{"title":"Last Year","description":"","products":[{"product_id":"1992-2001","title":"1992 - 2001","description":"[[Release Detail]][[Release Description]]\n\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YSfoB3wEooI?si=TnlcCswNWdP2sdaM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n\n\u003cp\u003e“Acetone are into it for what they get out of it. Their music reflects who they are, and that’s so rare in music today. It’s a soul music thing.” – Jason Pierce (Spiritualized)\u003c\/p\u003e\n\n\u003cp\u003e“Acetone are one of my all time favorite bands. Their music is still as electrifying and beautiful now as it was back then.” – Hope Sandoval (Mazzy Star)\u003c\/p\u003e\n\n\u003cp\u003e“A lovely mix of what would it be like if Dick Dale and Neil Young played with Isaac Hayes and The Velvet Underground. A seminal American band.” – Richard Ashcroft (The Verve)\u003c\/p\u003e\n\n\u003cp\u003eThe independent literary press All Night Menu published Sam Sweet’s Hadley, Lee, Lightcap, a nonfiction novel that traces the backstories of the three members in Acetone, a band that played in Los Angeles for nine years. Though few heard them, their recordings are time capsules of who they were, how they lived, and where they came from. Light in the Attic has partnered with All Night Menu to present Acetone 1992-2001, the first anthology of the trio’s music.\u003c\/p\u003e\n\n\u003cp\u003eCounting their early years in the scuzz-rock band Spinout, whose sole self-titled release came out in 1991 on Delicious Vinyl, guitarist Mark Lightcap, bassist Richie Lee, and drummer Steve Hadley played together for a total of 15 years. They disbanded in July 2001, when Lee committed suicide in the garage next to the house where the trio practiced. Afterwards, \u003cem\u003eRolling Stone\u003c\/em\u003e ran a short obituary saying Acetone’s albums were “well received” but “failed to make any waves.” It was the first and only time they were featured in the national music press.\u003c\/p\u003e\n\n\u003cp\u003eBetween 1993 and 2001 the trio released two LPs and an EP on Vernon Yard—a Virgin subsidiary—and two LPs on Vapor, the L.A.-based label founded by Neil Young and manager Elliott Roberts. In that span, they were selected to tour with Oasis, Mazzy Star, The Verve, and Spiritualized. Against a rising tide of post-Nirvana grunge and slipshod indie rock, Acetone tapped into a timeless Southern California groove by fusing elements of psychedelia, surf, and country.\u003c\/p\u003e\n\n\u003cp\u003eThey rehearsed endlessly in an empty bedroom in northeast Los Angeles, recording hours of music onto cassettes that were subsequently stuffed into shoeboxes and left in a shed behind the drummer’s house. Those tapes are being released for the first time in this anthology, which also includes highlights from Acetone’s official releases. Taken together, the songs form a companion soundtrack to Sam Sweet’s book, which maps the character of Los Angeles as a place through the lens of these three unique characters bonded by music.\u003c\/p\u003e\n\n\u003cp\u003e“I think our music is all about moods and feeling but hopefully it will get as weird as it possibly can,” said Richie Lee in 1997. “We want things to get weird in the way that you could hear an Acetone song and know that no one else in the world could make that kind of music but us.”\u003c\/p\u003e\n\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003eFirst time band anthology\u003c\/li\u003e\n\u003cli\u003eIncludes 9 unreleased tracks\u003c\/li\u003e\n\u003cli\u003eAudio restored and remastered from original tapes\u003c\/li\u003e\n\u003cli\u003eDouble LP housed in a gatefold jacket\u003c\/li\u003e\n\u003cli\u003eLiner notes by Sam Sweet\u003c\/li\u003e\n\u003c\/ul\u003e\n\n[[Catalog Number]]LITA 159[[Artist]]Acetone","brand":"Light in the 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At that moment begun a peculiar tale that would last far beyond the group’s five-year run. Dot, Betty and Helen (and occasionally Rachel, the fourth sister) played in the group on the insistence of their father, Austin Wiggin Jr., who was convinced they were going to be big. Years earlier, Austin’s mother gave him a palm reading, predicting that her son would marry a strawberry blonde woman, that he would have two sons after his mother died, and that his daughters would form a popular music outfit. The first two became reality, so Austin was certain the third would follow suit.\u003c\/p\u003e\n\u003cp\u003eWith pure confidence and his mother’s bold prediction, Austin decided that his daughters would forgo attending the local high school in favor of home schooling interspersed with a strict regiment of instrumental and vocal practice, along with jumping jacks and sit-ups. Soon after The Shaggs would enter Fleetwood Recording studios in Revere, Massachusetts to record their sole album, \u003cem\u003ePhilosophy Of The World\u003c\/em\u003e, a collection of garage rock tunes that balanced charm and discordance in equal measure. Austin would spend most of his savings not only on the session but also on the manufacturing costs to press up 1,000 copies of the album (900 of which mysteriously vanished upon completion).\u003c\/p\u003e\n\u003cp\u003eThroughout _Philosophy_… simple truths are revealed through the pen of sister Dot, the songwriter of the band. The rich people want what the poor people got, just as the poor people want what the rich people got. Your parents love you. There is happiness in nearness and sadness in the farness.\u003c\/p\u003e\n\u003cp\u003eThe album failed to fulfill Austin’s expectations of rock stardom, though the group remained together until their father’s death, performing frequently at the Fremont town hall and a local nursing home, no further albums were released. That might have been the end of it, until rock band \u003cspan class=\"caps\"\u003eNRBQ\u003c\/span\u003e discovered a copy at a Massachusetts radio station and re-released it in 1980. \u003cem\u003eRolling Stone’s\u003c\/em\u003e reviewer at the time described it as “the most stunningly awful wonderful record I’ve heard in ages”.\u003c\/p\u003e\n\u003cp\u003eNearly 50 years later, the album ranks among the most polarizing LPs of all time. Some said it was the worst thing ever made. Others felt it was one of the great long players of the 20th century. Frank Zappa famously dubbed the band “better than The Beatles”, while Kurt Cobain placed the album at #5 on his list of Top 50 favorite albums. Original copies of the album fetch for $10,000.\u003c\/p\u003e\n\u003cp\u003eDecades later and one could argue that maybe Austin was right all along. We’re all here, still enthralled by the purity of The Shaggs.\u003c\/p\u003e\n\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eIn 1968, three sisters from Fremont, New Hampshire strapped on their instruments and declared themselves The Shaggs. At that moment begun a peculiar tale that would last far beyond the group’s five-year run. Dot, Betty and Helen (and occasionally Rachel, the fourth sister) played in the group on the insistence of their father, Austin Wiggin Jr., who was convinced they were going to be big. Years earlier, Austin’s mother gave him a palm reading, predicting that her son would marry a strawberry blonde woman, that he would have two sons after his mother died, and that his daughters would form a popular music outfit. The first two became reality, so Austin was certain the third would follow suit.\u003c\/p\u003e\n\u003cp\u003eWith pure confidence and his mother’s bold prediction, Austin decided that his daughters would forgo attending the local high school in favor of home schooling interspersed with a strict regiment of instrumental and vocal practice, along with jumping jacks and sit-ups. Soon after The Shaggs would enter Fleetwood Recording studios in Revere, Massachusetts to record their sole album, \u003cem\u003ePhilosophy Of The World\u003c\/em\u003e, a collection of garage rock tunes that balanced charm and discordance in equal measure. Austin would spend most of his savings not only on the session but also on the manufacturing costs to press up 1,000 copies of the album (900 of which mysteriously vanished upon completion).\u003c\/p\u003e\n\u003cp\u003eThroughout the album’s simple truths are revealed through the pen of sister Dot, the songwriter of the band. The rich people want what the poor people got, just as the poor people want what the rich people got. Your parents love you. There is happiness in nearness and sadness in the farness.\u003c\/p\u003e\n\u003cp\u003eThe album failed to fulfill Austin’s expectations of rock stardom, though the group remained together until their father’s death, performing frequently at the Fremont town hall and a local nursing home, no further albums were released. That might have been the end of it, until rock band \u003cspan class=\"caps\"\u003eNRBQ\u003c\/span\u003e discovered a copy at a Massachusetts radio station and re-released it in 1980. \u003cem\u003eRolling Stone’s\u003c\/em\u003e reviewer at the time described it as “the most stunningly awful wonderful record I’ve heard in ages”.\u003c\/p\u003e\n\u003cp\u003eNearly 50 years later, the album ranks among the most polarizing LPs of all time. Some said it was the worst thing ever made. Others felt it was one of the great long players of the 20th century. Frank Zappa famously dubbed the band “better than The Beatles”, while Kurt Cobain placed the album at #5 on his list of Top 50 favorite albums. Original copies of the album fetch for $10,000.\u003c\/p\u003e\n\u003cp\u003eDecades later and one could argue that maybe Austin was right all along. 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Mid-Eighties echoes of Spacemen 3 and the Jesus and Mary Chain also roll through the scoured-guitar sustain and Alex Maas’ rocker-monk incantations. But he knows what time it is. ’You say the Beatles stopped the war,” Maas sings in ‘Never\/Ever.’ ‘They might’ve helped to find a cure\/But it’s still not over.’ Even so, this medicine works wonders.\" – \u003cstrong\u003eDavid Fricke, Rolling Stone\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWhen last we met The Black Angels, they were staring into the desert sun somewhere outside of Austin, Texas. Two years later, night has fallen and the spirits have come out. It’s time for The Black Angels to provide \u003cem\u003eDirections To See A Ghost\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eIf you’re familiar with \u003cem\u003ePassover\u003c\/em\u003e, the band’s 2006 debut, you’ll know that The Black Angels’ music alone is enough to invoke spirits. 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It's an epic worthy of Morricone's spaghetti Western scores -- had Morricone been born a guitarist. Ultimately, Beautiful Rivers and Mountains is more than a mere curiosity piece; for all its easy-to-recognize styles, Shin's way of enmeshing them into something original underscores rather than erases their strangeness and splendor -- even to widely exposed Western ears -- making this is an excellent introduction to his work.” \u003c\/em\u003e\u003cstrong\u003e- AllMusic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eShin Joong Hyun’s tale is personal, spiritual, and deep, not only reflecting the full spectrum of human emotions but also reverberating with echoes of sound, some beautiful and life-giving, others restless and ungovernable. These career-spanning anthologies gather Shin’s work as a guitarist, songwriter, producer and arranger of mind-altering experimental pop, acid-folk, and extended psych-funk jams. 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His VW bug was found abandoned, his motel room untouched. Some think he got lost in the desert. Some think he fell foul of a local family with alleged mafia ties. Some think he was abducted by aliens.\u003c\/p\u003e\n\u003cp\u003eBy coincidence–or perhaps not–Jim’s 1969 debut album was titled \u003cem\u003eU.F.O.\u003c\/em\u003e Originally released in tiny numbers on a private label, \u003cem\u003eU.F.O.\u003c\/em\u003e was truly lost until Light in the Attic begun a years-long quest to give it the full release it always deserved–and to solve the mystery of Sullivan’s disappearance. Only one of those things happened.\u003c\/p\u003e\n\u003cp\u003eFor record collectors, some albums are considered impossible to get hold of, records so rare you could sit on eBay for years and not get a sniff of a copy. \u003cem\u003eU.F.O.\u003c\/em\u003e was one of those albums. A seventh son, Jim Sullivan was a West Coast should-have-been, an Irish-American former high school quarterback whose gift for storytelling earned him cult status in the Malibu bar where he performed nightly. Sullivan was always on the edge of fame: hanging out with movie stars like Harry Dean Stanton, performing on the Jose Feliciano show, even stealing a cameo in the ultimate hippie movie, \u003cem\u003eEasy Rider\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFriend and actor Al Dobbs thought he could change all that and founded a label– Monnie Records–to release Jim’s album, enlisting the assistance of Phil Spector’s legendary Wrecking Crew to do so. That’s Don Randi, Earl Palmer, and Jimmy Bond you can hear, the latter also acting as producer and arranger.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eU.F.O.\u003c\/em\u003e was a different beast to the one-man-and-his-guitar stuff Jim had been doing on stage; the LP was a fully realized album of scope and imagination, a folk-rock record with its head in the stratosphere. Sullivan’s voice is deep and expressive like Fred Neil with a weathered and worldly Americana sound like Joe South, pop songs that aren’t happy but with filled with despair. The album is punctuated with a string section (that recalls David Axelrod); other times, a Wurlitzer piano provides the driving groove (as if Memphis great Jim Dickinson was running the show).\u003cem\u003e U.F.O.\u003c\/em\u003e is a slice of American pop music filtered from the murky depths of Los Angeles by way of the deep south.\u003c\/p\u003e\n\u003cp\u003eWith no music industry contacts, the record went largely unnoticed, and Jim simply moved on, releasing a further album on the Playboy label in 1972. But by 1975, his marriage breaking up, Jim left for Nashville and the promise of a new life as a sessioneer in the home of C\u0026amp;W. That’s where things get hazy.\u003c\/p\u003e\n\u003cp\u003eWe know he was stopped by cops for swerving on the highway in Santa Rosa some 15 hours after setting off. We know he was taken to a local police station, found to be sober, and told to go to the local La Mesa Motel to get some rest, which he did. Some time later, his car was spotted on a ranch belonging to the local Genetti family, who confronted him about his business there. The next day, his car was found 26 miles down the road, abandoned. His car and his hotel room contained, among other things, his twelve-string guitar, his wallet, his clothes, and several copies of his second album, but no note... and no Jim. It was as if he had simply vanished into thin air.\u003c\/p\u003e\n\u003cp\u003eJim’s family travelled out to join search parties looking for him, the local papers printed missing person stories, but the search proved fruitless. Around the same time, the local sheriff retired and the Genettis moved to Hawaii. Jim’s manager Robert “Buster” Ginter later stated that during the early morning hours of a long evening, Jim and Buster were talking about what one would do if they had to disappear. Jim said he’d walk into the desert and never come back.\u003c\/p\u003e\n\u003cp\u003eTracking down the truth behind Jim’s mystery became an obsession of Light in the Attic’s Matt Sullivan (no relation) when he happened upon a copy of the album and fell in love with it. He embarked on a cross-country pilgrimage in search of master tapes and truth but came back with neither, despite hundreds of phone calls, e-mails, letters, faxes, private detectives, telepathy, palm readings, and meetings with Jim’s wife, son, and producer. Thanks to superb digital mastering techniques, Light in the Attic is still able to present a clean, near perfect copy of Jim’s masterpiece for general consumption for the first time. Enjoy. And remember, beyond the mystery, there’s the music.\u003c\/p\u003e\n\u003cp\u003eThe Jim Sullivan Story on YouTube: \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WsIouGN0Wr8?si=UHrL6T6D8Bidnaot\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUltra rare 1969 private press psych-folk-rock masterpiece – featuring the legendary Wrecking Crew (Beach Boys, Phil Spector)\u003c\/li\u003e\n\u003cli\u003eFirst time on CD, first LP reissue\u003c\/li\u003e\n\u003cli\u003eNewly remastered\u003c\/li\u003e\n\u003cli\u003eLacquers cut by John Golden Mastering\u003c\/li\u003e\n\u003cli\u003ePlated at Record Technology Inc. 