"\u003eCMJ\u003c\/span\u003e 200, the band has since mesmerized packed audiences at such highly acclaimed clubs as The Empty Bottle in Chicago and Sin-e in the East Village.\u003c\/p\u003e\n\u003cp\u003eRadio stations like \u003cspan class=\"caps\"\u003eKEXP\u003c\/span\u003e, Australia’s Triple J radio, and Zane Lowe on \u003cspan class=\"caps\"\u003eBBC\u003c\/span\u003e Radio 1 have been persuading their music-loving listeners with frequent plays of and recommendations for The Black Angels. This striking eponymous EP, featuring the visceral “The First Vietnamese War” (pumped by the VV’s Chuck Eddy) and the hypnotic non-LP “Winter ’68,” is where the band was first captured in their burgeoning days of glory.\u003c\/p\u003e\n[[Selling Points]][[Catalog Number]][[Artist]]The Black Angels","brand":"Light in the Attic","offers":[{"title":"Default Title","offer_id":32369918148687,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/products\/blackangels_cover.jpg?v=1593233709"},{"product_id":"peace-on-you","title":"Peace On You","description":"\u003cp\u003e[[Artist]]\u003c\/p\u003e","brand":"Light in the Attic","offers":[{"title":"Peace on You \/ Mack Porter - MP3\/320 \/ album \/ MP3\/320","offer_id":32373441265743,"sku":"98R\/MP3","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Peace on You \/ Mack Porter - FLAC \/ album \/ FLAC","offer_id":32373441298511,"sku":"98R\/FLAC","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Peace on You \/ Mack Porter - 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The New York-based family band – siblings Bruce, Chris, Sandy \u0026amp; younger sister Ellen – recorded \u003cem\u003eHeaven\/Earth\u003c\/em\u003e in 1969 for acclaimed producer Enoch Light’s Project 3 label. The album is quintessential Free Design with “a sweet sound that caressed the aural taste buds and floated deliciously,” in the words of rock historian Kingsley Abbott, “daring listeners to follow it.” Chris Dedrick’s imaginative lyrics of both innocence and irony, and the band’s tight vocals and dreamy enthusiasm, shine on “2002 – A Hit Song,” “Dorian Benediction,” and the album’s other delights.\u003c\/p\u003e\n\u003cp\u003eThe Free Design, those oft-overlooked legends of ‘60s soft pop, drew inspiration from such diverse musicians as Duke Ellington and The Mamas \u0026amp; The Papas. Today, with its sweet harmonies and even sweeter lyrics, The Free Design inspires such diverse musicians as Belle \u0026amp; Sebastian and Jurassic 5. Listen to the band’s acclaimed third album, \u003cem\u003eHeaven\/Earth\u003c\/em\u003e, to experience a sound that has awed the in-the-know for more than three decades. The New York-based family band – siblings Bruce, Chris, Sandy \u0026amp; younger sister Ellen – recorded \u003cem\u003eHeaven\/Earth\u003c\/em\u003e in 1969 for acclaimed producer Enoch Light’s Project 3 label. 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Davis showcased her fiercely unique talent and features such gems as “If I’m In Luck I Might Get Picked Up” and “Game Is My Middle Name.” \u003cem\u003eBetty Davis\u003c\/em\u003e was recorded with Sly \u0026amp; The Family Stone’s rhythm section, sharply produced by Sly Stone drummer Greg Errico, and featured backing vocals from Sylvester and the Pointer Sisters.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBetty’s classic full-length debut!\u003c\/li\u003e\n\u003cli\u003eLP available on Standard Black Wax and Coke Bottle Clear Wax\u003c\/li\u003e\n\u003cli\u003eExpanded vinyl edition featuring 20-page booklet including rare photos, lyrics and new 2022 liner notes by Danielle Maggio interviewing Betty\u003c\/li\u003e\n\u003cli\u003eVinyl pressed at \u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eCD housed in a digipak and featuring expanded booklet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]LITA 026[[Artist]]Betty Davis\u003c\/p\u003e","brand":"Light in the Attic","offers":[{"title":"Betty Davis \/ Betty Davis - MP3\/320 \/ album \/ MP3\/320","offer_id":42600420901109,"sku":"47R\/MP3","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Betty Davis \/ Betty Davis - FLAC \/ album \/ FLAC","offer_id":42600420933877,"sku":"47R\/FLAC","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Betty Davis \/ Betty Davis - WAV \/ album \/ WAV","offer_id":42600420966645,"sku":"47R\/WAV","price":9.99,"currency_code":"USD","in_stock":true},{"title":"If I'm In Luck I Might Get Picked Up \/ track \/ MP3\/320","offer_id":42600420999413,"sku":"629T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"If I'm In Luck I Might Get Picked Up \/ track \/ FLAC","offer_id":42600421032181,"sku":"629T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"If I'm In Luck I Might Get Picked Up \/ track \/ WAV","offer_id":42600421064949,"sku":"629T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Walkin Up the Road \/ track \/ MP3\/320","offer_id":42600421097717,"sku":"630T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Walkin Up the Road \/ track \/ FLAC","offer_id":42600421130485,"sku":"630T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Walkin Up the Road \/ track \/ WAV","offer_id":42600421163253,"sku":"630T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Anti Love Song \/ track \/ MP3\/320","offer_id":42600421196021,"sku":"631T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Anti Love Song \/ track \/ FLAC","offer_id":42600421228789,"sku":"631T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Anti Love Song \/ track \/ WAV","offer_id":42600421261557,"sku":"631T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Your Man My Man \/ track \/ MP3\/320","offer_id":42600421294325,"sku":"632T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Your Man My Man \/ track \/ FLAC","offer_id":42600421327093,"sku":"632T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Your Man My Man \/ track \/ WAV","offer_id":42600421359861,"sku":"632T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Ooh Yeah \/ track \/ MP3\/320","offer_id":42600421392629,"sku":"633T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Ooh Yeah \/ track \/ FLAC","offer_id":42600421425397,"sku":"633T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Ooh Yeah \/ track \/ WAV","offer_id":42600421458165,"sku":"633T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Steppin In Her I. 