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FLAC","offer_id":32230311329871,"sku":"1265T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Sandman \/ track \/ WAV","offer_id":32230311395407,"sku":"1265T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"U.F.O. \/ Vinyl \/ LP Color","offer_id":32236499697743,"sku":"LITA054LP-COLOR","price":25.0,"currency_code":"USD","in_stock":true},{"title":"U.F.O. \/ CD \/ CD","offer_id":32237503807567,"sku":"LITA054CD","price":15.0,"currency_code":"USD","in_stock":true},{"title":"U.F.O. \/ Vinyl \/ LP Black","offer_id":32237503873103,"sku":"LITA206-1","price":20.0,"currency_code":"USD","in_stock":true},{"title":"U.F.O. \/ Cassette \/ Cassette","offer_id":32237503905871,"sku":"LITA054TAPE","price":12.0,"currency_code":"USD","in_stock":true},{"title":"U.F.O. \/ Cassette \/ Cassette Tape","offer_id":43348180336885,"sku":"LITA206-9","price":9.75,"currency_code":"USD","in_stock":true},{"title":"U.F.O. \/ Vinyl \/ LP Blue Splatter","offer_id":43942347702517,"sku":"LITA206-1-1","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/JimSullivan.jpg?v=1697032706"},{"product_id":"dreamin-wild","title":"Dreamin' Wild","description":"[[Release Detail]]\n\u003cp\u003e[[Release Description]]\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mbK8QOgr7_8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePacific Northwest isolation mixed with wide-eyed ambition, a strong sense of family, and the gift of music proved to be quite the combination for teenage brothers Donnie and Joe Emerson. Originally released in 1979, \u003cem\u003eDreamin’ Wild\u003c\/em\u003e is the sonic vision of the talented Emerson boys, recorded in a family-built home studio in rural Washington State. Situated in the unlikely blink-and-you-missed-it town of Fruitland and far removed from the late 1970s punk movement and the larger disco boom, Donnie and Joe tilled their own musical soil, channeling bedroom pop jams, raw funk, and yacht rock.\u003c\/p\u003e\n\u003cp\u003eSpurred on by their high school’s music program, Donnie and Joe received a further push from their lifelong farmer father, who drew up a contract stating that he’d support his sons lofty ambitions with their very own recording studio as long as they focused on original material, sage advice for a man with zero experience in the music business. After taking out a second mortgage to help cover costs, Don Sr. also built his children a 300-capacity concert hall (dubbed Camp Jammin’) replete with ticket booth, stage, and fully functioning snack bar. The only problem was that the projected audience never quite materialized, despite a prime time TV profile entitled “The Rock And Roll Farmers” from nearby Spokane, Washington. Even the Emerson brothers' school pals were nonplussed at their privately pressed long player; hand distributed to local music stores, but not quite so far as Seattle, five hours away from their rural home. Somewhat dejected by the muted response but never surrendering, both Donnie and Joe continued down a musical path and are still active as performers today.\u003c\/p\u003e\n\u003cp\u003eThis rare slice of bedroom-funk gets the usual Light In The Attic treatment with newly remastered audio, detailed liner notes, and expanded original album art with loads of photos from the Emerson’s collection. Be sure to also check out the short documentary, \u003cem\u003eThe \u003c\/em\u003e\u003cem\u003eRock-n-Roll Farmers: Donnie \u0026amp; Joe Emerson\u003c\/em\u003e.\u003c\/p\u003e\n[[Selling Points]]\n\u003cp\u003e\u003cstrong\u003e2023 Edition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIncludes newly expanded artwork\u003c\/li\u003e\n\u003cli\u003eDetailed liner notes by Dave Segal, interviewing the Emersons plus unseen photos, lyrics and \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eLP includes 20-page booklet\u003c\/li\u003e\n\u003cli\u003eLP pressed at \u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e and housed in a gatefold jacket\u003c\/li\u003e\n\u003cli\u003eSpecial LP color edition pressed on Transparent Blue wax\u003c\/li\u003e\n\u003cli\u003eNewly expanded CD edition includes 36-page booklet\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]LITA 082[[Artist]]Donnie \u0026amp; Joe 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Mastered from the original tapes, and untouched for over 30 years, this release features detailed liner notes by Oliver Wang (Soul Sides, \u003cem\u003eBetty Davis\u003c\/em\u003e and \u003cem\u003eThey Say I’m Different\u003c\/em\u003e re-issue contributor), the originally intended artwork housed in a lavishly packaged digipak, rare photos, archival material, and recent interviews with Davis and her skin-tight band, Funk House.\u003c\/p\u003e\n\u003cp\u003eBetty Davis was a musical maverick with vision. Image, substance, sex, and grit combined with a badass band that could deliver the funk bed backbone to the sultry music between the sheets. After cutting two notorious discs for the Just Sunshine label (\u003cem\u003eBetty Davis\u003c\/em\u003e and \u003cem\u003eThey Say I’m Different\u003c\/em\u003e), and \u003cem\u003eNasty Gal\u003c\/em\u003e for Island Records, Davis went to work on her most personal and expressive record yet. After capturing 10 hard-hitting tracks in 1976 at the remote Studio In The Country (Louisiana), a creative difference with her then label caused the platter to be unexpectedly shelved. Davis would cut one final album and soon retreat from the music business, completely disappearing from the public eye.\u003c\/p\u003e\n\u003cp\u003eNever bootlegged, never released, never heard until now, the secret story of this lost album will finally enter the history books and cement this bold soul sisters contributions to music and popular culture. 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WAV","offer_id":32230325911631,"sku":"700T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Stars Starve, You Know \/ track \/ MP3\/320","offer_id":32230325944399,"sku":"701T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Stars Starve, You Know \/ track \/ FLAC","offer_id":32230325977167,"sku":"701T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Stars Starve, You Know \/ track \/ WAV","offer_id":32230326009935,"sku":"701T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Let's Get Personal \/ track \/ MP3\/320","offer_id":32230326042703,"sku":"702T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Let's Get Personal \/ track \/ FLAC","offer_id":32230326075471,"sku":"702T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Let's Get Personal \/ track \/ WAV","offer_id":32230326108239,"sku":"702T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Bar Hoppin' \/ track \/ MP3\/320","offer_id":32230326141007,"sku":"703T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Bar Hoppin' \/ track \/ FLAC","offer_id":32230326173775,"sku":"703T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Bar Hoppin' \/ track \/ WAV","offer_id":32230326206543,"sku":"703T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"For My Man \/ track \/ MP3\/320","offer_id":32230326239311,"sku":"704T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"For My Man \/ track \/ FLAC","offer_id":32230326272079,"sku":"704T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"For My Man \/ track \/ WAV","offer_id":32230326304847,"sku":"704T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Is This Love Or Desire \/ CD \/ CD","offer_id":32236499566671,"sku":"LITA047CD","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Is It Love Or Desire \/ Vinyl \/ LP Black","offer_id":43348180041973,"sku":"LITA047-1","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Is It Love Or Desire \/ Vinyl \/ LP Gold","offer_id":43348180074741,"sku":"LITA047-1-1","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Is It Love Or Desire \/ Vinyl \/ LP Silver","offer_id":43348180107509,"sku":"LITA047-1-2","price":21.0,"currency_code":"USD","in_stock":true},{"title":"Is It Love Or Desire \/ Cassette \/ Cassette Tape","offer_id":43348180140277,"sku":"LITA047-9","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Is It Love Or Desire \/ Cassette \/ 8-Track","offer_id":43348180173045,"sku":"LITA047-8","price":35.0,"currency_code":"USD","in_stock":true},{"title":"Is It Love Or Desire \/ CD \/ CD","offer_id":44065408942325,"sku":"LITA047-2","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/bettydavis_isitloveordesire.jpg?v=1696119809"},{"product_id":"hi-fi-snock-uptown","title":"Hi Fi Snock Uptown","description":"[[Release Detail]][[Release Description]]\n\u003cp\u003eMichael Hurley’s classic third LP. Originally recorded in 1971, this record finds Hurley exploring the full range of his stylistic canon and features some of his most loved songs such as 'Water Train', 'The Twilight Zone', 'Eyes, Eyes' and 'Blue Driver'.\u003c\/p\u003e\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003eOriginally released in 1971\u003c\/li\u003e\n\u003cli\u003ePressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eFeatures beloved songs, 'Water Train', 'The Twilight Zone', 'Eyes, Eyes' and 'Blue Driver'!\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]MPR048[[Artist]]Michael Hurley","brand":"Future Days Recordings","offers":[{"title":"Hi Fi Snock Uptown \/ CD \/ CD","offer_id":32374424993871,"sku":"FDR604","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Hi Fi Snock Uptown \/ Vinyl \/ LP","offer_id":44500700856565,"sku":"MPR048","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/FDR604_Hurley_HiFiSnook_325.jpg?v=1696119814"},{"product_id":"time-and-place","title":"Time and Place","description":"[[Release Detail]]\n\u003cp\u003eLee Moses was a huge talent and if he’d had the big hit album he richly deserved, \u003cem\u003eTime And Place\u003c\/em\u003e would’ve been it. A self-taught multi-instrumentalist, Moses cut his teeth in the clubs of Atlanta, the ‘Motown of the South’, where he frequently performed alongside his contemporary Gladys Knight (who reportedly wanted him for the Pips, but couldn’t pin him down).\u003c\/p\u003e\n\u003cp\u003eIt was, however, in New York in the ‘60s that Moses made his greatest bid to find the solo fame he desired. Moses began working there as a session player, even playing frequently with a pre-fame Jimi Hendrix, but his close relationship with producer and Atlanta native Johnny Brantley eventually saw him getting his own break via a series of 45s in 1967 – most notably with covers of Joe Simon’s “My Adorable One”, The Four Tops’ “Reach Out, I’ll Be There” and The Beatles’ “Day Tripper”.\u003c\/p\u003e\n\u003cp\u003eIt was 1971 before Moses’ dream of being at stage front was realized, when he released his Brantley-produced LP \u003cem\u003eTime And Place\u003c\/em\u003e for Maple Records. Recorded with a band including members of The Ohio Players and Moses’ own backing group The Deciples, it was, nonetheless, Moses himself whose star quality shone through, via his scratchy guitar riffs, his throat-ripping vocals and the stirring mood that permeates the LP’s heady mix of funk, soul and R\u0026amp;B.\u003c\/p\u003e\n\u003cp\u003eThe LP did no business, and Moses’ dream quickly crumbled. Though details on his life are scarce, it’s believed he fled New York disenchanted with the music industry, feeling he’d been double-crossed by Brantley both in credit and remuneration for the countless records he’d played on. Back in Atlanta, Moses returned to playing the clubs, married twice, and fell into depression and drug dependency. He died in 1997 at the age of 56.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTime And Place\u003c\/em\u003e soon became a much-sought-after item for collectors, and its cult has continued to grow over the years. Here, we re-present it on deluxe vinyl, with brand new liner notes from Sarah Sweeney including interviews with Moses’ sister and his closest collaborator, the singer and guitarist Hermon Hitson. Through them, Moses becomes a little – but just a little – less of an enigma.\u003c\/p\u003e\n[[Release Description]]\n\u003cp\u003eLee Moses was a huge talent and if he’d had the big hit album he richly deserved, \u003cem\u003eTime And Place\u003c\/em\u003e would’ve been it. A self-taught multi-instrumentalist, Moses cut his teeth in the clubs of Atlanta, the ‘Motown of the South’, where he frequently performed alongside his contemporary Gladys Knight (who reportedly wanted him for the Pips, but couldn’t pin him down).\u003c\/p\u003e\n\u003cp\u003eIt was, however, in New York in the ‘60s that Moses made his greatest bid to find the solo fame he desired. Moses began working there as a session player, even playing frequently with a pre-fame Jimi Hendrix, but his close relationship with producer and Atlanta native Johnny Brantley eventually saw him getting his own break via a series of 45s in 1967 – most notably with covers of Joe Simon’s “My Adorable One”, The Four Tops’ “Reach Out, I’ll Be There” and The Beatles’ “Day Tripper”.\u003c\/p\u003e\n\u003cp\u003eIt was 1971 before Moses’ dream of being at stage front was realized, when he released his Brantley-produced LP \u003cem\u003eTime And Place\u003c\/em\u003e for Maple Records. Recorded with a band including members of The Ohio Players and Moses’ own backing group The Deciples, it was, nonetheless, Moses himself whose star quality shone through, via his scratchy guitar riffs, his throat-ripping vocals and the stirring mood that permeates the LP’s heady mix of funk, soul and R\u0026amp;B.\u003c\/p\u003e\n\u003cp\u003eThe LP did no business, and Moses’ dream quickly crumbled. Though details on his life are scarce, it’s believed he fled New York disenchanted with the music industry, feeling he’d been double-crossed by Brantley both in credit and remuneration for the countless records he’d played on. Back in Atlanta, Moses returned to playing the clubs, married twice, and fell into depression and drug dependency. He died in 1997 at the age of 56.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTime And Place\u003c\/em\u003e soon became a much-sought-after item for collectors, and its cult has continued to grow over the years. Here, we re-present it on deluxe vinyl, with brand new liner notes from Sarah Sweeney including interviews with Moses’ sister and his closest collaborator, the singer and guitarist Hermon Hitson. Through them, Moses becomes a little – but just a little – less of an enigma.\u003c\/p\u003e\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003eNewly remastered\u003c\/li\u003e\n\u003cli\u003eHoused in an expanded gatefold Stoughton tip-on jacket\u003c\/li\u003e\n\u003cli\u003eIncludes new liner notes by Sarah Sweeney\u003c\/li\u003e\n\u003cli\u003ePressed on Psychedelic Soul Splatter Wax\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]FDR 630[[Artist]]Lee Moses","brand":"Future Days Recordings","offers":[{"title":"Time and Place \/ Vinyl \/ LP Splatter","offer_id":43942348882165,"sku":"FDR630-1-4","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/FDR630_Cover.jpg?v=1697143420"},{"product_id":"misora","title":"Misora","description":"[[Release Detail]][[Release Description]]\n\u003cp\u003e\u003cstrong\u003eAvailable July 19, 2019\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOften regarded as Japan’s first female singer-songwriter, Sachiko Kanenobu created an enduring legacy with \u003cem\u003eMisora\u003c\/em\u003e, a timeless classic of intricate finger-picking, gently soaring melodies, and rustic Laurel Canyon vibes. Originally released in 1972 on \u003cspan class=\"caps\"\u003eURC\u003c\/span\u003e (Underground Record Club), one of Japan’s first independent record labels, the Haruomi Hosono-produced album remains one of the most beloved works to come out of Japan’s folk and rock scenes centered around Tokyo and Kansai areas in the early 1970s.\u003c\/p\u003e\n\u003cp\u003eBorn and raised in Osaka in a large, music-loving family, Kanenobu picked up the guitar as a teen just as the “college folk” boom swept through university campuses in the Kansai area in the mid-60s. The Pete Seeger and American folk-leaning scene didn’t appeal much to her, however, and instead gravitated towards the British sounds of Donovan and Pentangle, teaching herself guitar techniques by listening to their music. Kanenobu made her songwriting and recording debut as part of Himitsu Kessha Marumaru Kyodan, whose sole single was released on \u003cspan class=\"caps\"\u003eURC\u003c\/span\u003e in 1969. After years of being pushed aside by the label in favor of newer male artists who were more “folky” in a traditional sense, it was her friendship with the groundbreaking band and labelmate Happy End that ultimately helped her secure the opportunity to record a solo album. With Hosono on board as producer, Kanenobu spent seven days recording the songs that would become \u003cem\u003eMisora\u003c\/em\u003e, with most songs recorded in a single take.\u003c\/p\u003e\n\u003cp\u003eBy the time \u003cem\u003eMisora\u003c\/em\u003e released in September 1972, Kanenobu was gone. She had left for America, eager to start a new life with Paul Williams, a music writer who had founded Crawdaddy Magazine in 1966. Without the artist to promote it, “_Misora_ was asleep for a long time,” she said. Meanwhile Kanenobu settled near Sonoma in Northern California, retiring from music and concentrating on raising her two children. It wasn’t until Philip K. Dick, the famed writer and family friend, heard \u003cem\u003eMisora\u003c\/em\u003e and encouraged her to get back into music, that Kanenobu felt the urge to pick up the guitar again. Soon new songs started flowing, and Dick helped finance a single for Kanenobu in 1981. He was committed to producing a full length when he died unexpectedly in 1982.\u003c\/p\u003e\n\u003cp\u003eWhile she enjoyed success (especially in Germany) with her hard-hitting group Culture Shock in the 1980s, and continued to release albums in American and in Japan in the 1990s, it’s Misora that keeps coming back to her. Every few years a new generation of fans discover the album. Devendra Banhart, Jim O’Rourke, Steve Gunn, and many others continue to tout its greatness.