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While their debut LP provided the blueprint for grunge, and their second album recast the band as one of America’s premier postpunk bands, it’s Over The Edge that best exemplifies the Wipers’ sound. The jagged, effortless guitar lines, the paranoid lyrics and raw-throated vocals and the taut, unified rhythms that define their sound bleed together most clearly on this LP, and it stands as both the best entry point for new fans and the most prevalent favorite of diehards.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eOriginally released in 1983\u003c\/li\u003e\n\u003cli\u003eThird LP by the Wipers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]JPR82803[[Artist]]Wipers\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Over The Edge \/ Vinyl \/ LP Black","offer_id":43959572005109,"sku":"JPR82803","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/wipers_over_the_edge.jpg?v=1690522222"},{"product_id":"is-this-real","title":"Is This Real?","description":"\u003cp\u003e[[Release Detail]]\u003cmeta charset=\"utf-8\"\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eUnquestionably Portland’s most well-loved punk group, the Wipers formed in the late 1970s and in 1980 released their debut LP, “Is This Real?”—twelve songs of stabbing, jittery guitar, snapped vocals, and unabashed teen angst. Full of desperation and yearning, the LP has stood as a blueprint for wretched youth for over 25 years. In the early 1990s “Is This Real?” was given mainstream attention when Nirvana covered two tracks off the record and Cobain announced it was one of the primary influences on his group.\u003c\/p\u003e\n\u003cp\u003eWhile it was reissued on compact disc and available as a part of the Wipers Boxed Set (Zeno), this is the first time “Is This Real?” has been available on vinyl in the U.S. since its initial release. Remastered from original tapes as provided by Greg Sage himself, the LP is pressed on audiophile grade vinyl and housed in a deluxe tip-on sleeve. Complete with a printed insert that replicates the original inner sleeve, the Jackpot Records reissue of “Is This Real?” is a lavish tribute to one of the greatest recordings of the last 30 years.\u003c\/p\u003e\n\u003cp\u003e“What more can I say about them? They started Seattle grunge rock in Portland, 1977”— Kurt Cobain “Ten Records that Changed My Life”, Melody Maker 1992\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eOriginally released in 1980\u003c\/li\u003e\n\u003cli\u003eListed in Kurt Cobain's \u003cmeta charset=\"utf-8\"\u003e“Ten Records that Changed My Life”, Melody Maker 1992\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]JPR82801[[Artist]]The Wipers\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Is This Real? \/ Vinyl \/ LP Black","offer_id":43959572201717,"sku":"JPR82801","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/wipers_is_this_real.jpg?v=1690522230"},{"product_id":"rocks-the-house","title":"Rocks The House","description":"[[Release Detail]][[Release Description]]\n\n\u003cp\u003eFormed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), Silver Apples quickly gained a reputations New York’s leading underground musical expression.\u003c\/p\u003e\n\n\u003cp\u003eBest known for the lush 1961 rendition of the ballad “At Last” – a slow-dance staple at wedding celebrations everywhere, she also is celebrated for having recorded one of the best live albums of all time, “Rocks the House.” Recorded in 1963 at the New Era Club in Nashville, James is captured at her performance peak. The foundation for her reputation as a fiery no-holds-barred performer, are firmly established in this recording.\u003c\/p\u003e\n\n[[Selling Points]]\n  \u003cul\u003e\n\u003cli\u003eOne of the most famous live blues albums ever\u003c\/li\u003e\n\u003cli\u003eFirst time on vinyl including bonus tracks\u003c\/li\u003e\n\u003cli\u003ePressed on blue vinyl\u003c\/li\u003e\n\u003cli\u003eMastered by Kevin Gray (Miles Davis, Aretha Franklin, Ray Charles)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n[[Catalog Number]]JPR029[[Artist]]Etta James","brand":"Jackpot Records","offers":[{"title":"Rocks The House \/ Vinyl \/ LP Blue","offer_id":43959616012533,"sku":"JPR029","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1467990497787-zfapmxx192k-4a2d6d4f35c0a6b5bcc7d456635293e9_2FRocks_2BThe_2BHouse.jpg?v=1690523571"},{"product_id":"his-greatest-sides-volume-1","title":"His Greatest Sides Volume. 1","description":"\u003cp\u003e[[Release Detail]]\u003cmeta charset=\"utf-8\"\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eContinuing in our series of Chess Record Reissues, Jackpot Records presents this compilation of landmark original studio singles, from Chicago blues artist Howlin’ Wolf. Originally recorded from 1954-1965.\u003c\/p\u003e\n\u003cp\u003eHowlin’ Wolf electrified the sound of the Mississippi Delta blues and brought it to Chicago, laying down what would be come the foundation of rock and roll in the early 1950s. Delivered in his gruff, haunting voice, his lyrics spoke of his hard life experiences and his signature growlin’ mesmerized audiences and blues musicians alike.\u003c\/p\u003e\n\u003cp\u003eHowlin Wolf helped make Chess Records a historic label and solidified Chicago as the worlds capital of blues.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLegendary Chess Recordings from 1954-1965\u003c\/li\u003e\n\u003cli\u003ePressed on Limited Colored Vinyl\u003c\/li\u003e\n\u003cli\u003eTop 100 of greatest artists of all time -Rolling Stone – 4.5 stars out of 5 – All Music Guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]JPR032[[Artist]]Howlin Wolf\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"His Greatest Sides Volume. 