\u003c\/p\u003e\n\u003cp\u003eKanenobu played a series of sold-out homecoming shows in Japan in 2018, playing \u003cem\u003eMisora\u003c\/em\u003e in its entirety. Surviving members of Happy End came out to support, some even playing in her backing band. Audience members included old and young, some young enough to be her grandchildren. “I love it,” she said. “They love \u003cem\u003eMisora\u003c\/em\u003e, they’ve heard it so many times. And here it rose from death…because for them, they can’t believe it—she’s still alive!”\u003c\/p\u003e\n[[Selling Points]]\n\u003cp\u003e\u003cstrong\u003eNot Available to Customers in Asia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAudio remastered from the original analog master tapes\u003c\/li\u003e\n\u003cli\u003eBooklets include rare photos, translated lyrics and a new interview with Kanenobu\u003c\/li\u003e\n\u003cli\u003eVinyl housed in a deluxe, uncoated gatefold jacket with 12-page liner notes book\u003c\/li\u003e\n\u003cli\u003eVinyl pressed at \u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eCD housed in an uncoated Digipak with 32-page liner notes book\u003c\/li\u003e\n\u003cli\u003eAs featured on V\/A Even A Tree Can Shed Tears: Japanese Folk \u0026amp; Rock 1969-1973\u003c\/li\u003e\n\u003cli\u003eDeluxe Edition comes with 8″ × 10″ photo signed by the artist herself (\u003cspan class=\"caps\"\u003eLITA\u003c\/span\u003e Store Online Exclusive – \u003cspan class=\"caps\"\u003eLIMITED\u003c\/span\u003e TO 250 \u003cspan class=\"caps\"\u003eCOPIES\u003c\/span\u003e)\u003cbr\u003e \u003cb\u003e\u003c\/b\u003e\n\u003c\/li\u003e\n\u003cli\u003eOnline Exclusive Color Vinyl Edition: Misora Blue\u003c\/li\u003e\n\u003cli\u003eUS Indie Retail Exclusive Color Vinyl Edition: Kagero Gold (\u003cspan class=\"caps\"\u003eRECORD\u003c\/span\u003e \u003cspan class=\"caps\"\u003eSTORES\u003c\/span\u003e \u003cspan class=\"caps\"\u003eONLY\u003c\/span\u003e)\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]LITA175LP-2[[Artist]]Sachiko Kanenobu","brand":"Light in the Attic","offers":[{"title":"Misora \/ CD \/ CD","offer_id":32374426894415,"sku":"LITA175CD","price":10.0,"currency_code":"USD","in_stock":true},{"title":"Misora \/ Vinyl \/ LP Blue","offer_id":32374427156559,"sku":"LITA175LP-1","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Misora \/ Vinyl \/ LP Gold","offer_id":32374427287631,"sku":"LITA175LP-2","price":999999.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1693514915550-fcdn3bklvi6-b78832b6aa855210a7d05eba56d5390d_2Fimage_2827_29.png?v=1697169786"},{"product_id":"blowout-comb","title":"Blowout Comb","description":"\u003cp\u003e[[Release Detail]]\u003c\/p\u003e\n\u003cp\u003e[[Release Description]]\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBlowout Comb is named for the combs used to maintain an Afro hairstyle, and that’s significant in itself. As the group’s Ishmael “Butterfly” Butler explains, \"It means the utilization of the natural, a natural style.\"\u003c\/p\u003e\n\u003cp\u003eLike with 1993’s debut, Reachin’ (A New Refutation of Time and Space), \"utilizing the natural\" meant creating hip hop that blended jazz with the formidable rap skills of the aforementioned Butterfly, Craig \"Doodlebug\" Irving, and Mary Ann \"Ladybug Mecca\" Vieira. Unlike that debut, it meant broadening to include guests such as Gang Starr’s Guru, Jeru the Damaja, and Jazzy Joyce. \u003c\/p\u003e\n\u003cp\u003eFollowing the gold-selling commercial success of their debut, Digable Planets set out to prove their artistic prowess. This is intelligent, alternative hip hop that sounds like party music. Its lyrics are dense with wit, social commentary, and politics–and its original inner sleeve was modeled on the newspaper of the Black Panther movement. In today's ever-heated sociopolitical climate, the Planets' commentary and insight are just as relevant as ever. Ya dig?\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAvailable again on two color variants – Dazed and Amazed Duo Color Wax (\u003cspan class=\"caps\"\u003eGLD\u003c\/span\u003e) \u0026amp; Clear with Purple Center Wax (\u003cspan class=\"caps\"\u003eCLR\u003c\/span\u003e)\u003c\/li\u003e\n\u003cli\u003eFully printed inner sleeves\u003c\/li\u003e\n\u003cli\u003eLiner notes by Larry Mizell Jr.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]MCR 905[[Artist]]Digable Planets\u003c\/p\u003e","brand":"Modern Classics Recordings","offers":[{"title":"Blowout Comb \/ Vinyl \/ 2LP Black","offer_id":32374427811919,"sku":"MCR905","price":21.0,"currency_code":"USD","in_stock":true},{"title":"Blowout Comb \/ Vinyl \/ 2LP Gold\/Blue","offer_id":43348181680373,"sku":"MCR905-1-1.2","price":42.0,"currency_code":"USD","in_stock":true},{"title":"Blowout Comb \/ Vinyl \/ 2LP Clear\/Purple","offer_id":43348181713141,"sku":"MCR905-1-2.2","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/ab67616d0000b2732853bfc72a2ce5ddc6ed2f0d.jpg?v=1729030796"},{"product_id":"betty-davis","title":"Betty Davis","description":"\u003cp\u003e[[Release Detail]]\u003cmeta charset=\"utf-8\"\u003e[[Release Description]] \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KVmq0dWRKoY?si=YikpyYa_YVeTOUJT\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIn 1973, Betty Davis would finally kick off her cosmic career with an amazingly progressive hard funk, sweet soul, self-titled debut. Davis showcased her fiercely unique talent and features such gems as “If I’m In Luck I Might Get Picked Up” and “Game Is My Middle Name.” \u003cem\u003eBetty Davis\u003c\/em\u003e was recorded with Sly \u0026amp; The Family Stone’s rhythm section, sharply produced by Sly Stone drummer Greg Errico, and featured backing vocals from Sylvester and the Pointer Sisters.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBetty’s classic full-length debut!\u003c\/li\u003e\n\u003cli\u003eLP available on Standard Black Wax and Coke Bottle Clear Wax\u003c\/li\u003e\n\u003cli\u003eExpanded vinyl edition featuring 20-page booklet including rare photos, lyrics and new 2022 liner notes by Danielle Maggio interviewing Betty\u003c\/li\u003e\n\u003cli\u003eVinyl pressed at \u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eCD housed in a digipak and featuring expanded booklet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]LITA 026[[Artist]]Betty Davis\u003c\/p\u003e","brand":"Light in the Attic","offers":[{"title":"Betty Davis \/ Betty Davis - MP3\/320 \/ album \/ MP3\/320","offer_id":42600420901109,"sku":"47R\/MP3","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Betty Davis \/ Betty Davis - FLAC \/ album \/ FLAC","offer_id":42600420933877,"sku":"47R\/FLAC","price":9.99,"currency_code":"USD","in_stock":true},{"title":"Betty Davis \/ Betty Davis - WAV \/ album \/ WAV","offer_id":42600420966645,"sku":"47R\/WAV","price":9.99,"currency_code":"USD","in_stock":true},{"title":"If I'm In Luck I Might Get Picked Up \/ track \/ MP3\/320","offer_id":42600420999413,"sku":"629T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"If I'm In Luck I Might Get Picked Up \/ track \/ FLAC","offer_id":42600421032181,"sku":"629T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"If I'm In Luck I Might Get Picked Up \/ track \/ WAV","offer_id":42600421064949,"sku":"629T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Walkin Up the Road \/ track \/ MP3\/320","offer_id":42600421097717,"sku":"630T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Walkin Up the Road \/ track \/ FLAC","offer_id":42600421130485,"sku":"630T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Walkin Up the Road \/ track \/ WAV","offer_id":42600421163253,"sku":"630T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Anti Love Song \/ track \/ MP3\/320","offer_id":42600421196021,"sku":"631T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Anti Love Song \/ track \/ FLAC","offer_id":42600421228789,"sku":"631T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Anti Love Song \/ track \/ WAV","offer_id":42600421261557,"sku":"631T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Your Man My Man \/ track \/ MP3\/320","offer_id":42600421294325,"sku":"632T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Your Man My Man \/ track \/ FLAC","offer_id":42600421327093,"sku":"632T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Your Man My Man \/ track \/ WAV","offer_id":42600421359861,"sku":"632T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Ooh Yeah \/ track \/ MP3\/320","offer_id":42600421392629,"sku":"633T\/MP3","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Ooh Yeah \/ track \/ FLAC","offer_id":42600421425397,"sku":"633T\/FLAC","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Ooh Yeah \/ track \/ WAV","offer_id":42600421458165,"sku":"633T\/WAV","price":1.29,"currency_code":"USD","in_stock":true},{"title":"Steppin In Her I. 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The 2017 reissue of his lauded debut, \u003cem\u003eMusic For Nine Post Cards\u003c\/em\u003e, along with a slow-building cult internet following has helped ignite a renaissance in his acclaimed body of work, much of which has never been released outside of Japan. Known for his sound design and environmental music, Yoshimura worked on a number of commissions following the 1982 release of \u003cem\u003eMusic For Nine Post Cards\u003c\/em\u003e, including works for museums, galleries, public spaces, TV shows, video art, fashion shows, and even a cosmetics company.\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1986, \u003cem\u003e\u003cspan class=\"caps\"\u003eGREEN\u003c\/span\u003e\u003c\/em\u003e is one of Hiroshi Yoshimura’s most well-loved recordings and a favorite of the artist himself. Recorded over the winter of 1985-86 at Yoshimura’s home studio, the compositions unfold at an unhurried pace, a stark contrast to the busy city life of Tokyo. As Yoshimura explained in the original liner notes, the album title in the context of this body of work is not meant to be seen as a color, but is rather used to convey “the comfortable scenery of the natural cycle known as GREEN”—which perfectly encapsulates the soothing and warm sounds contained on the album, although it was created utilizing Yamaha FM synthesizers, known for their crisp digital tones.\u003c\/p\u003e\n\u003cp\u003eThis edition marks the first reissue of the highly sought-after and impossible-to-find album. It features the original mix preferred by Yoshimura himself, previously available only on the initial Japanese vinyl release (a limited edition remixed version of the album, with added sound effects, was released on CD in the US). 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Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBetty’s sophomore masterpiece!\u003c\/li\u003e\n\u003cli\u003eLP pressed on Pearl Flip \/ Horizon Color Wax\u003c\/li\u003e\n\u003cli\u003eExpanded vinyl edition featuring gatefold jacket and 20-page booklet including rare photos, lyrics and new liner notes by Danielle Maggio interviewing Betty\u003c\/li\u003e\n\u003cli\u003eVinyl pressed at Optimal\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]LITA 027[[Artist]]Betty Davis\u003c\/p\u003e","brand":"Light in the Attic","offers":[{"title":"They Say I'm Different \/ Vinyl \/ LP Pearl Flip\/Horizon","offer_id":48052762935541,"sku":"LITA027-1-4","price":28.0,"currency_code":"USD","in_stock":true},{"title":"They Say I'm Different \/ Vinyl \/ LP Orange","offer_id":43942348521717,"sku":"LITA027-1-1","price":28.0,"currency_code":"USD","in_stock":true},{"title":"They Say I'm Different \/ Vinyl \/ LP Black","offer_id":44065408811253,"sku":"LITA027-1","price":25.0,"currency_code":"USD","in_stock":true},{"title":"They Say I'm Different \/ CD \/ CD","offer_id":45611704287477,"sku":"LITA027-2","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/826853027144.jpg?v=1776814362"},{"product_id":"light-in-the-attic-logo-pullover-hoodie","title":"Light in the Attic Logo Pullover Hoodie","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eHave you ever wanted to wear a pullover hoodie that tells the world “I \u003cspan class=\"caps\"\u003eKNOW\u003c\/span\u003e AT \u003cspan class=\"caps\"\u003eLEAST\u003c\/span\u003e \u003cspan class=\"caps\"\u003eONE\u003c\/span\u003e \u003cspan class=\"caps\"\u003eREISSUE\u003c\/span\u003e \u003cspan class=\"caps\"\u003eLABEL\u003c\/span\u003e!” Well, then you’re in luck because that exact hoodie is available now! Featuring the \u003cspan class=\"caps\"\u003eLITA\u003c\/span\u003e script logo on both sides of an Independent Trading Co. midweight Black Pullover hoodie, this bad boy is as cool as it is comfy!\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePrinted on Independent Trading Co Black Pullover Hoodies\u003c\/li\u003e\n\u003cli\u003ePrinted by Night Owls Print Shop in Houston, TX\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]LITA-MA1004-4-32[[Artist]]Various Artists\u003c\/p\u003e","brand":"Light in the Attic","offers":[{"title":"Small","offer_id":43348264091893,"sku":"LITA-MA1004-4-32-S","price":45.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":43348264157429,"sku":"LITA-MA1004-4-32-M","price":45.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":43348264190197,"sku":"LITA-MA1004-4-32-L","price":60.0,"currency_code":"USD","in_stock":true},{"title":"X-Large","offer_id":43348264222965,"sku":"LITA-MA1004-4-32-XL","price":60.0,"currency_code":"USD","in_stock":true},{"title":"XX-Large","offer_id":43348264255733,"sku":"LITA-MA1004-4-32-XXL","price":60.0,"currency_code":"USD","in_stock":true},{"title":"XXX-Large","offer_id":46175205884149,"sku":"LITA-MA1004-4-32-XXXL","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1650492082255-wfs1t0e9yp-a4faec34a451325d26b3e597ec38f4ee_2Fpullover.jpg?v=1696119902"},{"product_id":"light-in-the-attic-official-pocket-tee-black","title":"Light in the Attic - Official Pocket Tee (Black)","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eScreen printed by Night Owls print shop in Houston, TX, these shirts are as comfy as they are stylish! Folks will stop you all day to ask, “Hey is that a Light in the Attic Pocket Tee printed on ultra-soft Comfort Colors?” and you will be able to answer confidently “yes it is.”\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOfficial \u003cspan class=\"caps\"\u003eLITA\u003c\/span\u003e t-shirt, featuring Light in the Attic in hand-drawn script on the front pocket and back\u003c\/li\u003e\n\u003cli\u003ePrinted on Comfort Colors\u003c\/li\u003e\n\u003cli\u003eDesigned by Hannah Nance Parlow\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]LITA-MA1001[[Artist]]Various Artists\u003c\/p\u003e","brand":"Light in the Attic","offers":[{"title":"Small","offer_id":43348361019637,"sku":"LITA-MA1001-4-1-S","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":43348361052405,"sku":"LITA-MA1001-4-1-M","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":43348361085173,"sku":"LITA-MA1001-4-1-L","price":25.0,"currency_code":"USD","in_stock":true},{"title":"X-Large","offer_id":43348361117941,"sku":"LITA-MA1001-4-1-XL","price":25.0,"currency_code":"USD","in_stock":true},{"title":"XX-Large","offer_id":43348361150709,"sku":"LITA-MA1001-4-1-2XL","price":25.0,"currency_code":"USD","in_stock":true},{"title":"XXX-Large","offer_id":43348361183477,"sku":"LITA-MA1001-4-1-3XL","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/products\/tmp_2F1602790442853-q17n8fphhc-68a87507d3b1a8e1c1e2d234440265eb_2FLITA_2BScript_2BFront.jpg?v=1665595945"},{"product_id":"pacific-breeze-volume-3-japanese-city-pop-aor-boogie-1975-1987","title":"Pacific Breeze Volume 3: Japanese City Pop, AOR \u0026 Boogie 1975-1987","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003eWondering when this will be back in stock? We love it too! There are no current plans to repress this title but if we do, we will announce it in our \u003cspan style=\"color: rgb(43, 0, 255);\"\u003e\u003ca href=\"https:\/\/lightintheattic.net\/pages\/newsletter\" style=\"color: rgb(43, 0, 255);\"\u003enewsletter\u003c\/a\u003e\u003c\/span\u003e. We encourage you to sign up there to be the first to know!\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLight in the Attic’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePacific Breeze\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eseries has supplied the world’s growing legions of Japanese music fans with an expertly curated selection of the most sought-after City Pop recordings—the mesmerizing and nebulous genre of Japanese bubble-era music of the 70s-80s that encompasses\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eAOR\u003c\/span\u003e, R\u0026amp;B, jazz fusion, funk, boogie and disco. These familiar sounds are spun through the unique lens of optimistic, cosmopolitan fantasy colored by Japan’s affluence at the time. Much of the music has previously been nearly impossible to acquire outside of Japan and continues to captivate listeners with its unique blend of groove-laden escapism, even birthing wholly new genres such as Vaporwave.