1 \/ Vinyl \/ LP Color","offer_id":43959616045301,"sku":"JPR032","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1467991393124-6vojg16gh77-05cb372f83ad2e52b683e96cf655a405_2F602547763044.png?v=1690523574"},{"product_id":"howlin-wolf-muddy-waters-and-bo-diddley","title":"Howlin' Wolf, Muddy Waters, and Bo Diddley","description":"\u003cp\u003e[[Release Detail]]\u003cmeta charset=\"utf-8\"\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eSuper Super Blues Band started out merely as Super Blues, a conglomerate of blues pillars Bo Diddley, Muddy Waters and Little Walter. When Little Walter bowed out and was replaced by Howlin’ Wolf, they rightfully threw another Super on the name, and went on to release this burning, irreverent and even sometimes hilarious set of drunken, wild-eyed electric blues. Long form jams roll on in a trance as the trio of blues legends flex egos, talking shit to each other, trading off leads and ducking blasts of unexpected wah-wah guitar lines. Songs are peppered with an incredible level of banter between the trio of bandleaders that predicts the call and response sing- talking of early hip hop, laced with random screams in the background that teeter between celebration and danger.\u003c\/p\u003e\n\u003cp\u003eThat these three ever got into the same room together is a miracle, and that they produced something so intense, energetic and weird is another almost unbelievable feat. The record is special enough as a stand-alone document of this meeting\/melting of the minds before you find out the backing band consists of Hubert Sumlin, Otis Spann and freaking Buddy Guy. Lordy. Might have needed one more “super” in there.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFeatures Howlin’ Wolf, Muddy Waters \u0026amp; Bo Diddley together\u003c\/li\u003e\n\u003cli\u003eOrignal Artwork w\/ liner notes by Richard Meltzer\u003c\/li\u003e\n\u003cli\u003eElectric Chicago Blues – at it’s finest\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]JPR033[[Artist]]Super Super Blues Band\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Howlin' Wolf, Muddy Waters, and Bo Diddley \/ Vinyl \/ LP Black","offer_id":43959616078069,"sku":"JPR033","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1467991797615-pr4138n5iss-0a0f14279cee9fa0de3d26b48b253481_2F602547763037.png?v=1690523577"},{"product_id":"hyper-light-drifter-soundtrack","title":"Hyper Light Drifter Soundtrack","description":"\u003cp\u003e[[Release Detail]][Release Description]]\u003c\/p\u003e\n\u003cp\u003e\"Composer Disasterpeace's soundtrack lends a sense of awe and scale to the world that consistently gave me chills\" - Game Informer\u003c\/p\u003e\n\u003cp\u003e\"The soundtrack by Disasterpeace is every bit a match for the impressive visuals\" - Destructoid\u003c\/p\u003e\n\u003cp\u003e\"One of the year’s best scores, in any medium.\" - Fact Magazine\u003c\/p\u003e\n\u003cp\u003eNominee for Original Light Mix Score, New IP, 2017 NAVGTR Awards\u003c\/p\u003e\n\u003cp\u003eSince its original release on vinyl, Hyper Light Drifter has been one of iam8bit’s most-requested represses of all-time. Back in 2016, the soundtrack was a boon in blasting the video game vinyl revolution into orbit, propelled by composer Disasterpeace’s atmospheric and ephemeral score that is now more poignant than ever. In anticipation of Heart Machine’s latest opus, Solar Ash (from Annapurna Interactive), we thought it a lovely celebratory moment to bring back one of our most cherished releases. This is a completist edition, across four translucent colored records, housed in a premium, custom-designed hardcase with a beautiful tri-fold outer wrap (easily opened\/closed via a hidden magnet). The cherry on the sundae - a specialty foil layer, alive with metallic, luminescent sheen. It’s a truly delicious package for the now legendary Hyper Light Drifter.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4xLP Box Set with translucent colored vinyl\u003c\/li\u003e\n\u003cli\u003eDeluxe custom packaging w\/ magnetic wingflaps\u003c\/li\u003e\n\u003cli\u003eMusic by Disasterpeace\u003c\/li\u003e\n\u003cli\u003eArt by Heart Machine \u0026amp; Drew Wise\u003c\/li\u003e\n\u003cli\u003eIncludes full digital soundtrack\u003c\/li\u003e\n\u003cli\u003eMastered for vinyl by Dave Gardner\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]8BIT-8026-082016[[Artist]]Disasterpeace\u003c\/p\u003e","brand":"iam8bit","offers":[{"title":"Hyper Light Drifter Soundtrack \/ Vinyl \/ 4LP Multicolor","offer_id":45810358780149,"sku":"8BIT-8026-082016","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/hyper-light-drifter-album-cover.jpg?v=1724955158"},{"product_id":"house-in-the-tall-grass","title":"House in the Tall Grass","description":"\u003cp\u003e[[Release Detail]]\u003c\/p\u003e\n\u003cp\u003eFor a very long time, we have been trying to re-issue this record; a true and complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre.\u003c\/p\u003e\n\u003cp\u003eRecorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form.\u003c\/p\u003e\n\u003cp\u003eThe 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, \u003cspan class=\"caps\"\u003eMPB\u003c\/span\u003e, psychedelics and funk sit side by side effortlessly.\u003cbr\u003eThe album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris \u0026amp; Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others.\u003c\/p\u003e\n\u003cp\u003eThe original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.\u003c\/p\u003e\n\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eLike a long journey this record unfolds itself through many layers. Fans of Kikagaku Moyo will be comforted by the soft vocals harmonies and warm Sitar but what sets this release apart is the refinement of the band’s songwriting and their delicate execution. Side A begins with a pair of travelling songs where the interplay between the vocals, guitar, and sitar lift and suspend you on an unexpected journey.\u003c\/p\u003e\n\u003cp\u003eThe patient listener is rewarded by tracks like “Trad” and “Silver Owl” that demonstrate the masterful balance the band has between soft and loud; chaos and order, or being both cold and tender at the same time. “House in the Tall Grass” takes the listener by the hand on a comfortable quest through destinations both familiar and unknown. It is a natural step forward for the band and perhaps the most refined example of their style to date.\u003c\/p\u003e\n\u003cp\u003eKikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free musiccollective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo call their sound psychedelicic because it encompasses a broad spectrum of influence.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eElements of classical Indian music, krautrock, traditional folk, and 70s rock.\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eRecorded at Studio Somil, Rio De Janeiro in 1972\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eProduced, arranged, and directed by Arthur Verocai\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]GGB-008[[Artist]]Kikagaku Moyo\u003c\/p\u003e","brand":"Guruguru Brain","offers":[{"title":"House in the Tall Grass \/ Vinyl \/ LP Black","offer_id":43959644455157,"sku":"GGB-008-2","price":27.0,"currency_code":"USD","in_stock":true},{"title":"House in the Tall Grass \/ CD \/ CD","offer_id":43959644487925,"sku":"GGB-008CD","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1648839254099-6xbs1u4zzg5-86bcd1c8046f1824041d039475737d4d_2FaDNJIzqg.jpg?v=1690524841"},{"product_id":"kikagaku-moyo","title":"Kikagaku Moyo","description":"\u003cp\u003e[[Release Detail]]\u003c\/p\u003e\n\u003cp\u003eFor a very long time, we have been trying to re-issue this record; a true and complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre.\u003c\/p\u003e\n\u003cp\u003eRecorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form.\u003c\/p\u003e\n\u003cp\u003eThe 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, \u003cspan class=\"caps\"\u003eMPB\u003c\/span\u003e, psychedelics and funk sit side by side effortlessly.\u003cbr\u003eThe album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris \u0026amp; Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others.\u003c\/p\u003e\n\u003cp\u003eThe original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.\u003c\/p\u003e\n\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eKikagaku Moyo’s debut album exerts an elemental power. Enlivening their sound with sitars, percussive drums, theremins, wind instruments and ethereal vocals, the band manages to sound powerfully spacious and lazily serene all at once. Their songs can be light as air, or heavy as earth. Many evolve out of intense experiences of engagement with the natural world. The album’s first track, “Can You Imagine Nothing?” was written over a night spent jamming on a suspended footbridge in remote mountains. As the song progressed the bridge began to sway, making band members feel as though they were floating weightless in midair.\u003c\/p\u003e\n\u003cp\u003eKikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free music collective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo call their sound psychedelicic because it encompasses a broad spectrum of influence. Their music incorporates elements of classical Indian music, Krautrock, Traditional Folk, and 70s Rock. Most importantly their music is about freedom of the mind and body and building a bridge between the supernatural and the present. Improvisation is a key element to their sound.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKikagaku Moyo's first self-titled album reissue\u003c\/li\u003e\n\u003cli\u003eOriginally released by Cosmic Eye Records in Sep 2013\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eElements of classical Indian music, krautrock, traditional folk, and 70s rock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]GGB-013[[Artist]]Kikagaku Moyo\/幾何学模様\u003c\/p\u003e","brand":"Guruguru Brain","offers":[{"title":"Kikagaku Moyo \/ Vinyl \/ LP Black","offer_id":43959644520693,"sku":"GGB-013","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Kikagaku Moyo \/ CD \/ CD","offer_id":43959644553461,"sku":"GGB-13CD","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1519070593368-k6wx3poxqe-e09cfade6d7f78ef1e6a3539dca09f71_2Fa0389363479_10.jpg?v=1690524841"},{"product_id":"try-your-best","title":"Try Your Best","description":"[[Release Detail]][[Release Description]]\u003cp\u003eThe Seattle band Mommy Long Legs has been around for a bit now, amassing a tape, an EP, and a 7″ since they started releasing music in 2015. Now, they’re announcing their debut album, Try Your Best.\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eRepress on blue colored vinyl\u003c\/li\u003e\n\t\u003cli\u003eOriginally released in 2018\u003c\/li\u003e\n\t\u003cli\u003eDebut album\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]YRR 020[[Artist]]Mommy Long Legs","brand":"Youth Riot Records","offers":[{"title":"Try Your Best \/ Vinyl \/ LP Blue","offer_id":43959649599733,"sku":"YRR 020","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1528138211273-ewlui4ijih-356e2dadef7a762c77bf23a81c2b03c8_2FMommy_2BLong_2BLegs-Try-Your-Best.jpg?v=1690525070"},{"product_id":"masana-temples","title":"Masana Temples","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eKikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free music collective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo call their sound psychedelic because it encompasses a broad spectrum of influence. Their music incorporates elements of classical Indian music, Krautrock, Traditional Folk, and 70s Rock. Most importantly their music is about freedom of the mind and body and building a bridge between the supernatural and the present. Improvisation is a key element to their sound.\u003c\/p\u003e\n\u003cp\u003eThe shifting dimensions of Masana Temples, fourth album from psychedelic explorers Kikagaku Moyo, are informed by various experiences the band had with traveling through life together, ranging from the months spent on tour to making a pilgrimage to Lisbon to record the album with jazz musician Bruno Pernadas. The band sought out Pernadas both out of admiration for his music and in an intentional move to work with a producer who came from a wildly different background. With Masana Temples, the band wanted to challenge their own concepts of what psychedelic music could be. Elements of both the attentive folk and wild-eyed rocking sides of the band are still intact throughout, but they’re sharper and more defined.