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePacific Breeze 3: Japanese City Pop,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"caps\"\u003eAOR\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u0026amp; Boogie 1975-1987\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emarks the latest chapter in the famed series and features holy grails plus under-the-radar rarities. The collection bursts at the seams to reveal some of the greatest Japanese tracks ever laid to tape, pushing towards the edge of City Pop to reveal glimmers of the next waves of styles to spring forth from the country’s creative minds. The appearance of Pizzicato Five hint at the emergence of Shibuya-kei while the influence of hip hop and electro as an emerging global trend are also evident here through the prevalence of heavier programmed drum beats on tracks such as “Heartbeat” by Miho Fujiwara.\u003c\/p\u003e\n\u003cp\u003eThis volume of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePacific Breeze\u003c\/em\u003e, like its predecessors, is a female-forward offering with many tracks being voiced by women who would become household names in Japan as actresses and pop idols. Their songs here subvert the norm and brim with an innovative spirit that shatters gender roles in favor of sonic transcendence. Techno-pop classics from Susan, Miharu Koshi, and Chiemi Manabe sit alongside sublime funk from Atsuko Nina and Naomi Akimoto while Teresa Noda slides into the mix with a sultry reggae jam. The genre span is stretched wider with hypnotic jazz fusion by Parachute and Hiroyuki Namba, a synthesizer fantasy from Osamu Shoji, and magnetic pop by Makoto Matsushita and Chu Kosaka.\u003c\/p\u003e\n\u003cp\u003eAlthough not front and center, the visionary members of Yellow Magic Orchestra are still very present on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePacific Breeze 3\u003c\/em\u003e, with Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi taking up producer and musician roles on many of these tracks.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePacific Breeze 3\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eserves up a captivating musical journey that adds an essential chapter to the iconic compilation series.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe latest chapter in the acclaimed \u003cem\u003ePacific Breeze\u003c\/em\u003e series\u003c\/li\u003e\n\u003cli\u003eArtwork by renowned illustrator Hiroshi Nagai\u003c\/li\u003e\n\u003cli\u003eCompiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab)\u003c\/li\u003e\n\u003cli\u003eNewly remastered audio\u003c\/li\u003e\n\u003cli\u003e2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eExtensive artist bios by Yosuke Kitazawa\u003c\/li\u003e\n\u003cli\u003eDigital mockups are not an exact representation of colors\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]LITA 202\u003c\/p\u003e\n\u003cp\u003e[[Artist]]V\/A - Pacific Breeze\u003c\/p\u003e","brand":"Light in the Attic","offers":[{"title":"Pacific Breeze Volume 3: Japanese City Pop, AOR \u0026 Boogie 1975-1987 \/ Cassette \/ Cassette Tape","offer_id":43588713283829,"sku":"LITA202-9","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Pacific Breeze Volume 3: Japanese City Pop, AOR \u0026 Boogie 1975-1987 \/ CD \/ CD","offer_id":43588713316597,"sku":"LITA202-2","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Pacific Breeze Volume 3: Japanese City Pop, AOR \u0026 Boogie 1975-1987 \/ Vinyl \/ 2LP Black","offer_id":43588713349365,"sku":"LITA202-1","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Pacific Breeze Volume 3: Japanese City Pop, AOR \u0026 Boogie 1975-1987 \/ Vinyl \/ 2LP Green","offer_id":43588713382133,"sku":"LITA202-1-1","price":19.0,"currency_code":"USD","in_stock":true},{"title":"Pacific Breeze Volume 3: Japanese City Pop, AOR \u0026 Boogie 1975-1987 \/ Vinyl \/ 2LP Pink","offer_id":43588713414901,"sku":"LITA202-1-2","price":19.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1669757038239-oad99s8pt2-838f4094c31901be385e2cd37768810b_2Flita202_3000px_300dpi.jpg?v=1696119906"},{"product_id":"country-funk-volume-3-1975-1982","title":"Country Funk Volume 3 1975-1982","description":"[[Release Detail]][[Release Description]]\n\u003cp\u003eOver a decade ago, friend, music supervisor, and DJ Zach Cowie reached out to Light in the Attic with the idea of producing a comp showcasing the funkier side of all things country. Zach envisioned artists like Bobbie Gentry, Jim Ford and Bob Darin hanging with Link Wray at his Three Track Shack. Soon after, he helped birth Country Funk 1969-1975, Volume 1, which landed in 2012, followed by Volume 2 in 2014. Now, years later, we’re happy to say that the reigns have been passed by Zach to Jason Morgan \u0026amp; Patrick McCarthy (who co-produced Vols. 1 \u0026amp; 2) to revisit the sound for a third installment. So without further ado…\u003c\/p\u003e\n\u003cp\u003eThe horse still bucks, the band still funks, and well…the fire still burns.\u003c\/p\u003e\n\u003cp\u003eThat’s right—Country Funk is back.\u003c\/p\u003e\n\u003cp\u003eIn the summer of 2012, a new sound blew in from the dusty desert. It was a sound difficult to pin down, to codify; a sound that, like some wild horse, resisted one’s grasp. But this was no trend, no flash-in-the-pan movement, no shotgun marriage of styles, no ma’am. This sound went back decades, back to the latter half of the 1960s and early 1970s when adventurous artists started to blend country hoedown harmony with the elation of gospel, the sexual thrust of the blues and a touch of inner-city grit. This was a new sound with a simple name: Country Funk.\u003c\/p\u003e\n\u003cp\u003eCountry Funk 1969-1975, first released in 2012 and co-produced by Zach Cowie, Patrick McCarthy and Matt Sullivan, brought together a disparate group of artists that were neither bound by geography nor a shared ideology, but connected through the simple feel of their songs. Country Funk is alternatively playful and melancholic, slow jammin’ and booty-shakin’. It’s a sound both studio slick and barroom raw, as evident in the artists featured on Volume I: Johnny Adams, Mac Davis, Dale Hawkins, Tony Joe White, Bobbie Gentry, Larry Jon Wilson, and many others. Just two years later, we chased Volume I with a new collection of songs for Country Funk 1967-1974 (\u003cspan class=\"caps\"\u003eLITA\u003c\/span\u003e 116, 2014). Volume II didn’t let up, dealing out all the loose-talking and lap-steel twangin’ one could handle. Heavy hitters like Willie Nelson, Townes Van Zandt, Kenny Rogers, Dolly Parton and J.J. Cale shared barstools with the lesser-known voices of Bill Wilson, Donnie Fritts and Thomas Jefferson Kaye.\u003c\/p\u003e\n\u003cp\u003eWith Country Funk Volume \u003cspan class=\"caps\"\u003eIII\u003c\/span\u003e 1975-1982 (\u003cspan class=\"caps\"\u003eLITA\u003c\/span\u003e 194) we’re here to say there’s more funk left in the trunk yet. This time around, the jeans are tighter, the hair is bigger and the disco ball spins along to a country-synth beat. Produced and compiled by Jason Morgan (Bay Area DJ\/collector) and Patrick McCarthy (co-producer\/compiler of Volume I \u0026amp; II), the tracklist features regulars Dolly Parton, J.J. Cale, Larry Jon Wilson and Tony Joe White (whose track is released here for the first time) alongside new faces like Steven Soles, Gary \u0026amp; Sandy, Conway Twitty, Travis Wammack, Billy Swan, Rob Galbraith, Brian Hyland, and so many more. As the 1970s began to wane and the 1980s approached, the Country Funk pallet expanded to include disco beats, heavy Moog synth bass lines and more clavinet than you could shake a stick at. Volume \u003cspan class=\"caps\"\u003eIII\u003c\/span\u003e shows artists continuing to buck traditional country tropes and production while embracing modern soul, disco, and coked-up 80s synth-pop. This is the true soundtrack of the Urban Cowboy. Saddle up, partners.\u003c\/p\u003e\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003eVolume 3 in LITA’s acclaimed Country Funk series!\u003c\/li\u003e\n\u003cli\u003eFeaturing Dolly Parton, J.J. Cale, Conway Twitty, Larry Jon Wilson, and Billy Swan, amongst many others\u003c\/li\u003e\n\u003cli\u003eIncludes previously unreleased track by Tony Joe White\u003c\/li\u003e\n\u003cli\u003eNew Special 2xLP edition pressed on Blue and Orange Vinyl\u003c\/li\u003e\n\u003cli\u003eNewly remastered audio\u003c\/li\u003e\n\u003cli\u003eNew original artwork by renowned artist J. William Myers (artist for Robert Altman’s Nashville, Waylon Jennings and Willie Nelson’s Waylon \u0026amp; Willie album, and LP covers for the Charlie Daniels Band)\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]LITA 194[[Artist]]Various Artists","brand":"Light in the Attic","offers":[{"title":"Country Funk Volume 3 1975-1982 \/ Vinyl \/ 2LP Orange Blue","offer_id":43588716953845,"sku":"LITA194-1-2","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Country Funk Volume 3 1975-1982 \/ Vinyl \/ 2LP Black","offer_id":43588717019381,"sku":"LITA194-1","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Country Funk Volume 3 \/ CD \/ CD","offer_id":45611708481781,"sku":"LITA194-2","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1624308206543-aem26j9nyof-c771f410b72104fb67a5f246c9bed062_2Flita194_lpCvr_3000px_300dpi.jpg?v=1696119888"},{"product_id":"testadasd","title":"testadasd","description":"\u003cp\u003e[[Artist]]\u003c\/p\u003e","brand":"Light in the Attic","offers":[{"title":"Default Title","offer_id":43893594947829,"sku":"test_from_FB_to_shopify","price":0.0,"currency_code":"USD","in_stock":true}]},{"product_id":"ppan467481-motorhead-1916-lp","title":"PPAN467481 Motorhead - 1916 (LP)","description":"\u003cp\u003e[[Artist]]\u003c\/p\u003e","brand":"Light in the Attic","offers":[{"title":"Default Title","offer_id":43897922912501,"sku":"PPAN467481","price":38.0,"currency_code":"USD","in_stock":true}]},{"product_id":"test-just-added-product","title":"Test Just Added Product","description":"\u003cp\u003eThis product is just added.[[Artist]]\u003c\/p\u003e","brand":"Light in the Attic","offers":[{"title":"Medium","offer_id":43905220641013,"sku":"","price":0.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":43905220673781,"sku":"","price":0.0,"currency_code":"USD","in_stock":true}]},{"product_id":"nancy-lee-again","title":"Nancy \u0026 Lee Again","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eLight in the Attic Records is proud to present the next installment of the \u003cem\u003eNancy Sinatra Archival Series\u003c\/em\u003e with the first ever reissue of the classic 1972 album \u003cem\u003eNancy \u0026amp; Lee Again\u003c\/em\u003e. Recorded during a 1972 reunion between Nancy and the enigmatic Hazlewood, the album contains some of the pair’s most enduring and ambitious duets including the epic ”Arkansas Coal (Suite),” the sensual “Paris Summer,” and the incredibly powerful Dolly Parton-penned “Down From Dover.” Equal parts daring, psychedelic, cinematic, and sweet, \u003cem\u003eNancy \u0026amp; Lee Again\u003c\/em\u003e reveals with each track a timeless, natural chemistry between two artists who would remain influential for generations to come.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNancy \u0026amp; Lee Again\u003c\/em\u003e is available in a variety of formats, including vinyl, CD, 8-track, and digital. The vinyl LP, pressed at Record Technology, Inc. (\u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e), is presented in an expanded gatefold jacket and is accompanied by a 20-page booklet, featuring an array of photos from the legendary singer, actress, and activist’s personal collection, as well as in-depth Q\u0026amp;A with Nancy Sinatra, conducted by the reissue’s GRAMMY®-nominated co-producer, Hunter Lea (also available in the CD package). All formats have been beautifully designed by Darryl Norsen of D. Norsen Design and include two bonus tracks, “Machine Gun Kelly” (first time on vinyl) and the previously unreleased “Think I’m Coming Down.”\u003c\/p\u003e\n\u003cp\u003eIn addition to the black vinyl pressing, a selection of colorful variants can be found exclusively at NancySinatra.com, LightInTheAttic.net, independent record stores, and select online retailers.\u003c\/p\u003e\n\u003cp\u003eA limited-edition merchandise capsule, including a custom chain stitched denim jacket, embroidered pillow, canvas tote, and apparel collaboration with LA-based Midnight Rider will accompany the release at Nancy’s Bootique at \u003ca href=\"https:\/\/www.nancysinatra.com\/\"\u003e \u003cstrong\u003eNancySinatra.com\u003c\/strong\u003e\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eNancy’s impact on fashion, music, and culture was celebrated at Modernism Week in Palm Springs in February 2023 with three events, including a roundtable discussion featuring Kii Arens (Visual Artist), Alison Martino (Vintage Los Angeles), Hunter Lea (Record Producer), Don Randi (The Wrecking Crew), and Amanda Erlinger (daughter of Nancy Sinatra and co-author of the book, \u003cem\u003eNancy Sinatra: One For Your Dreams\u003c\/em\u003e), a double decker bus tour featuring audio commentary from Nancy at notable locations, and a Nancy Sinatra Tribute street party on Arenas to close out the week’s festivities.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"caps\"\u003eMORE\u003c\/span\u003e \u003cspan class=\"caps\"\u003eABOUT\u003c\/span\u003e \u003cem\u003e\u003cspan class=\"caps\"\u003eNANCY\u003c\/span\u003e \u0026amp; \u003cspan class=\"caps\"\u003eLEE\u003c\/span\u003e \u003cspan class=\"caps\"\u003eAGAIN\u003c\/span\u003e\u003c\/em\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe incongruous, yet glorious, creative partnership between Nancy Sinatra and Lee Hazlewood was well underway when the two singular artists reunited to record 1972’s \u003cem\u003eNancy \u0026amp; Lee Again\u003c\/em\u003e, a follow-up to their bestselling duet debut, \u003cem\u003eNancy \u0026amp; Lee\u003c\/em\u003e. Nancy, the eldest daughter of Frank Sinatra, had been working with the Oklahoma-born songwriter since 1965, when she topped the pop charts with “These Boots Are Made For Walkin’.” Over the next five years, the two artists forged a prolific relationship in the studio, with Hazlewood writing and producing many of Nancy’s solo hits. Soon, the duo found success with a series of duets, including “Sand,” “Summer Wine,” and “Some Velvet Morning”–all of which appeared on their highly-influential 1968 debut.\u003c\/p\u003e\n\u003cp\u003eNot long after the critical acclaim and chart success of\u003cem\u003e Nancy \u0026amp; Lee\u003c\/em\u003e died down, however, Hazlewood unexpectedly relocated to Sweden, leaving his musical partner in the proverbial dust. America, meanwhile, was in the midst of a cultural shift as the Vietnam War waged on. By the turn of the decade, the musical landscape had changed significantly. “Trivial music and not profound music became unimportant,” recalls Nancy, speaking to Hunter Lea. “It was a tough time.” And yet, despite the circumstances, the stars somehow aligned for the duo to record some of their most magnificent music together.\u003c\/p\u003e\n\u003cp\u003eReturning to Los Angeles for the project, Hazlewood–who reprised his role as producer–chose to take a new direction with the duo’s sophomore album. Nancy recalls, “It was more dramatic; it was more fun to do, more challenging to do… It was more grandiose.” For the lush, orchestral arrangements, they collaborated with Larry Muhoberac (an original member of Elvis Presley’s \u003cspan class=\"caps\"\u003eTCB\u003c\/span\u003e band whose early 70s credits also included Barbra Streisand, Neil Diamond, and Lalo Schifrin) and Clark Gassman, who had worked on Hazlewood’s 1970 LP, \u003cem\u003eCowboy in Sweden\u003c\/em\u003e. Backing vocals from brothers John and Tom Bahler, who remain two of the most recorded singers in history, added additional texture to several songs.\u003c\/p\u003e\n\u003cp\u003eThe big sound that Nancy describes above is exemplified in the album’s cinematic opener, “Arkansas Coal (Suite).” Clocking in at nearly six minutes long, the dynamic overture tells the tale of an ill-fated coal miner (sung by Hazlewood), while Nancy adjusts her vocals to sing as both the miner’s daughter and his wife. Hazlewood’s knack for vivid, nuanced storytelling shines throughout \u003cem\u003eNancy \u0026amp; Lee Again\u003c\/em\u003e, particularly in “Paris Summer,” which details the conflict that a married woman faces as she engages in a passionate affair. Another highlight is the country-inspired hit, “Did You Ever,” which was released as the album’s lead single. After it landed at No.2 on the U.K. pop charts, the song served as an alternate title track in several countries, including LP pressings in the U.K., Germany, and Canada.\u003c\/p\u003e\n\u003cp\u003eOne of the most emotionally-charged moments on \u003cem\u003eNancy \u0026amp; Lee Again\u003c\/em\u003e is a cover of Dolly Parton’s “Down From Dover.” The heartbreaking tune tells the tale of a pregnant teenager who has been abandoned by her lover and her family and ultimately gives birth to a stillborn baby. While Parton’s 1970 version was sung from the teenager’s point of view, Hazlewood and Sinatra transformed the country song into a duet. Hazlewood, who offers the man’s side of the story, sings in a notably deeper octave than his signature baritone.\u003c\/p\u003e\n\u003cp\u003eAnother poignant selection is “Congratulations,” which describes a soldier coming home from Vietnam. “His face has grown old and his eyes have grown cold\/And they tell you of where he has been\/Congratulations, you sure made a man out of him,” Hazlewood sings, pointedly. Nancy, who performs as the vet’s wife, argues that the song had a deeper meaning for her duet partner. “Lee started out a hawk, he was an army guy, so he was all for the war in the beginning. We didn’t talk about it, but at some point, he changed radically. ‘Congratulations’ was almost like an apology from him. I don’t want to put words in his mouth, but it was as though he was saying ‘I’m really sorry.’”\u003c\/p\u003e\n\u003cp\u003eThe song “Friendship Train” could also be interpreted as an apology of sorts–this time to Nancy. “You’ve been hurt and I’ve been hurt\/Now we’re living pain,” the tune opens. When Hazlewood moved to Sweden without telling his longtime musical partner, Sinatra was understandably upset. “I felt pretty betrayed. I mean, who does that? Who just up and disappears like that? I’ll never understand it,” she reveals. But the uplifting duet–a slice of 70s pop perfection–offers reaffirming words of love between friends. “[Lee] felt things very deeply and tended to express his feelings in song instead of in real life,” explains Nancy.\u003c\/p\u003e\n\u003cp\u003eThe 10-track album closes with the stripped-down “Got It Together.” Backed by an acoustic guitar, the song is equal parts playful and candid as the duo have an impromptu, spoken-word conversation about their lives. “I wish that we’d quit getting so old,” laments Nancy, who later shares her wish to have children (she would do so in the next few years). Hazlewood, meanwhile, attempts to remedy his past wrongdoings–this time asking his partner, “Can I go back to Sweden?” With that, Nancy gives her blessing.\u003c\/p\u003e\n\u003cp\u003eThis definitive reissue of \u003cem\u003eNancy \u0026amp; Lee Again\u003c\/em\u003e also includes two bonus tracks. Both are stylistic departures for the duo but fit right in with the psychedelic pop of the era. The first one, “Think I’m Coming Down,” is a harmony-filled reflection on a toxic relationship. “I think that was one of [Lee’s] drug things. I don’t mean that he used drugs; I mean that he was trying to be part of that culture. Trying to be hip,” explains Nancy, who delivers an emotive vocal performance on the solo track. Also included is “Machine Gun Kelly,” penned by a staple of the 70s singer-songwriter movement, Danny Kortchmar (James Taylor, Carole King, Linda Ronstadt). Recorded several months after the release of the album, the song found Nancy reuniting with Billy Strange, who arranged many of her solo albums as well as \u003cem\u003eNancy \u0026amp; Lee\u003c\/em\u003e. Sinatra and Hazlewood first performed “Machine Gun Kelly” during their residency at Las Vegas’ Riviera Hotel in February 1972 (later released as a concert documentary on Swedish television). While the recording has long remained a career favorite of Nancy’s, it would be decades before it was officially released.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNancy \u0026amp; Lee Again\u003c\/em\u003e remains a creative high point in the careers of Sinatra and Hazlewood and, upon its release, garnered rave reviews from Billboard, \u003cem\u003eRecord World\u003c\/em\u003e, and \u003cem\u003eCash Box\u003c\/em\u003e, among others. Yet, \u003cem\u003eNancy \u0026amp; Lee Again\u003c\/em\u003e never received the spotlight it so utterly deserved. “We didn’t have label support at all in those days,” recalls Nancy. “Without the strength of a label, records die. We were old. We were old-fashioned. We were just not what was happening. It’s a very ageist kind of business.” Nevertheless, she adds, “I think it’s a very good album. I think it’s timeless.” Now, after years of being a sought-after rarity, this gem in the Sinatra-Hazlewood canon can finally get its due.\u003c\/p\u003e\n\u003cp\u003eFive decades later, Nancy’s legacy only continues to grow as new generations discover her impressive catalog (which boasts nearly 20 studio albums–her duets with Hazlewood among them–and dozens of charting singles, including the theme song to the 1967 James Bond film, \u003cem\u003eYou Only Live Twice\u003c\/em\u003e). In 2020, Sinatra was recognized by her peers when “These Boots Are Made For Walkin’” was inducted into the GRAMMY® Hall of Fame. That same year, Sinatra partnered with Light in the Attic for \u003ca href=\"https:\/\/lita.fanlink.to\/NancySinatraStartWalkin\"\u003e \u003cstrong\u003eNancy Sinatra: Start Walkin’ 1965-1976\u003c\/strong\u003e\u003c\/a\u003e, a definitive survey of her most prolific period. \u003cspan class=\"caps\"\u003eLITA\u003c\/span\u003e has also reissued Sinatra’s classic debut, \u003ca href=\"https:\/\/link.lightintheattic.net\/BOOTS-PO\"\u003e \u003cstrong\u003eBoots\u003c\/strong\u003e\u003c\/a\u003e, and her iconic, 1968 album with Lee Hazlewood, \u003ca href=\"https:\/\/link.lightintheattic.net\/NancyLeePO\"\u003e \u003cstrong\u003eNancy \u0026amp; Lee\u003c\/strong\u003e\u003c\/a\u003e. The label looks forward to celebrating Nancy over the coming years with a variety of special releases, exclusive merchandise, and more.\u003c\/p\u003e\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003eLP available on Standard Black Wax plus Special Limited Color Editions\u003c\/li\u003e\n\u003cli\u003eFirst ever reissue of Nancy \u0026amp; Lee’s 1972 classic\u003c\/li\u003e\n\u003cli\u003eIncludes bonus tracks “Machine Gun Kelly” and the previously unreleased “Think I’m Coming Down”\u003c\/li\u003e\n\u003cli\u003eNewly remastered from the original analog tapes by GRAMMY®-nominated engineer John Baldwin\u003c\/li\u003e\n\u003cli\u003eVinyl pressed at \u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eBeautifully packaged and expanded gatefold LP featuring a 20-page booklet\u003c\/li\u003e\n\u003cli\u003eQ\u0026amp;A with Nancy \u0026amp; GRAMMY®-nominated reissue co-producer Hunter Lea\u003c\/li\u003e\n\u003cli\u003eNever-before-seen photos from Nancy Sinatra’s personal archive\u003c\/li\u003e\n\u003cli\u003eCD housed in a digipak and featuring a 28-page booklet\u003c\/li\u003e\n\u003cli\u003e8-track also available\u003c\/li\u003e\n\u003cli\u003eActual LP pressing color may differ from mock-up image\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBig Red Balloon Swirl Edition\u003c\/strong\u003e\u003cbr\u003e (image #2 below)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExperience Vinyl Edition pressed on Clear with Black \u0026amp; White Hi-Melt\u003c\/strong\u003e\u003cbr\u003e (image #7 below)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]LITA 199[[Artist]]Nancy Sinatra","brand":"Light in the Attic","offers":[{"title":"Nancy \u0026 Lee Again \/ Vinyl \/ LP Black","offer_id":43942286295285,"sku":"LITA199-1","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Nancy \u0026 Lee Again \/ Vinyl \/ LP Red","offer_id":43942286328053,"sku":"LITA199-1-1","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Nancy \u0026 Lee Again \/ Vinyl \/ LP Gold","offer_id":43942286360821,"sku":"LITA199-1-6","price":25.0,"currency_code":"USD","in_stock":true},{"title":"Nancy \u0026 Lee Again \/ CD \/ CD","offer_id":43942286393589,"sku":"LITA199-2","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Nancy \u0026 Lee Again \/ Cassette \/ 8-Track","offer_id":43942286426357,"sku":"LITA199-8","price":13.0,"currency_code":"USD","in_stock":true},{"title":"Nancy \u0026 Lee Again \/ Vinyl \/ LP Clear with Black \u0026 White","offer_id":43942286459125,"sku":"LITA199-1-5","price":15.0,"currency_code":"USD","in_stock":true},{"title":"Nancy \u0026 Lee Again \/ Vinyl \/ LP Teal","offer_id":44065416708341,"sku":"LITA199-1-2","price":21.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1674083385494-opfm8kfke1c-6447dc37d5dd53b1becdbf5aedd35c80_2Flita199_hiRez.jpg?v=1696119910"},{"product_id":"it-ll-all-be-over","title":"It'll All Be Over","description":"[[Release Detail]]\u003cbr\u003e[[Release Description]]\n\u003cp\u003e\u003ciframe width=\"325\" height=\"183\" src=\"\/\/www.youtube.com\/embed\/BqHZThZF_4o?rel=0\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIf God had a disco, the DJ would be playing California gospel-soul group The Supreme Jubilees. “We won’t have to cry no more,” the tuxedo-clad group would sing in high, angelic vocals over smooth grooves. “It’ll all be over.” Prepare to dance and contemplate death all at the same time.\u003c\/p\u003e\n\u003cp\u003eA band of brothers and cousins, the group was founded from two familes: brothers Joe and Dave Kingsby with Dave’s son David Kingsby Jr. and keyboardist Leonard Sanders alongside his brothers Phillips (drummer), Tim (bassist), and Melvin (tenor). The Sanders family grew up singing together in the Witness of Jesus Christ church in Fresno, CA, where dad Marion was pastor. Guitarist Larry Price–who belonged to neither family–completed the line-up that recorded the group’s first–and (prophetically) only–album,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIt’ll All Be Over\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eReleased in 1980 on the group’s own S\u0026amp;K (Sanders \u0026amp; Kingsby) label,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIt’ll All Be Over\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epinpoints a fatalistic mood exemplified by the title. Its lyrics drawn from the Old Testament, its sound from the church by way of the disco, and its feel captured by the album cover–a low, orange sun setting over the Pacific ocean. It is, as Jessica Hundley observes in the brand new liner notes, “both apocalyptic and seductive.”\u003c\/p\u003e\n\u003cp\u003eMaking the album was not easy. Sessions began in Trac Record Co, a country and western studio in Fresno, CA, where the engineer was so put out by the group’s requests for heavier bass in the mix that he stopped the session and kicked them out. They left with four songs–one side of the album–and the record was completed at Sierra Recording Studio in Visalia, CA. Leonard Sanders reported having a spiritual encounter in his sleep while in Visalia; the next day, he recorded his part of the album’s title track in a single take.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAfter the LP was pressed, the group took their music on tour\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e–\u003c\/span\u003efirst in California, where they played with acts including the Gospel Keynotes, The Jackson Southernaires, and the Mighty Clouds of Joy, and then on an ill-fated trip to Texas. A follow-up album was planned for 1981, but it never materialized; having slept sometimes a dozen to a room in Texas, the men in the band were reluctant to leave jobs, wives, and kids for the hardship of the road. The group simply fizzled out, even if the friendships never did.\u003c\/p\u003e\n\u003cp\u003eA copy of the album sold to a fan on that Texan tour made its way to a San Antonio record store where it was discovered nearly three decades later by collector David Haffner (Friends of Sound). He managed to track down the Kingsby-Sanders clan at a Fourth of July barbecue in Fresno in 2004. And he eventually introduced the group to Light in the Attic, which now proudly presents the album restored, remastered, and available to the public for the first time.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e[[Selling Points]]\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFirst ever LP reissue\u003c\/li\u003e\n\u003cli\u003eFirst time ever on CD\u003c\/li\u003e\n\u003cli\u003e24bit \/ 96kHz remastering\u003c\/li\u003e\n\u003cli\u003eLiner notes by Jessica Hundley interviewing the band, plus rare archive photographs\u003c\/li\u003e\n\u003cli\u003eLP housed in an expanded gatefold jacket\u003cbr\u003e \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNew LP Color Edition pressed on opaque maroon \u0026amp; transparent yellow wax\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]LITA 120[[Artist]]Supreme Jubilees","brand":"Light in the Attic","offers":[{"title":"It'll All Be Over \/ Vinyl \/ LP Maroon Yellow","offer_id":43942300352757,"sku":"LITA120-1-1","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1406667941444-7vjnpv7lh6y74x6r-5cd00a545de542c74aa6c2e00ae6a726_2FLITA120_SupremeJubilees_18cf53e4-4960-4cba-ad6c-ecc1d1126d62.jpg?v=1696119832"},{"product_id":"crashin-from-passion","title":"Crashin' From Passion","description":"[[Release Detail]][[Release Description]]\n\u003cp\u003eIn the 1970s, Betty Davis defied genre and gender by pushing her voice to extremes and embracing the erotic. She articulated a kind of pre-punk, funk-blues fusion that had yet to be normalized in mainstream music – a style that few musicians have come close to replicating. As one of the first Black women to write, arrange, and produce her own albums, Betty was a visionary who disregarded industry boundaries and constraints. Raw, unapologetic and in full control, Betty paved the way for generations of future artists who said “funk you” to the music industry and social norms.\u003c\/p\u003e\n\u003cp\u003eIn 1979, when Davis entered an L.A. studio to record her fifth and final album, she was reeling from a series of setbacks. Three years earlier, after recording her fourth album, \u003cem\u003eIs It Love Or Desire\u003c\/em\u003e, Davis was dropped from her label and the LP was subsequently shelved. In 1978, her beloved band Funk House went their separate ways. Looking for a fresh start, Davis relocated to Hollywood to focus on songwriting. Before long, British manager Simon Lait (Toni Basil), offered to fund her next project.\u003c\/p\u003e\n\u003cp\u003eWith renewed vigor, Davis reunited with former Funk House guitarist Carlos Morales and brought together industry veterans like fusion drummer Alphonse Mouzon and session bassist Chuck Rainey. Old friends Anita and Bonnie Pointer (The Pointer Sisters) and Patryce “Choc’let” Banks joined Davis on vocals, as did Motown legend Martha Reeves. The resulting album, Crashin’ From Passion, was her most musically diverse, blending elements of reggae and calypso (“I’ve Danced Before”), jazz (“Hangin’ Out in Hollywood,” “Tell Me a Few Things”), dark synth-pop (“She’s a Woman”), and even disco (“All I Do Is Think of You”). Equally exploratory are Davis’ vocals, as she trades in her signature sass and snarls for more nuanced stylings.\u003c\/p\u003e\n\u003cp\u003eAmong the album’s few funk tracks is “Quintessence of Hip,” in which Davis hails musicians like Bob Dylan, Billie Holiday, Stevie Wonder, and John Coltrane, while deftly integrating elements of their work. The song also offers a moment of stark vulnerability, as she sings, “Isn’t rich? Isn’t it queer? Losing my timing so late in my career.” It would prove to be a prophetic line in the months to follow.\u003c\/p\u003e\n\u003cp\u003eThe mixing process was mired by artistic differences and then cut short, amid the death of Davis’ beloved father. Bereft and exasperated, Davis returned home for the funeral, setting into motion her retirement from the music industry. \u003cem\u003eCrashin’ From Passion\u003c\/em\u003e, meanwhile, would be shelved for 15 years and licensed for a CD-only release, without Davis’ consent, in the ‘90s. This 2023 edition of the album, made with Davis’ full approval and cooperation, marks its first official release and first time ever on vinyl. The package was designed by GRAMMY®-winning artist, Masaki Koike, while the album cover features an incredible shot of Betty captured in London in the mid-1970s by renowned photographer Kate Simon.\u003c\/p\u003e\n\u003cp\u003eCrashin’ From Passion was remastered by Grammy nominated engineer Dave Cooley at Elysian Masters and pressed on vinyl at Record Technology, Inc. (\u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e). The accompanying booklet includes a treasure trove of rare photos from the era, plus lyrics, and new liner notes by writer, ethnomusicologist, and Betty’s close friend, Danielle Maggio, who integrates interviews that she conducted with Davis, marking her last ever interviews.\u003c\/p\u003e\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003eFirst time on vinyl\u003c\/li\u003e\n\u003cli\u003eNewly remastered\u003c\/li\u003e\n\u003cli\u003eFeaturing Herbie Hancock, Martha Reeves, Alphonse Mouzon, Chuck Rainey, Patryce “Choc’let” Banks, Carlos Morales, and members of The Pointer Sisters\u003c\/li\u003e\n\u003cli\u003eLP \u0026amp; CD Booklet features new liner notes by Danielle Maggio interviewing Betty, plus unseen photos and lyrics\u003c\/li\u003e\n\u003cli\u003eVinyl pressed at \u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eLP housed in a gatefold jacket\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003eSpecial Vinyl Color Editions are available including:\u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003eClear Purple Crush Wax Edition\u003c\/li\u003e\n\u003cli\u003eTransparent Red Wax Edition (\u003cspan class=\"caps\"\u003eRETAIL\u003c\/span\u003e \u003cspan class=\"caps\"\u003eONLY\u003c\/span\u003e)\u003c\/li\u003e\n\u003cli\u003eTransparent Blue Wax Edition (U.K. \u003cspan class=\"caps\"\u003eRETAIL\u003c\/span\u003e \u003cspan class=\"caps\"\u003eONLY\u003c\/span\u003e)\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]LITA 196[[Artist]]Betty Davis","brand":"Light in the Attic","offers":[{"title":"Crashin' From Passion \/ Vinyl \/ LP Black","offer_id":43942307496181,"sku":"LITA196-1","price":21.0,"currency_code":"USD","in_stock":true},{"title":"Crashin' From Passion \/ Vinyl \/ LP Purple","offer_id":43942307528949,"sku":"LITA196-1-1","price":23.25,"currency_code":"USD","in_stock":true},{"title":"Crashin' From Passion \/ CD \/ CD","offer_id":43942307561717,"sku":"LITA196-2","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Crashin' From Passion \/ Vinyl \/ LP Red","offer_id":44065416675573,"sku":"LITA196-1-2","price":15.75,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1687281665395-1fx9z19jcng-bcfe3d9b2c1bd6941a85c5e7ee02384c_2FLITA_2B196-Hi_2BRes_2BAlbum_2BCover.jpg?v=1696119906"},{"product_id":"baby-blue-heart-shaped-7","title":"\"Baby\" Blue Heart Shaped 7\"","description":"\u003cp\u003eLimited Edition Die Cut Heart Shaped \"Baby Blue\"\" Vinyl featuring \"Baby\" \u0026amp; previously unreleased \"Tonight.