\u003c\/p\u003e\n\u003cp\u003eMore than the literal interpretation of being on a journey, the album’s always changing sonic panorama reflects the spiritual connection of the band moving through this all together. Life for a traveling band is a series of constant metamorphoses, with languages, cultures, climates and vibes changing with each new town. The only constant for Kikagaku Moyo throughout their travels were the five band members always together moving through it all, but each of them taking everything in from very different perspectives. Inspecting the harmonies and disparities between these perspectives, the group reflects the emotional impact of their nomadic paths. The music is the product of time spent in motion and all of the bending mindsets that come with it.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKikagaku Moyo's fourth full-length studio album\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eRecorded with jazz musician Bruno Pernadas\u003c\/li\u003e\n\u003cli\u003ePressed on black vinyl\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]GGB-017LP-2[[Artist]]Kikagaku Moyo\u003c\/p\u003e","brand":"Guruguru Brain","offers":[{"title":"Masana Temples \/ Vinyl \/ LP Black","offer_id":43959652221173,"sku":"GGB-017LP-2","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Masana Temples \/ CD \/ CD","offer_id":43959652253941,"sku":"GGB-017CD","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1648839260622-qzjil5tnl5-7237878d4b4818c3f5104b74c334e734_2FDKjUJGNw.jpg?v=1690525172"},{"product_id":"oasis","title":"Oasis","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/520381623\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eTime Capsule is a reissue label that unites the record collectors and DJs of the brilliant corners and Beauty \u0026amp; The Beat communities in London. For each release, Kay Suzuki works alongside one co-curator to reinstate and repackage the music they hold dear into perfectly restored historic artifacts.\u003c\/p\u003e\n\u003cp\u003eFor the first release, brilliant corners regular and Meda Fury signing Ryota \u003cspan class=\"caps\"\u003eOPP\u003c\/span\u003e curates the reissue of Il Guardiano Del Faro’s 1978 album Oasis.\u003c\/p\u003e\n\u003cp\u003eBorn 1940 in Milan, Federico Monti Arduini was a child prodigy who studied piano and was already performing at concerts from the age of eight. He composed pop songs for other artists which sold millions of copies, but his own solo success came after he encountered synthesizers in the early 70s.\u003c\/p\u003e\n\u003cp\u003eViewed as a precursor of New Age sound art, Arduini was one of the first producers in Italy to use the Moog synthesizer and a meeting with Bob Moog in New York only added to this obsession. He was also an early adopter of the tradition among electronic producers to use a moniker to disguise his identity. Il Guardiano Del Faro (translated as “the guardian of lighthouse”) is a nod to the small Italian fishing town Porto Santo Stefano, where Arduini created his studio in the mid-70s.\u003c\/p\u003e\n\u003cp\u003eHe produced a number of albums from this seaside idyl of electronic instruments and tape recorders, but Oasis stands out from the pack. Released in 1978, it became a cult classic for its experimental sounds and emotional expressions. Spiritual synth sounds cover the album in a dreamy haze, oscillating between ambient and psychedelic. Sparing deployment of the Roland rhythm box gives dance floor favourites ‘Disco Divina’ and ‘Oasis’ touches of space disco and even teases proto-house elements like the great Sun Palace.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressed on heavy 180gm vinyl\u003c\/li\u003e\n\u003cli\u003eOriginal restored artwork with gatefold sleeve\u003c\/li\u003e\n\u003cli\u003eLiner notes and pictures on inner sleeve\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRemastered by Tim Young, Metropolis Studios (Grammy Award Winner mastering engineer)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TIME001[[Artist]]Il Guardiano Del Faro\u003c\/p\u003e","brand":"Time Capsule","offers":[{"title":"Oasis \/ Vinyl \/ LP Black","offer_id":43959654154485,"sku":"TIME001","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/826853966610.jpg?v=1749584011"},{"product_id":"castle-in-the-sky-image-album","title":"Castle In The Sky: Image Album","description":"[[Release Detail]][[Release Description]]\u003cp\u003eThis album was created before the soundtrack, and is based on the image of Laputa given to Joe Hisaishi from director Hayao Miyazaki and producer Isao Takahata.\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eJapanese import\u003c\/li\u003e\n\t\u003cli\u003eJacket image is designed with a cutout of the main characters, Pazu and Sheeta, from the theater poster\u003c\/li\u003e\n\t\u003cli\u003eDouble jacket with duplicate cel of Pazu and Sheeta\u003c\/li\u003e\n\t\u003cli\u003eHoused in a gatefold jacket with an \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\t\u003cli\u003eLimited pressing\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]TJJA-10011[[Artist]]Joe Hisaishi","brand":"Tokuma Japan Communications","offers":[{"title":"Castle In The Sky: Image Album \/ Vinyl \/ LP Black","offer_id":43959654875381,"sku":"TJJA-10011","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1535746830071-kvtm903nw2-393e21091362e5d060c94a5b7ad2fb9b_2Fimage_2Balbum_2B.jpg?v=1690525286"},{"product_id":"castle-in-the-sky-soundtrack-tjja-10012-legacy","title":"Castle In The Sky: Soundtrack","description":"[[Release Detail]][[Release Description]]\n\u003cp\u003eSoundtrack includes the insert song ‘’Kimi o Nosete.’’ Jacket image is the Tiger Moth, the airship of the Doras the air pirates, which appeared in ’’Castle In The Sky.\"\u003c\/p\u003e\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003eJapanese import\u003c\/li\u003e\n\u003cli\u003ePressed on Black Vinyl\u003c\/li\u003e\n\u003cli\u003eHoused in a gatefold jacket with an \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]TJJA-10012[[Artist]]Joe Hisaishi","brand":"Tokuma Japan Communications","offers":[{"title":"Castle In The Sky: Soundtrack \/ LP \/ LP Black","offer_id":43959654908149,"sku":"TJJA-10012","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008085815.jpg?v=1747851897"},{"product_id":"castle-in-the-sky-symphony-version","title":"Castle In The Sky: Symphony Version","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eSymphony version of the image album ‘’Sora kara Futtekita Shoujo’’ performed by an orchestra of 60 players. Performance: Tokyo City Philharmonic Orchestra. Conductor: Katsuaki Nakatani.