\"\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBoth songs were recorded at the Emerson’s home studio in Fruitland, Washington, circa 1979.\u003c\/span\u003e\u003c\/p\u003e[[Artist]]","brand":"Light in the Attic","offers":[{"title":"Baby Blue Heart Shaped 7\" \/ Vinyl \/ 7\" Blue","offer_id":43948651413749,"sku":"LITA45-046-1-1","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/image.png?v=1689824632"},{"product_id":"dreamin-wild-lathe-picturedisc-w-signed-photo","title":"Dreamin' Wild Picture Disc with Autographed Photograph","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mbK8QOgr7_8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePacific Northwest isolation mixed with wide-eyed ambition, a strong sense of family, and the gift of music proved to be quite the combination for teenage brothers Donnie and Joe Emerson. Originally released in 1979,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDreamin’ Wild\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the sonic vision of the talented Emerson boys, recorded in a family-built home studio in rural Washington State. Situated in the unlikely blink-and-you-missed-it town of Fruitland and far removed from the late 1970s punk movement and the larger disco boom, Donnie and Joe tilled their own musical soil, channeling bedroom pop jams, raw funk, and yacht rock.\u003c\/p\u003e\n\u003cp\u003eSpurred on by their high school’s music program, Donnie and Joe received a further push from their lifelong farmer father, who drew up a contract stating that he’d support his sons lofty ambitions with their very own recording studio as long as they focused on original material, sage advice for a man with zero experience in the music business. After taking out a second mortgage to help cover costs, Don Sr. also built his children a 300-capacity concert hall (dubbed Camp Jammin’) replete with ticket booth, stage, and fully functioning snack bar. The only problem was that the projected audience never quite materialized, despite a prime time TV profile entitled “The Rock And Roll Farmers” from nearby Spokane, Washington. Even the Emerson brothers' school pals were nonplussed at their privately pressed long player; hand distributed to local music stores, but not quite so far as Seattle, five hours away from their rural home. Somewhat dejected by the muted response but never surrendering, both Donnie and Joe continued down a musical path and are still active as performers today.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLathe Cut Picture Disc by Red Spade Records\u003c\/li\u003e\n\u003cli\u003eSide A features Dreamin’ Wild album cover\u003c\/li\u003e\n\u003cli\u003eSide B features Donnie OR Joe\u003c\/li\u003e\n\u003cli\u003eIncludes a Donnie \u0026amp; Joe Autographed 8×10 Photograph\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]LITA 082[[Artist]]Donnie \u0026amp; Joe Emerson\u003c\/p\u003e","brand":"Light in the Attic","offers":[{"title":"Dreamin' Wild Picture Disc \/ Vinyl \/ LP Picture + Autographed Photo","offer_id":45693406019829,"sku":"LITA082-1-10-DLX","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1676402437806-ttj3aqqq8jb-f60a8fa5ff750531436d01b673dfe0f7_2Flita082_picDisc_front_mockup_v1.jpg?v=1696119905"},{"product_id":"autographed-test-pressing-of-dreamin-wild","title":"Dreamin' Wild Autographed Test Pressing (ARCHIVED)","description":"[[Release Detail]][[Release Description]]\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/mbK8QOgr7_8\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePacific Northwest isolation mixed with wide-eyed ambition, a strong sense of family, and the gift of music proved to be quite the combination for teenage brothers Donnie and Joe Emerson. Originally released in 1979,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDreamin’ Wild\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the sonic vision of the talented Emerson boys, recorded in a family-built home studio in rural Washington State. Situated in the unlikely blink-and-you-missed-it town of Fruitland and far removed from the late 1970s punk movement and the larger disco boom, Donnie and Joe tilled their own musical soil, channeling bedroom pop jams, raw funk, and yacht rock.\u003c\/p\u003e\n\u003cp\u003eSpurred on by their high school’s music program, Donnie and Joe received a further push from their lifelong farmer father, who drew up a contract stating that he’d support his sons lofty ambitions with their very own recording studio as long as they focused on original material, sage advice for a man with zero experience in the music business. After taking out a second mortgage to help cover costs, Don Sr. also built his children a 300-capacity concert hall (dubbed Camp Jammin’) replete with ticket booth, stage, and fully functioning snack bar. The only problem was that the projected audience never quite materialized, despite a prime time TV profile entitled “The Rock And Roll Farmers” from nearby Spokane, Washington. Even the Emerson brothers' school pals were nonplussed at their privately pressed long player; hand distributed to local music stores, but not quite so far as Seattle, five hours away from their rural home. Somewhat dejected by the muted response but never surrendering, both Donnie and Joe continued down a musical path and are still active as performers today.\u003c\/p\u003e\n\u003cp\u003eThis rare slice of bedroom-funk gets the usual Light In The Attic treatment with newly remastered audio, detailed liner notes, and expanded original album art with loads of photos from the Emerson’s collection. Be sure to also check out the short documentary, \u003cem\u003eThe \u003c\/em\u003e\u003cem\u003eRock-n-Roll Farmers: Donnie \u0026amp; Joe Emerson\u003c\/em\u003e.\u003c\/p\u003e\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003eLimited Edition\u003c\/li\u003e\n\u003cli\u003eSigned by Donnie \u0026amp; Joe Emerson\u003c\/li\u003e\n\u003cli\u003ePressed on Black Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]LITA082-TP-DLX[[Artist]]Donnie \u0026amp; Joe Emerson","brand":"Light in the Attic","offers":[{"title":"Dreamin' Wild Autographed Test Pressing \/ Vinyl \/ LP Black","offer_id":43954644615413,"sku":"LITA082-TP-DLX","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1690259017943-x31lavyrdz-bbdc0f6a9b5da3eb58c5bd4545309d0f_2FIMG_1831.jpg?v=1696119901"},{"product_id":"over-the-edge","title":"Over The Edge","description":"\u003cp\u003e[[Release Detail]]\u003cmeta charset=\"utf-8\"\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eThe bleak, hard-driven third LP by the Wipers (originally released in 1983) offers Greg Sage at his most chased and breathless, lashing out with sharp staccato notes as if melody were his only defense. While their debut LP provided the blueprint for grunge, and their second album recast the band as one of America’s premier postpunk bands, it’s Over The Edge that best exemplifies the Wipers’ sound. The jagged, effortless guitar lines, the paranoid lyrics and raw-throated vocals and the taut, unified rhythms that define their sound bleed together most clearly on this LP, and it stands as both the best entry point for new fans and the most prevalent favorite of diehards.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eOriginally released in 1983\u003c\/li\u003e\n\u003cli\u003eThird LP by the Wipers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]JPR82803[[Artist]]Wipers\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Over The Edge \/ Vinyl \/ LP Black","offer_id":43959572005109,"sku":"JPR82803","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/wipers_over_the_edge.jpg?v=1690522222"},{"product_id":"is-this-real","title":"Is This Real?","description":"\u003cp\u003e[[Release Detail]]\u003cmeta charset=\"utf-8\"\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eUnquestionably Portland’s most well-loved punk group, the Wipers formed in the late 1970s and in 1980 released their debut LP, “Is This Real?”—twelve songs of stabbing, jittery guitar, snapped vocals, and unabashed teen angst. Full of desperation and yearning, the LP has stood as a blueprint for wretched youth for over 25 years. In the early 1990s “Is This Real?” was given mainstream attention when Nirvana covered two tracks off the record and Cobain announced it was one of the primary influences on his group.\u003c\/p\u003e\n\u003cp\u003eWhile it was reissued on compact disc and available as a part of the Wipers Boxed Set (Zeno), this is the first time “Is This Real?” has been available on vinyl in the U.S. since its initial release. Remastered from original tapes as provided by Greg Sage himself, the LP is pressed on audiophile grade vinyl and housed in a deluxe tip-on sleeve. Complete with a printed insert that replicates the original inner sleeve, the Jackpot Records reissue of “Is This Real?” is a lavish tribute to one of the greatest recordings of the last 30 years.\u003c\/p\u003e\n\u003cp\u003e“What more can I say about them? They started Seattle grunge rock in Portland, 1977”— Kurt Cobain “Ten Records that Changed My Life”, Melody Maker 1992\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eOriginally released in 1980\u003c\/li\u003e\n\u003cli\u003eListed in Kurt Cobain's \u003cmeta charset=\"utf-8\"\u003e“Ten Records that Changed My Life”, Melody Maker 1992\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]JPR82801[[Artist]]The Wipers\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Is This Real? \/ Vinyl \/ LP Black","offer_id":43959572201717,"sku":"JPR82801","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/wipers_is_this_real.jpg?v=1690522230"},{"product_id":"friday-the-13th-1980-original-score","title":"Friday the 13th (1980 Original Score)","description":"\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eIt has a death curse! Waxwork Records is thrilled to team up with Paramount Pictures to bring you a new 4K UHD SteelBook of the classic 1980 slasher film FRIDAY THE 13TH bundled with the iconic original motion picture soundtrack by Harry Manfredini! The new steelbook release includes a collectible slipcase featuring Waxwork's FRIDAY THE 13TH soundtrack album artwork by Jay Shaw!\u003c\/p\u003e\n\u003cp\u003eWe went back to Crystal Lake to bring you a deluxe repress complete with a fresh vinyl cutting master, pressed to “Blood Red \u0026amp; Black” swirl colored vinyl, with liner notes from director Sean Cunningham and composer Harry Manfredini, inserts, and art by Jay Shaw and Jacqui Oakley!\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K UHD SteelBook with Waxwork Album Art Slipcase\u003c\/li\u003e\n\u003cli\u003eThe Complete Score To The Classic 1980's Slasher\u003c\/li\u003e\n\u003cli\u003eSilver with Black, Red and Metallic Gold Splatter Colored Vinyl\u003c\/li\u003e\n\u003cli\u003eDirector and Composer Liner Notes\u003c\/li\u003e\n\u003cli\u003e12\"x12\" Art Print\u003c\/li\u003e\n\u003cli\u003eArt by Jay Shaw and Jacqui Oakley\u003c\/li\u003e\n\u003cli\u003eDeluxe Packaging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]WW13[[Artist]]Harry Manfredini\u003c\/p\u003e","brand":"Waxwork","offers":[{"title":"Friday the 13th (1980 Original Score) \/ Vinyl \/ LP Splatter","offer_id":46730213753077,"sku":"WW13-SPLATTER","price":31.0,"currency_code":"USD","in_stock":true},{"title":"Friday the 13th (1980 Original Score) \/ Vinyl \/ LP Color","offer_id":43959591108853,"sku":"WW13","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/850068977635.jpg?v=1750063036"},{"product_id":"friday-the-13th-part-ii-1981-original-score","title":"Friday The 13th Part II (1981 Original Score)","description":"\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eWaxwork Records is proud to announce the deluxe vinyl release of FRIDAY THE 13TH PART 2 Original Motion Picture Soundtrack by Harry Manfredini! Released in 1981, FRIDAY THE 13TH PART 2 is the follow up to the 1980 seminal slasher horror film, FRIDAY THE 13TH. Horror fans meet Jason Voorhees as the masked slasher for the very first time in this sequel, and it's the first and only time we see him donning a burlap sack over his head, later followed by the classic hockey mask in Part 3 and beyond.\u003c\/p\u003e\n\u003cp\u003eWaxwork worked closely with composer Harry Manfredini to bring horror fans a very special and quality soundtrack experience. We're stoked to present the complete soundtrack sourced from the original 1981 master tapes as a deluxe package featuring artwork by Rich Kelly, 180 gram colored vinyl, and high quality packaging!\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eComposed by Harry Manfredini\u003c\/li\u003e\n\u003cli\u003eRemastered For Vinyl\u003c\/li\u003e\n\u003cli\u003e180 Gram \"Midnight Purple and Campfire Glow\" Colored Vinyl\u003c\/li\u003e\n\u003cli\u003eArtwork by Rich Kelly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]WW13.2[[Artist]]Harry Manfredini\u003c\/p\u003e","brand":"Waxwork","offers":[{"title":"Friday The 13th Part II (1981 Original Score) \/ Vinyl \/ LP Black","offer_id":43959594385653,"sku":"WW13.2","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Friday The 13th Part II (1981 Original Score) \/ Vinyl \/ LP Midnight Purple and Campfire Glow","offer_id":46730227941621,"sku":"WW13.2-COLOR","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/850068977642.jpg?v=1750063705"},{"product_id":"c-h-u-d","title":"C.H.U.D.","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eWaxwork Records is proud to present C.H.U.D. Original Motion Picture Soundtrack! In close partnership with the film's composers Martin Cooper and David Hughes, we located the original 1984 master tapes, restored them, and mixed and mastered the complete film music to create the definitive and official C.H.U.D. soundtrack album release.\u003c\/p\u003e\n\u003cp\u003eReleased in 1984, C.H.U.D. has gained a devoted cult following amongst B-Movie Horror fans. The film is widely referenced in pop culture via The Simpsons, Archer, and most recently, Jordan Peele's Us. C.H.U.D. has also served as a launching pad for several actors such as John Goodman (Roseanne, The Big Lebowski, Raising Arizona), Daniel Stern (Home Alone), and John Heard (Home Alone).\u003c\/p\u003e\n\u003cp\u003eThe primitive electronic score composed and performed by Martin Cooper and David Hughes captures the seedy, grim landscape that embodied early 1980s NYC via synth drones, sound design, loops, and arpeggiated notes.\u003c\/p\u003e\n\u003cp\u003eWaxwork is thrilled to present the complete film music to C.H.U.D. as a deluxe LP package featuring \"\"Radioactive Sludge\"\" colored vinyl, deluxe packaging, art by Ghoulish Gary Pullin, old style tip-on gatefold jackets with matte satin coating, printed inner sleeves, liner notes by the composers, and more.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRe-Mastered From The Original 1984 Master Tapes\u003c\/li\u003e\n\u003cli\u003e\"\"Radioactive Sludge\"\" Colored Vinyl\u003c\/li\u003e\n\u003cli\u003eArtwork By Ghoulish Gary Pullin\u003c\/li\u003e\n\u003cli\u003eLiner Notes by Composers Martin Cooper and David Hughes\u003c\/li\u003e\n\u003cli\u003eHeavyweight Jackets with Matte Satin Coating\u003c\/li\u003e\n\u003cli\u003ePrinted Inner Sleeves\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]WW011-GREEN[[Artist]]Martin Cooper and David Hughes\u003c\/p\u003e","brand":"Waxwork","offers":[{"title":"C.H.U.D. \/ Vinyl \/ LP Neon Green","offer_id":47428034756853,"sku":"WW011-GREEN","price":30.0,"currency_code":"USD","in_stock":true},{"title":"C.H.U.D. \/ Vinyl \/ LP Black","offer_id":43959602020597,"sku":"WW011","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1441919727786-0p729yu0immfgvi-ef45de3dea0b6d2aaad5ade5e9944dd7_2F728028381207.jpg?v=1690523155"},{"product_id":"friday-the-13th-part-iii","title":"Friday The 13th Part III (1982 Original Score)","description":"\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eWaxwork Records is proud to announce the next entry into their collection of FRIDAY THE 13TH soundtrack releases on vinyl, FRIDAY THE 13TH PART 3. Waxwork and composer Harry Manfredini re-visited the original analog tapes in an effort to faithfully master the complete soundtrack for vinyl. FRIDAY THE 13TH PART 3 includes every musical cue featured in the film and encompasses two 180 gram LP's clocking in at nearly one hour of chilling audio which serve as a dark musical backdrop to one of the most beloved franchises for horror fans.\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1982 and in 3-D, FRIDAY THE 13TH PART 3 is the first film to feature the legendary slasher, Jason Voorhees, wearing his signature hockey mask. This image of a machete wielding, hockey masked killer became the trademark for the franchise, as well as an iconic image in American cinema and horror films in general.\u003c\/p\u003e\n\u003cp\u003eTo keep in tune with the original 3-D theatrical release of the film, Waxwork created a deluxe quality 3-D lenticular mounted album cover for the heavyweight old-style tip-on gatefold jacket which houses two LP's featuring the complete score.\u003c\/p\u003e\n\u003cp\u003eWaxwork Records incorporated the lost, deleted final scene of the film into the inner gatefold illustration. This deleted scene from the film depicted an unmasked Jason Voorhees violently beheading the \"final girl\". Deemed too graphic by the film studio, the scene was cut from the movie altogether. Here's your chance to see it up close and personal through the artistic vision of Gary Pullin.\u003c\/p\u003e\n\u003cp\u003eAnd yes, this soundtrack release includes the now famous \"Disco Theme\" from FRIDAY THE 13TH PART 3's opening credits!\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe Complete Soundtrack By Harry Manfredini\u003c\/li\u003e\n\u003cli\u003eArtwork By Ghoulish Gary Pullin\u003c\/li\u003e\n\u003cli\u003e3-D Lenticular Mounted Album Cover\u003c\/li\u003e\n\u003cli\u003eMetallic Red \u0026amp; Blue Swirl Colored Vinyl\u003c\/li\u003e\n\u003cli\u003eDeluxe Packaging\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]WW13.3[[Artist]]Harry Manfredini\u003c\/p\u003e","brand":"Waxwork","offers":[{"title":"Friday The 13th Part III (1982 Original Score) \/ Vinyl \/ 2LP Black","offer_id":43959609000181,"sku":"WW13.3","price":34.0,"currency_code":"USD","in_stock":true},{"title":"Friday The 13th Part III (1982 Original Score) \/ Vinyl \/ 2LP Metallic Red and Blue Swirl","offer_id":46730261332213,"sku":"WW13.3-COLOR","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/850068977659.jpg?v=1750064370"},{"product_id":"rocks-the-house","title":"Rocks The House","description":"[[Release Detail]][[Release Description]]\n\n\u003cp\u003eFormed in 1967 as a psychedelic electronic duo featuring Dan Taylor on drums and Simeon on a homemade synthesizer consisting of 12 oscillators (and an assortment of sound filters, telegraph keys, radio parts, lab gear and a variety of second hand electronic junk), Silver Apples quickly gained a reputations New York’s leading underground musical expression.\u003c\/p\u003e\n\n\u003cp\u003eBest known for the lush 1961 rendition of the ballad “At Last” – a slow-dance staple at wedding celebrations everywhere, she also is celebrated for having recorded one of the best live albums of all time, “Rocks the House.” Recorded in 1963 at the New Era Club in Nashville, James is captured at her performance peak. The foundation for her reputation as a fiery no-holds-barred performer, are firmly established in this recording.\u003c\/p\u003e\n\n[[Selling Points]]\n  \u003cul\u003e\n\u003cli\u003eOne of the most famous live blues albums ever\u003c\/li\u003e\n\u003cli\u003eFirst time on vinyl including bonus tracks\u003c\/li\u003e\n\u003cli\u003ePressed on blue vinyl\u003c\/li\u003e\n\u003cli\u003eMastered by Kevin Gray (Miles Davis, Aretha Franklin, Ray Charles)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n[[Catalog Number]]JPR029[[Artist]]Etta James","brand":"Jackpot Records","offers":[{"title":"Rocks The House \/ Vinyl \/ LP Blue","offer_id":43959616012533,"sku":"JPR029","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1467990497787-zfapmxx192k-4a2d6d4f35c0a6b5bcc7d456635293e9_2FRocks_2BThe_2BHouse.jpg?v=1690523571"},{"product_id":"his-greatest-sides-volume-1","title":"His Greatest Sides Volume. 1","description":"\u003cp\u003e[[Release Detail]]\u003cmeta charset=\"utf-8\"\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eContinuing in our series of Chess Record Reissues, Jackpot Records presents this compilation of landmark original studio singles, from Chicago blues artist Howlin’ Wolf. Originally recorded from 1954-1965.\u003c\/p\u003e\n\u003cp\u003eHowlin’ Wolf electrified the sound of the Mississippi Delta blues and brought it to Chicago, laying down what would be come the foundation of rock and roll in the early 1950s. Delivered in his gruff, haunting voice, his lyrics spoke of his hard life experiences and his signature growlin’ mesmerized audiences and blues musicians alike.\u003c\/p\u003e\n\u003cp\u003eHowlin Wolf helped make Chess Records a historic label and solidified Chicago as the worlds capital of blues.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLegendary Chess Recordings from 1954-1965\u003c\/li\u003e\n\u003cli\u003ePressed on Limited Colored Vinyl\u003c\/li\u003e\n\u003cli\u003eTop 100 of greatest artists of all time -Rolling Stone – 4.5 stars out of 5 – All Music Guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]JPR032[[Artist]]Howlin Wolf\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"His Greatest Sides Volume. 1 \/ Vinyl \/ LP Color","offer_id":43959616045301,"sku":"JPR032","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1467991393124-6vojg16gh77-05cb372f83ad2e52b683e96cf655a405_2F602547763044.png?v=1690523574"},{"product_id":"howlin-wolf-muddy-waters-and-bo-diddley","title":"Howlin' Wolf, Muddy Waters, and Bo Diddley","description":"\u003cp\u003e[[Release Detail]]\u003cmeta charset=\"utf-8\"\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eSuper Super Blues Band started out merely as Super Blues, a conglomerate of blues pillars Bo Diddley, Muddy Waters and Little Walter. When Little Walter bowed out and was replaced by Howlin’ Wolf, they rightfully threw another Super on the name, and went on to release this burning, irreverent and even sometimes hilarious set of drunken, wild-eyed electric blues. Long form jams roll on in a trance as the trio of blues legends flex egos, talking shit to each other, trading off leads and ducking blasts of unexpected wah-wah guitar lines. Songs are peppered with an incredible level of banter between the trio of bandleaders that predicts the call and response sing- talking of early hip hop, laced with random screams in the background that teeter between celebration and danger.\u003c\/p\u003e\n\u003cp\u003eThat these three ever got into the same room together is a miracle, and that they produced something so intense, energetic and weird is another almost unbelievable feat. The record is special enough as a stand-alone document of this meeting\/melting of the minds before you find out the backing band consists of Hubert Sumlin, Otis Spann and freaking Buddy Guy. Lordy. Might have needed one more “super” in there.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFeatures Howlin’ Wolf, Muddy Waters \u0026amp; Bo Diddley together\u003c\/li\u003e\n\u003cli\u003eOrignal Artwork w\/ liner notes by Richard Meltzer\u003c\/li\u003e\n\u003cli\u003eElectric Chicago Blues – at it’s finest\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]JPR033[[Artist]]Super Super Blues Band\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Howlin' Wolf, Muddy Waters, and Bo Diddley \/ Vinyl \/ LP Black","offer_id":43959616078069,"sku":"JPR033","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1467991797615-pr4138n5iss-0a0f14279cee9fa0de3d26b48b253481_2F602547763037.png?v=1690523577"},{"product_id":"coraline-original-soundtrack","title":"Coraline (Original Soundtrack) (DEACTIVATED)","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eMondo is proud to release the soundtrack to Laika’s 2009 feature length debut, the stop-motion animated masterpiece: \u003cem\u003eCORALINE\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe soundtrack to \u003cem\u003eCORALINE\u003c\/em\u003e is as haunting as it is whimsical. With the help of the Budapest Orchestra and Choir behind him, composer Bruno Coulais captures the dark child-like imagination of the titular protagonist with menace and aplomb.\u003c\/p\u003e\n\u003cp\u003eHoused in a Gatefold Jacket featuring artwork by Michael DePippo.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]] \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eComposed by Bruno Coulais\u003c\/li\u003e\n\u003cli\u003eArtwork by Michael De Pippo\u003c\/li\u003e\n\u003cli\u003e2x 180 Gram Fuchsia Vinyl\u003c\/li\u003e\n\u003cli\u003eManufactured in Czech Republic\u003c\/li\u003e\n\u003cli\u003eFeaturing They Might Be Giants\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]MOND-018[[Artist]]Bruno Coulais\u003c\/p\u003e","brand":"Mondo","offers":[{"title":"Coraline (Original Soundtrack) \/ Vinyl \/ 2LP Black","offer_id":43959619256565,"sku":"MOND-018","price":35.0,"currency_code":"USD","in_stock":true},{"title":"Coraline (Original Soundtrack) \/ Vinyl \/ 2LP Pink","offer_id":45318857097461,"sku":"MOND-018E","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1475861131904-igubz8kfknh8gf7o-8d0223eeac629ac2c7f14642e0551003_2FCoraline_FC_1024x1024_7a19e5d1-c814-4553-8f06-b85c5d36ac74.jpg?v=1690523719"},{"product_id":"hero-of-time-music-from-the-legend-of-zelda-ocarina-of-time","title":"Hero of Time (Music from The Legend of Zelda: Ocarina of Time)","description":"\u003cp\u003e[[Release Detail]]\u003c\/p\u003e\n\u003cp\u003eiam8bit \u0026amp; Materia Collective are ecstatic to present Hero of Time, an officially licensed, one-hour arrangement album based on Koji Kondo's dynamic, epic and absolutely gorgeous score to The Legend of Zelda: Ocarina of Time. Freshly - and exclusively - recorded by the 64-player Slovak National Symphony Orchestra for this very album, Hero of Time breathes new life into the classic Ocarina of Time score, previously only available from its Nintendo 64 sound chip origins. The stunning album artwork was created by Ryan Brinkerhoff, full of subtle visual detail and interactive pieces, including a die-cut Ocarina window on the jacket's front and shimmering gold foil everywhere!\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePart of the iam8bit 20th Anniversary Collection\u003c\/li\u003e\n\u003cli\u003e2xLP 180-gram vinyl\u003c\/li\u003e\n\u003cli\u003eGreen \u0026amp; Purple Rupee vinyl\u003c\/li\u003e\n\u003cli\u003eMusic By 64-Piece Slovak National Symphony Orchestra\u003c\/li\u003e\n\u003cli\u003eAlbum Art by Ryand Brinkerhoff\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]8BIT-8054[[Artist]]Slovak National Symphony Orchestra\u003c\/p\u003e","brand":"iam8bit","offers":[{"title":"Hero of Time (Music from The Legend of Zelda: Ocarina of Time) \/ Vinyl \/ 2LP Green \u0026 Purple Rupee","offer_id":43959629873397,"sku":"8BIT-8054","price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/852428007570_0e93ebaf-eeb7-46c8-a129-80b55974e100.jpg?v=1745275787"},{"product_id":"johto-legends-music-from-pokemon-gold-silver","title":"Johto Legends (Music From Pokemon Gold \u0026 Silver)","description":"\u003cspan data-mce-fragment=\"1\"\u003e[[Release Detail]][[Release Description]]\u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn collaboration with our pals at Materia Collective \u0026amp; composer\/arranger Braxton Burks, iam8bit is proud to present the Johto Legends! 2xLP vinyl – a one-hour orchestral arrangement album featuring the timeless music of Pokémon Gold and Silver!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis pairing explores a young Pokémon Trainer’s epic journey across the scenic Johto region – meeting Pokémon friends, going head-to-head with the nefarious Team Rocket, and encountering the legendary guardians of Johto – all told through a stunning musical narrative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSeven incredibly talented musicians with performance pedigrees including Pokémon Symphonic Evolutions and The Legend of Zelda: Symphony of the Goddesses — as well as game scores such as Destiny, Dragon Age, Tomb Raider and Minecraft — will bring this score to life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAccentuating the journey is an epic package design by artist Ryan Brinkerhoff, chock-full of premium trappings like: Premium Foil-Stamped Jacket; Gold\/Silver Foil Inner Sleeves; Half-and-Half Color Pokeball Vinyl Discs; and an Epic Gatefold Illustration to be revealed at a later date. The satisfaction of seeing these discs spin on a turntable is hard to pass up.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e [[Selling Points]]\n\u003cli\u003e2xLP w\/ Premium Foil Stamped Jacket, Foil Inner Sleeves, Half-and-Half Color Vinyl \u0026amp; Epic Gatefold Art\u003c\/li\u003e\n\u003cli\u003eBased on original score by Junichi Masuda, Go Ichinose and Morikazu Aoki\u003c\/li\u003e\n\u003cli\u003eAlbum Art by Ryan Brinkerhoff\u003c\/li\u003e\n[[Catalog Number]]8BIT-8077[[Artist]]Various Artists","brand":"iam8bit","offers":[{"title":"Johto Legends (Music From Pokemon Gold \u0026 Silver) \/ Vinyl \/ 2LP Black","offer_id":43959631151349,"sku":"8BIT-8077","price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1499299874586-94e44a7gfvr-fc7af895f324abeed40c86f707f078b7_2FScreen_2BShot_2B2017-07-05_2Bat_2B8.10.23_2BPM.png?v=1690524219"},{"product_id":"hyper-light-drifter-soundtrack","title":"Hyper Light Drifter Soundtrack","description":"\u003cp\u003e[[Release Detail]][Release Description]]\u003c\/p\u003e\n\u003cp\u003e\"Composer Disasterpeace's soundtrack lends a sense of awe and scale to the world that consistently gave me chills\" - Game Informer\u003c\/p\u003e\n\u003cp\u003e\"The soundtrack by Disasterpeace is every bit a match for the impressive visuals\" - Destructoid\u003c\/p\u003e\n\u003cp\u003e\"One of the year’s best scores, in any medium.\" - Fact Magazine\u003c\/p\u003e\n\u003cp\u003eNominee for Original Light Mix Score, New IP, 2017 NAVGTR Awards\u003c\/p\u003e\n\u003cp\u003eSince its original release on vinyl, Hyper Light Drifter has been one of iam8bit’s most-requested represses of all-time. Back in 2016, the soundtrack was a boon in blasting the video game vinyl revolution into orbit, propelled by composer Disasterpeace’s atmospheric and ephemeral score that is now more poignant than ever. In anticipation of Heart Machine’s latest opus, Solar Ash (from Annapurna Interactive), we thought it a lovely celebratory moment to bring back one of our most cherished releases. This is a completist edition, across four translucent colored records, housed in a premium, custom-designed hardcase with a beautiful tri-fold outer wrap (easily opened\/closed via a hidden magnet). The cherry on the sundae - a specialty foil layer, alive with metallic, luminescent sheen. It’s a truly delicious package for the now legendary Hyper Light Drifter.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4xLP Box Set with translucent colored vinyl\u003c\/li\u003e\n\u003cli\u003eDeluxe custom packaging w\/ magnetic wingflaps\u003c\/li\u003e\n\u003cli\u003eMusic by Disasterpeace\u003c\/li\u003e\n\u003cli\u003eArt by Heart Machine \u0026amp; Drew Wise\u003c\/li\u003e\n\u003cli\u003eIncludes full digital soundtrack\u003c\/li\u003e\n\u003cli\u003eMastered for vinyl by Dave Gardner\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]8BIT-8026-082016[[Artist]]Disasterpeace\u003c\/p\u003e","brand":"iam8bit","offers":[{"title":"Hyper Light Drifter Soundtrack \/ Vinyl \/ 4LP Multicolor","offer_id":45810358780149,"sku":"8BIT-8026-082016","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/hyper-light-drifter-album-cover.jpg?v=1724955158"},{"product_id":"persona-5-soundtrack","title":"Persona 5 Soundtrack","description":"[[Release Detail]][[Release Description]]\n\n\u003cp\u003ePersona 5 is a massive and epic opus of a game - the kind of 100-hour-plus JRPG journey that it is impossible to peel away from.\u003c\/p\u003e\n\n\u003cp\u003eThe soundtrack is equally epic, featuring hours of jazzy, poppy, energetic musical magic that you'll find yourself unconsciously whistling throughout the day. From upbeat vocally-driven songs (many featuring the incomparable throaty gusto of Japanese soul singer, Lyn lnaizumi) to more contemplative, instrumental riffs - it's an impressive ensemble of tunes.\u003c\/p\u003e\n\n\u003cp\u003eQuite simply, Persona 5 is one of our favorite video game soundtracks to date.\u003c\/p\u003e\n\n\n[[Selling Points]]\n\u003cul\u003e\n  \u003cli\u003eTrack listing includes PS's most popular music\u003c\/li\u003e\n\u003cli\u003ePremium Packaging - quality box sets\u003c\/li\u003e\n\u003cli\u003eMusic by Atlus Sound Team\u003c\/li\u003e\n\u003c\/ul\u003e\n\n[[Catalog Number]]8BIT-8069[[Artist]]Atlus Sound Team","brand":"iam8bit","offers":[{"title":"Persona 5 Soundtrack \/ Vinyl \/ 4LP Multicolor","offer_id":43959632724213,"sku":"8BIT-8069","price":105.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/852428007785_77e49201-25a0-4cca-9dc7-ab528e9f3251.jpg?v=1761708215"},{"product_id":"lonely-woman","title":"Lonely Woman","description":"\u003cp\u003e[[Release Detail]]\u003c\/p\u003e\n\u003cp\u003eHaving sponsored Ornette Coleman at the School of Jazz near Lennox, MA, pianist and composer John Lewis helped launch the controversial career of one of the last great innovators in jazz. Lewis’ support of the ragtag Texas native was somewhat unique in jazz circles at the time and even surprising, especially considering the gulf between the classical jazz formality of his group the Modern Jazz Quartet and Coleman’s radical notions of free improvisation. Nevertheless, Lewis not only saw in Coleman the first jazz genius since bebop’s Parker, Gillespie, and Monk, but put pay to the praise with the MJQ’s 1962 rendition of one of Coleman’s most famous numbers, “Lonely Woman.” (Along with Art Pepper’s 1960 version of “Tears Inside,” this was one of the earliest of Coleman covers done.)