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJapanese Import\u003c\/li\u003e\n\u003cli\u003eIncludes 4 pages of illustrations plus an \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\u003cli\u003eLimited\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TJJA-10013[[Artist]]Joe Hisaishi\u003c\/p\u003e","brand":"Tokuma Japan Communications","offers":[{"title":"Castle In The Sky: Symphony Version \/ LP \/ LP Black","offer_id":43959654940917,"sku":"TJJA-10013","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008085914.jpg?v=1747852102"},{"product_id":"my-neighbor-totoro-image-album","title":"My Neighbor Totoro: Image Album","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eImage album created with the concept of ‘’making songs which children really want and can sing out loud with their mouths widely opened.’’\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJapanese import\u003c\/li\u003e\n\u003cli\u003e16-page booklet\u003c\/li\u003e\n\u003cli\u003eLimited edition with \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\u003cli\u003eIncludes 10 songs + 1 instrumental\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TJJA-10014[[Artist]]Joe Hisaishi\u003c\/p\u003e","brand":"Tokuma Japan Communications","offers":[{"title":"My Neighbor Totoro: Image Album (Restock) \/ LP \/ LP Black (Restock)","offer_id":46450311659765,"sku":"TJJA-10014","price":42.0,"currency_code":"USD","in_stock":true},{"title":"My Neighbor Totoro: Image Album (2025 Restock) \/ Vinyl \/ LP Black","offer_id":43959654973685,"sku":"TJJA-10014-2","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008086010.jpg?v=1747852370"},{"product_id":"my-neighbor-totoro-soundtrack","title":"My Neighbor Totoro: Soundtrack","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eSoundtrack in which you can feel warmth and enjoy Joe Hisaishi’s music to your heart’s content. Includes ’’Sanpo’’ and ‘’My Neighbor Totoro.’’\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJapanese import\u003c\/li\u003e\n\u003cli\u003eIncludes 4 pages of illustrations\u003c\/li\u003e\n\u003cli\u003eLimited edition with \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\u003cli\u003ePressed on Black Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TJJA-10015[[Artist]]Joe Hisaishi\u003c\/p\u003e","brand":"Tokuma Japan Communications","offers":[{"title":"My Neighbor Totoro: Soundtrack (Restock) \/ Vinyl \/ LP Black","offer_id":43959655039221,"sku":"TJJA-10015","price":42.0,"currency_code":"USD","in_stock":true},{"title":"My Neighbor Totoro: Soundtrack \/ Vinyl \/ LP Color","offer_id":43959655071989,"sku":"TJJA-10015-C","price":49.0,"currency_code":"USD","in_stock":true},{"title":"My Neighbor Totoro: Soundtrack \/ Vinyl \/ LP Black","offer_id":44467671662837,"sku":"TJJA-10015","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008086119.jpg?v=1747852030"},{"product_id":"nausicaa-of-the-valley-of-wind-image-album","title":"Nausicaa Of The Valley Of Wind: Image Album","description":"[[Release Detail]][[Release Description]]\u003cp\u003eA collection of works which are considered the origin of film music in Nausicaa, created even before the film’s production and based on the image in the original comics. Jacket image is a ‘’Torumakian Soldier’’ illustrated by director Hayao Miyazaki for appendix poster for Animage.\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eJapanese import\u003c\/li\u003e\n\t\u003cli\u003eLimited edition with \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\t\u003cli\u003eIncludes 4 pages of illustrations\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]TJJA-10008-2[[Artist]]Joe Hisaishi","brand":"Tokuma Japan Communications","offers":[{"title":"Nausicaa Of The Valley Of Wind: Image Album \/ Vinyl \/ LP Black","offer_id":43959655137525,"sku":"TJJA-10008","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008085419.jpg?v=1747851875"},{"product_id":"nausicaa-of-the-valley-of-wind-symphony-version","title":"Nausicaa Of The Valley Of Wind: Symphony Version","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eMasterpieces of ’’Nausicaa’’ reproduced by an orchestra of 50 players. Fully arranged and produced by composer Joe Hisaishi himself. Jacket image is Nausicaa departing for a journey.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJapanese import\u003c\/li\u003e\n\u003cli\u003e4 pages of illustrations\u003c\/li\u003e\n\u003cli\u003eHouses in double gatefold jacket with \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TJJA-10010[[Artist]]Joe Hisaishi\u003c\/p\u003e","brand":"Tokuma Japan Communications","offers":[{"title":"Nausicaa Of The Valley Of Wind: Symphony Version \/ Vinyl \/ LP Black","offer_id":43959655203061,"sku":"TJJA-10010","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008085617.jpg?v=1748478051"},{"product_id":"liberated-brother","title":"Liberated Brother","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eWeldon Irvine’s debut as a leader remains one of the most fiercely idiosyncratic electric jazz outings of the early ‘70s. Innovative not only for its moody, nuanced jazz-funk sensibility, Liberated Brother also translates the uncommonly strong passion of Irvine’s political and philosophical views into its grooves, creating music of rare sincerity and ambition. While the record’s first-half features longer, more meditative songs, like the Latin-inspired title tune and “Blues Wel-Don,” the second side of Liberated Brother commands the most attention. With sterling contributions from guitarist Tommy Smith, bassist Roland Wilson, and drummer Napoleon Revels-Bey, cuts like “Mr. Clean” and “Sister Sanctified” (later sampled by Boogie Down Productions for the rap classic “My Philosophy”) achieve a deeply funky consciousness forged from elements of jazz, soul, and psychedelia; “Juggah Buggah” even features Irvine on Moog synthesizer, further expanding the LP’s cosmic reach.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eMoody, nuanced jazz-funk\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eContributions from guitarist Tommy Smith, bassist Roland Wilson, and drummer Napoleon Revels-Bey\u003c\/li\u003e\n\u003cli\u003eRe-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]NM-1001[[Artist]]Weldon Irvine\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Liberated Brother \/ Vinyl \/ LP Black","offer_id":43959669981429,"sku":"NM-1001","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622919.jpg?v=1755042960"},{"product_id":"the-osamu-kitajima-boxset","title":"The Osamu Kitajima Boxset","description":"[[Release Detail]][[Release Description]]\u003cp\u003eOsamu Kitajima was born in Chigasaki, Japan on February 3rd 1949 and studied classical guitar and piano already in his childhood days. Later on in the 1960s, when Beat and Rock music became the hot stuff in the popular music circuit, he joined his cousin’s band “The Launchers” with his brother, before graduating from university. Osamu’s cousin, Yūzō Kayama, is a famous Japanese film actor and musician. In 1971, when Osamu was already a successful composer of TV advertising jingles, he moved to England for a year and developed an obsession for British Rock music, especially in the Psychedelic field. The Beatles, The Bee Gees, Jimi Hendrix, Deep Purple and The Zombies became his major influences and inspired him to start a solo career under the name \u003cspan class=\"caps\"\u003eJUSTIN\u003c\/span\u003e \u003cspan class=\"caps\"\u003eHEATHCLIFF\u003c\/span\u003e, which he adopted for it’s typical English sound. His 1971 eponymous album was a typical Pop Psyche effort for it’s time, but not long after he returned home to Japan, Osamu abandoned the English sounding name and further on merged Western Progressive and Electronic music with Japanese Folk sounds.\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eBlack LP Box Set: 180g audiophile black vinyl in heavy covers, housed in a beautiful box with magnetic lock, containing all inserts of the original LPs. All 5 albums are taken from the \u003cspan class=\"caps\"\u003eORIGINAL\u003c\/span\u003e \u003cspan class=\"caps\"\u003eMASTERS\u003c\/span\u003e, provided by Mr. Kitajima himself.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\t\u003cli\u003eCD Box Set: Highest quality digipak CD editions in a coated, embossed and hotfoil printed box with magnetic lock. All 5 albums are taken from the \u003cspan class=\"caps\"\u003eORIGINAL\u003c\/span\u003e \u003cspan class=\"caps\"\u003eMASTERS\u003c\/span\u003e, provided by Mr. Kitajima himself.\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]Everland Psych 003-007DLXLP[[Artist]]Osamu Kitajima","brand":"Everland Music","offers":[{"title":"The Osamu Kitajima Boxset \/ Vinyl \/ Box Set Black","offer_id":43959671652597,"sku":"Everland Psych 003-007LP","price":120.0,"currency_code":"USD","in_stock":true},{"title":"The Osamu Kitajima Boxset \/ Vinyl \/ 5LP Clear","offer_id":43959671619829,"sku":"Everland Psych 003-007DLXLP","price":155.0,"currency_code":"USD","in_stock":true},{"title":"The Osamu Kitajima Boxset \/ CD \/ 5CD","offer_id":43959671685365,"sku":"Everland Psych 003-007CD","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1558115545740-hk8jodsvc4c-861a94a895dc8731defe8e16926b86a8_2FEverlandPsych_Osamu-Kitajima-boxset_dealers.jpg?v=1690525919"},{"product_id":"shravanam","title":"Shravanam","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eTime Capsule presents the transcendental work of intensely spiritual Indian classical music by celebrated vocalist and composer Bombay S Jayashri.\u003c\/p\u003e\n\u003cp\u003eDuring its brief lifespan reissue imprint Time-Capsule’s releases have proved as multinational as they have been wide-ranging in style, serving up Italian new age music (Il Guardiano Del Faro’s Oasis), Japanese guitar fusion (Yuji Toriyama’s Choice Works 1982-1985), and American dub by way of Ethiopia (Bill Laswell and Gigi’s Illuminated Audio).\u003c\/p\u003e\n\u003cp\u003eFor their fourth ever reissue Time Capsule selected one of classical Indian vocalist Bombay S Jayashri’s most mesmerising works. Born into a musician family steeped in the south Indian tradition of vocal music, the Mumbai-raised singer took advantage of the city’s cosmopolitism to study northern Hindustani disciplines, one of the few vocalists to train in both. Now revered as one of the greatest living exponents of Carnatic music, she received an Oscar nomination for her work on Ang Lee’s Life of Pi.\u003c\/p\u003e\n\u003cp\u003eWithin the first minute of opener Sada Bada (Slokam), Jayashri’s intensely spiritual vocals give a clear indication of why she has been increasingly embraced by a new generation of western listeners who’ve made the natural leap from ambient soundscapes to new age and devotional music. Accompanied on the following Bhajeham Bhajeham by a hypnotic rhythmic backing of mridangam drums, bells and the drone of a tambura, over its epic twenty-minute length she stretches her voice into a variety of spellbinding forms – her softly enunciated dedications to Shiva enveloping you with their immersive warmth and cosmic beauty. Kalimaheshwari’s gently undulating rhythms form a similarly entrancing undercurrent, over which Javashri delivers a jaw-dropping performance of melodic Sanskrit chants which evoke a variety of different names for the sacred feminine.\u003c\/p\u003e\n\u003cp\u003eOne of the album’s new-found devotees is label boss Kay Suzuki: “every time I listen I’m amazed at how such a small ensemble can create such a deep musical landscape. The incredible production plays a big part. That intricate percussion sounds so clear and sits in all the right pockets rhythmically and sonically. Just by following this groove I’m put into a timeless zone, but when her voice hits on top of that gorgeous drone sound and I focus on the details of her small melodies within melodies, my heart centres and I find myself in a blissful place.”\u003c\/p\u003e\n\u003cp\u003eAs professor of cultural and political theory Jeremy Gilbert states in the album’s liner notes, the mesmerising sincerity and deep spirituality of these songs present an intense and spiritual charge that will appeal to an audience well beyond believers and devotees of Hinduism.