\u003c\/p\u003e\n\u003cp\u003eThe 1962 Atlantic album of the same name turns out to be one of the band’s best efforts. Lewis and fellow \u003cspan class=\"caps\"\u003eMJQ\u003c\/span\u003e members Milt Jackson, Percy Heath, and Connie Kaye capitalize on the dramatic theme of “Lonely Woman” while adding a bit of chamber music complexity to the mix. The quartet doesn’t take Coleman’s free form harmolodic theory to heart with a round of quixotic solos, but the group does spotlight the often overlooked strength of his compositional ideas. And while the \u003cspan class=\"caps\"\u003eMJQ\u003c\/span\u003e further plies its knack for involved pieces on Lewis originals like “Fugato” and “Trieste,” the group also balances out the set with looser material more in tune with Jackson’s blues and swing sensibilities.\u003c\/p\u003e\n\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eHaving sponsored Ornette Coleman at the School of Jazz near Lennox, MA, pianist and composer John Lewis helped launch the controversial career of one of the last great innovators in jazz. Lewis’ support of the ragtag Texas native was somewhat unique in jazz circles at the time and even surprising, especially considering the gulf between the classical jazz formality of his group the Modern Jazz Quartet and Coleman’s radical notions of free improvisation. Nevertheless, Lewis not only saw in Coleman the first jazz genius since bebop’s Parker, Gillespie, and Monk, but put pay to the praise with the MJQ’s 1962 rendition of one of Coleman’s most famous numbers, “Lonely Woman.” (Along with Art Pepper’s 1960 version of “Tears Inside,” this was one of the earliest of Coleman covers done.)\u003c\/p\u003e\n\u003cp\u003eThe 1962 Atlantic album of the same name turns out to be one of the band’s best efforts. Lewis and fellow \u003cspan class=\"caps\"\u003eMJQ\u003c\/span\u003e members Milt Jackson, Percy Heath, and Connie Kaye capitalize on the dramatic theme of “Lonely Woman” while adding a bit of chamber music complexity to the mix. The quartet doesn’t take Coleman’s free form harmolodic theory to heart with a round of quixotic solos, but the group does spotlight the often overlooked strength of his compositional ideas. And while the \u003cspan class=\"caps\"\u003eMJQ\u003c\/span\u003e further plies its knack for involved pieces on Lewis originals like “Fugato” and “Trieste,” the group also balances out the set with looser material more in tune with Jackson’s blues and swing sensibilities.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLP pressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eOriginally released on Atlantic Records (1962)\u003c\/li\u003e\n\u003cli\u003ePressed on 180 gram vinyl\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPANSD1381[[Artist]]Modern Jazz Quartet\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Lonely Woman \/ Vinyl \/ LP Black","offer_id":43959633051893,"sku":"PPANSD1381","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622346.jpg?v=1754689080"},{"product_id":"the-show-must-go-on","title":"The Show Must Go On","description":"\u003cp\u003e[[Release Detail]]\u003c\/p\u003e\n\u003cp\u003eThe best R\u0026amp;B songwriter and soul singer that most people have never heard of, Sam Dees has written songs for countless artists, including Gladys Knight, Aretha Franklin, Whitney Houston, George Benson, the Temptations, Teddy Pendergrass, Millie Jackson, Jackie Wilson, the Manhattans, Regina Belle, KC \u0026amp; the Sunshine Band, Willie Clayton, and many others. He’s also a pretty fine singer, having recorded for the Chess, Atlantic, Polydor, and \u003cspan class=\"caps\"\u003eSSS\u003c\/span\u003e labels, and he had a nice string of his own hits in the 1970s. His 1975 Atlantic album The Show Must Go On has long been regarded by Southern soul aficionados as one of the best of the genre. Sounding a bit like a deeper-voiced Curtis Mayfield (in both style and theme), Dees sings with assurance, wisdom, passion, and a whole lot of soul here. Songs like “Child of the Streets”, “Troubled Child,” \u0026amp; “What’s It Gonna Be,” share Mayfield’s commitment to social commentary, and Dees knows his way around a love song, too. It’s absolutely essential.\u003c\/p\u003e\n\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eThe best R\u0026amp;B songwriter and soul singer that most people have never heard of, Sam Dees has written songs for countless artists, including Gladys Knight, Aretha Franklin, Whitney Houston, George Benson, the Temptations, Teddy Pendergrass, Millie Jackson, Jackie Wilson, the Manhattans, Regina Belle, KC \u0026amp; the Sunshine Band, Willie Clayton, and many others. He’s also a pretty fine singer, having recorded for the Chess, Atlantic, Polydor, and \u003cspan class=\"caps\"\u003eSSS\u003c\/span\u003e labels, and he had a nice string of his own hits in the 1970s. His 1975 Atlantic album The Show Must Go On has long been regarded by Southern soul aficionados as one of the best of the genre. Sounding a bit like a deeper-voiced Curtis Mayfield (in both style and theme), Dees sings with assurance, wisdom, passion, and a whole lot of soul here. Songs like “Child of the Streets”, “Troubled Child,” \u0026amp; “What’s It Gonna Be,” share Mayfield’s commitment to social commentary, and Dees knows his way around a love song, too. It’s absolutely essential.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressed on black vinyl\u003c\/li\u003e\n\u003cli\u003e180g vinyl\u003c\/li\u003e\n\u003cli\u003ePersonnel: Sam Dees, vocals \u0026amp; keyboards \/ Glen Woods, guitars \/ David Camon, bass \/ Sherman “Fats” Carson, Drums\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPANSD18134[[Artist]]Sam Dees\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"The Show Must Go On \/ Vinyl \/ LP Black","offer_id":43959639703797,"sku":"PPANSD18134","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622216.jpg?v=1751327813"},{"product_id":"what-remains-of-edith-finch-original-soundtrack","title":"What Remains of Edith Finch (Original Soundtrack)","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/JKRUoDgBZl0\" frameborder=\"0\" gesture=\"media\" allow=\"encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe musical cadence of What Remains of Edith Finch is deliberately slow, immensely methodical and eventually, cathartic. Once you reach its bittersweet and triumphant conclusion, the score, at first so somber, achieves something few soundtracks do – taking the listener on a robust emotional journey, wrought with swells of every sensation within the Freudian encyclopedia, all told through the eyes of the Finch family’s harrowing memories. Composer Jeff Russo (Fargo, Legion, The Night Of) conveys all of this, and more, with complexity and sincerity, leaving players with a hummable, yet cursed melody that eerily bonds with their very being.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressed on brown smoke vinyl\u003c\/li\u003e\n\u003cli\u003eMusic by Jeff Russo\u003c\/li\u003e\n\u003cli\u003eAlbum art by Holly Rothrock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]8BIT-8070[[Artist]]Jeff Russo\u003c\/p\u003e","brand":"iam8bit","offers":[{"title":"What Remains of Edith Finch (Original Soundtrack) \/ Vinyl \/ LP Black","offer_id":43959642030325,"sku":"8BIT-8070","price":33.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1513729245965-myj7cejog3-a6465968ebbd0709c2d5dc176f50abae_2F850971008129.png?v=1690524734"},{"product_id":"house-in-the-tall-grass","title":"House in the Tall Grass","description":"\u003cp\u003e[[Release Detail]]\u003c\/p\u003e\n\u003cp\u003eFor a very long time, we have been trying to re-issue this record; a true and complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre.\u003c\/p\u003e\n\u003cp\u003eRecorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form.\u003c\/p\u003e\n\u003cp\u003eThe 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, \u003cspan class=\"caps\"\u003eMPB\u003c\/span\u003e, psychedelics and funk sit side by side effortlessly.\u003cbr\u003eThe album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris \u0026amp; Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others.\u003c\/p\u003e\n\u003cp\u003eThe original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.\u003c\/p\u003e\n\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eLike a long journey this record unfolds itself through many layers. Fans of Kikagaku Moyo will be comforted by the soft vocals harmonies and warm Sitar but what sets this release apart is the refinement of the band’s songwriting and their delicate execution. Side A begins with a pair of travelling songs where the interplay between the vocals, guitar, and sitar lift and suspend you on an unexpected journey.\u003c\/p\u003e\n\u003cp\u003eThe patient listener is rewarded by tracks like “Trad” and “Silver Owl” that demonstrate the masterful balance the band has between soft and loud; chaos and order, or being both cold and tender at the same time. “House in the Tall Grass” takes the listener by the hand on a comfortable quest through destinations both familiar and unknown. It is a natural step forward for the band and perhaps the most refined example of their style to date.\u003c\/p\u003e\n\u003cp\u003eKikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free musiccollective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo call their sound psychedelicic because it encompasses a broad spectrum of influence.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eElements of classical Indian music, krautrock, traditional folk, and 70s rock.\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eRecorded at Studio Somil, Rio De Janeiro in 1972\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eProduced, arranged, and directed by Arthur Verocai\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]GGB-008[[Artist]]Kikagaku Moyo\u003c\/p\u003e","brand":"Guruguru Brain","offers":[{"title":"House in the Tall Grass \/ Vinyl \/ LP Black","offer_id":43959644455157,"sku":"GGB-008-2","price":27.0,"currency_code":"USD","in_stock":true},{"title":"House in the Tall Grass \/ CD \/ CD","offer_id":43959644487925,"sku":"GGB-008CD","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1648839254099-6xbs1u4zzg5-86bcd1c8046f1824041d039475737d4d_2FaDNJIzqg.jpg?v=1690524841"},{"product_id":"kikagaku-moyo","title":"Kikagaku Moyo","description":"\u003cp\u003e[[Release Detail]]\u003c\/p\u003e\n\u003cp\u003eFor a very long time, we have been trying to re-issue this record; a true and complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre.\u003c\/p\u003e\n\u003cp\u003eRecorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form.\u003c\/p\u003e\n\u003cp\u003eThe 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, \u003cspan class=\"caps\"\u003eMPB\u003c\/span\u003e, psychedelics and funk sit side by side effortlessly.\u003cbr\u003eThe album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris \u0026amp; Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others.\u003c\/p\u003e\n\u003cp\u003eThe original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.\u003c\/p\u003e\n\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eKikagaku Moyo’s debut album exerts an elemental power. Enlivening their sound with sitars, percussive drums, theremins, wind instruments and ethereal vocals, the band manages to sound powerfully spacious and lazily serene all at once. Their songs can be light as air, or heavy as earth. Many evolve out of intense experiences of engagement with the natural world. The album’s first track, “Can You Imagine Nothing?” was written over a night spent jamming on a suspended footbridge in remote mountains. As the song progressed the bridge began to sway, making band members feel as though they were floating weightless in midair.\u003c\/p\u003e\n\u003cp\u003eKikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free music collective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo call their sound psychedelicic because it encompasses a broad spectrum of influence. Their music incorporates elements of classical Indian music, Krautrock, Traditional Folk, and 70s Rock. Most importantly their music is about freedom of the mind and body and building a bridge between the supernatural and the present. Improvisation is a key element to their sound.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKikagaku Moyo's first self-titled album reissue\u003c\/li\u003e\n\u003cli\u003eOriginally released by Cosmic Eye Records in Sep 2013\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eElements of classical Indian music, krautrock, traditional folk, and 70s rock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]GGB-013[[Artist]]Kikagaku Moyo\/幾何学模様\u003c\/p\u003e","brand":"Guruguru Brain","offers":[{"title":"Kikagaku Moyo \/ Vinyl \/ LP Black","offer_id":43959644520693,"sku":"GGB-013","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Kikagaku Moyo \/ CD \/ CD","offer_id":43959644553461,"sku":"GGB-13CD","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1519070593368-k6wx3poxqe-e09cfade6d7f78ef1e6a3539dca09f71_2Fa0389363479_10.jpg?v=1690524841"},{"product_id":"with-dim-light","title":"With Dim Light","description":"[[Release Detail]][[Release Description]]\u003cp\u003eMinami Deutsch is back at it again with their latest LP …. Whilst softening their sound and cushioning the blow, you can expect a more profound diversity in their sound, whilst retaining the principle ingredients that make Minami Deutsch so great such as their signature fuzz, thumping bass and dream like vocals. There is a heavier experimentation in regards to genre exploration. With hints of post punk and nods to late 60s psychedelic rock, this shows that Minami Deutsch is willing to push musical boundaries further whilst retaining a clever songwriting ability to achieve this album.\u003c\/p\u003e[[Selling Points]]\n\u003cul\u003e\n  \u003cli\u003eLP pressed on black vinyl\u003c\/li\u003e\n  \u003cli\u003eSignature fuzz, thumping bass and dream like vocals\u003c\/li\u003e\n  \u003cli\u003eHints of post punk and nods to late 60s psychedelic rock\u003c\/li\u003e\n\u003c\/ul\u003e\n\n[[Catalog Number]]GGB-016LP[[Artist]]Minami Deutsch","brand":"Guruguru Brain","offers":[{"title":"With Dim Light \/ Vinyl \/ LP Black","offer_id":43959646060789,"sku":"GGB-016LP","price":22.0,"currency_code":"USD","in_stock":true},{"title":"With Dim Light \/ CD \/ CD","offer_id":43959646093557,"sku":"GGB-016CD","price":14.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1520470013874-dlbna1ktw6v-56944fb1d92198f939b0ee6a5a3f964c_2Fwith_2Bdim_2Blight.jpg?v=1690524911"},{"product_id":"inside-hifi","title":"Inside HiFi","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eThis excellent recording features altoist Lee Konitz with two separate quartets during 1956. Either guitarist Billy Bauer or pianist Sal Mosca are the main supporting voices in groups also including either Arnold Fishkind or Peter Ind on bass and Dick Scott on drums. The most unusual aspect to the set is that on the four selections with Mosca, Konitz switches to tenor, playing quite effectively in a recognizable cool style. The overall highlights of this enjoyable album are “Everything Happens to Me,” “All of Me,” and “Star Eyes,” but all eight performances are well played and swinging. Scott Yannow\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe introduction of Konitz’s tenor during this period is emblematic of this. His premiere tenor recordings on ’56’s Lee Konitz Inside Hi-Fi document how Konitz first translated the refinements of his alto conception to the larger horn, even on would-be barn burners as “Indiana” (which also features an excellent solo by pianist Sal Mosca), and began to apply the tenor’s capacity for broader, bolder strokes to such fine alto performances as the bluesy “Cork ‘N’ Bib.” The contrasts between Konitz’s alto and tenor are well-represented on “Kary’s Trance,” which includes choruses on both horns; the track is also one of guitarist Billy Bauer’s finest.\u003cbr\u003eBill Shoemaker\u003c\/p\u003e\n\u003cp\u003eA recent convert to Lee Konitz, the more I hear the more I like. Though he went on to record right up to the present day, the 50’s recordings are remarkably fresh, with his alto’s long fluid lines and swinging turns in direction. His alto has a refreshing lightness and his opening alto duet here with guitarist Billy Bauer on “Kary’s Trance” is a surprising sheer delight. Unusually, Konitz also picks up the tenor sax on several tracks for the first time, yielding a record with an additional layer of interest. The selling point for me, however, was the cover. For any audiophiles out there (yes you Guy! ) the artifice of Konitz, photographed through capacitors, valves and wires in Rudy Van Gelder’s recording studio, is the ultimate Jazz Audiophile image.\u003cbr\u003eLondonJazzCollector\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLP pressed on black vinyl\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eFeatures altoist Lee Konitz with two separate quartets during 1956\u003c\/li\u003e\n\u003cli\u003eIncludes performances of \u003cmeta charset=\"utf-8\"\u003e“Everything Happens to Me,” “All of Me,” and “Star Eyes\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN-SD1258[[Artist]]Lee Konitz\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Inside HiFi \/ Vinyl \/ LP Black","offer_id":43959646814453,"sku":"PPAN-SD1258","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622735.jpg?v=1755042631"}],"url":"https:\/\/lightintheattic.net\/collections\/last-year.oembed?page=4","provider":"Light in the Attic","version":"1.0","type":"link"}