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eReverse cut vinyl (plays from inner groove to outer groove)\u003c\/li\u003e\n\u003cli\u003eComes with hype sticker\u003c\/li\u003e\n\u003cli\u003e180g Heavy vinyl\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLiner Notes: Jeremy Gilbert (University of East London)\u003c\/li\u003e\n\u003cli\u003eRemastered: Claudio Passavanti at Doctor Mix Studios\u003c\/li\u003e\n\u003cli\u003eCurator: Kay Suzuki\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TIME004[[Artist]]Bombay S Jayashri\u003c\/p\u003e","brand":"Time Capsule","offers":[{"title":"Shravanam \/ Vinyl \/ LP Black Reverse","offer_id":45318620872949,"sku":"TIME004R","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Shravanam \/ Vinyl \/ LP Black","offer_id":43959691247861,"sku":"TIME004","price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/748322322171_19596630-647f-4ed2-8ddb-dea52cef1054.jpg?v=1750069731"},{"product_id":"pick-your-king","title":"Pick Your King","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eNot only the greatest Poison Idea record, but the greatest \u003cspan class=\"caps\"\u003ePUNK\u003c\/span\u003e album of all time! 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Jim Hall’s playing was dark, funky, ambiguous, sounding like drums and voices all at the same time — particularly in the fourth movement. Brookmeyer became the pace setter. His lines were played as stage settings for the other two players to dialogue and narrate against. Giuffre, ever the storyteller, advanced the improvisation angle and wrote his score so that each player had to stand on his own as part of the group; there were no comfort zones. Without a rhythm section, notions of interval, extensions, interludes, and so on were out the window. He himself played some of his most restrained yet adventurous solos in the confines of this trio and within the form of this suite. It swung like West Coast jazz, but felt as ambitious as Copland’s “Billy The Kid”.\u003c\/p\u003e\n\u003cp\u003eThe record is filled out with two other tunes, one of Eddie Durham’s, “Topsy”, and the final moment of mastery this band ever recorded, the already classic “Blue Monk”. The easy stroll of the front line with Brookmeyer’s trombone strutting New Orleans’ style is in sharp contrast to Giuffre’s clarinet playing. Which carries the bluesy melody through three harmonic changes before he solos and then plays three more. Hall keeps it all on track, and somehow the piece sounds very natural this way, though unlike “Monk”, there are no edges here — everything is rounded off. 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For a crucial period of little over a decade – from the late 1960s to the early 1980s – Japanese jazz culture progressed at an astonishing rate, producing an extraordinary array of artists, recordings and record labels that created some of the most forward thinking and impressive jazz to be committed to tape. This amazing journey is explored on ‘J Jazz’.\u003c\/p\u003e\n\u003cp\u003eThis compilation from \u003cspan class=\"caps\"\u003eBBE\u003c\/span\u003e uncovers some of the most sought after and rare material from this period and pulls together key artists who shaped the post-war modern jazz scene in Japan.\u003c\/p\u003e\n\u003cp\u003e‘J Jazz’ includes obscure and sought after rarities like the bass-driven power jazz of Koichi Matsukaze’s ‘Earth Mother’, the holy grail rarity of Aizawa Tohru Quartet’s ‘Dead Letter’ and the loping majesty of Takeo Moriyama’s ‘North Wind’. This collection takes the listener into deep spiritual jazz, post-modal impressionism and fierce dance-floor fusion with material from artists and composers whose names are generally only known to committed collectors of Japanese jazz. Fumio Karashima, Mitsuaki Katayama, Takeo Moriyama and Kiyoshi Sugimoto are among the names featured on an album aiming to shed a little light on the shadowy world of Japanese jazz clubs, tucked away in the neon backstreets. This music demands a wider audience and \u003cspan class=\"caps\"\u003eBBE\u003c\/span\u003e are excited to deliver a landmark compilation, lifting the veil on this wonderful and mysterious area of the global jazz catalogue.\u003c\/p\u003e\n\u003cp\u003eNone of the tracks featured on ‘J Jazz’ have ever received an official release outside Japan before. The albums the tracks are taken from are extremely hard to find and often fetch huge sums on the collector’s circuit. 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Enjoy the beauty of the artwork with the rich sound of a vinyl record.\u003c\/p\u003e\n\u003cp\u003eScore by Joe Hisaishi. 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Enjoy the beauty of the artwork with the rich sound of a vinyl record.\u003c\/p\u003e\n\u003cp\u003eScore by Joe Hisaishi. 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Your mission is to traverse the world of machines and androids through the musical machinations of Rozen and Reven. 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Thanks to a successful Kickstarter campaign to fund live choir sessions and other live performers, Alucard’s Elegy breathes new life into what amounts to the upside-down castle companion to 2017’s original Resurrection of the Night album. Fan-favorite tracks including the serene “Lost Painting,” soulful “Wandering Ghosts,” and series tradition, “Bloody Tears,” are featured alongside ten other selections. 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Developer Moon Studios’ masterpiece of friendship, adventure and ephemeral glows struck an emotional chord in a uniquely universal way. On the eve of its 5th anniversary and the arrival of its predecessor, Ori and the Will of the Wisps , iam8bit is proud to present this brand new vinyl edition featuring beautiful album art by the incomparable Nicole Gustafsson. Composer Gareth Coker’s striking soundtrack reminds us just how magical an audio experience can be, especially when immortalized on wax. 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