{"title":"Just-Added-D2C-Email","description":"","products":[{"product_id":"in-my-own-time","title":"In My Own Time","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eKaren Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. \u003c\/p\u003e\n\u003cp\u003eThe newly expanded 20-page LP booklet—featuring rarely seen photos, liner notes from musician and writer Lenny Kaye, and contributions from Nick Cave and Devendra Banhart—rounds out the package.\u003c\/p\u003e\n\u003cp\u003eThe Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R\u0026amp;B and country that had to seep in as she made her way to New York.\"\u003c\/p\u003e\n\u003cp\u003eArmed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early 60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon \u0026amp; Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”\u003c\/p\u003e\n\u003cp\u003eThose who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.\u003c\/p\u003e\n\u003cp\u003eProducing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process but was also willing to offer gentle encouragement and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”\u003c\/p\u003e\n\u003cp\u003eDalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R\u0026amp;B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.\u003c\/p\u003e\n\u003cp\u003eWhile 70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, many artists would name Karen Dalton as an influence including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recently acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul… you can hear it in her music.”\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2026 edition pressed on Apricot Color Wax at Optimal\u003c\/li\u003e\n\u003cli\u003eExpanded gatefold edition\u003c\/li\u003e\n\u003cli\u003eIncludes 20-pg booklet featuring rare photos and liner notes by Lenny Kaye with contributions from Nick Cave and Devendra Banhart\u003c\/li\u003e\n\u003cli\u003eLP and 8-Track editions include tracks 1-10\u003c\/li\u003e\n\u003cli\u003eDigital release includes tracks 1-19\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]LITA 200[[Artist]]Karen Dalton\u003c\/p\u003e","brand":"Light in the Attic","offers":[{"title":"In My Own Time \/ Karen Dalton - MP3\/320 \/ album \/ MP3\/320","offer_id":32230307921999,"sku":"85R\/MP3","price":10.99,"currency_code":"USD","in_stock":true},{"title":"In My Own Time \/ Karen Dalton - FLAC \/ album \/ FLAC","offer_id":32230307954767,"sku":"85R\/FLAC","price":10.99,"currency_code":"USD","in_stock":true},{"title":"In My Own Time \/ Karen Dalton - WAV \/ album \/ WAV","offer_id":32230307987535,"sku":"85R\/WAV","price":10.99,"currency_code":"USD","in_stock":true},{"title":"In My Own Time \/ Vinyl \/ LP Apricot","offer_id":48410284654837,"sku":"LITA200-1-5","price":28.0,"currency_code":"USD","in_stock":true},{"title":"In My Own Time \/ Vinyl \/ LP Silver","offer_id":46191554232565,"sku":"LITA200-1-2","price":28.0,"currency_code":"USD","in_stock":true},{"title":"In My Own Time \/ Vinyl \/ LP Black","offer_id":32237408682063,"sku":"LITA200-1","price":27.0,"currency_code":"USD","in_stock":true},{"title":"In My Own Time \/ Vinyl \/ LP Clear","offer_id":46191551545589,"sku":"LITA200-1-1","price":28.0,"currency_code":"USD","in_stock":true},{"title":"In My Own Time \/ Cassette \/ 8-Track","offer_id":46191549513973,"sku":"LITA200-9","price":20.0,"currency_code":"USD","in_stock":true},{"title":"In My Own Time \/ Cassette \/ Cassette Tape","offer_id":32236498649167,"sku":"LITA203-8","price":15.0,"currency_code":"USD","in_stock":true},{"title":"In My Own Time \/ CD \/ CD","offer_id":32237408649295,"sku":"LITA203-2.2","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1636404315523-p452atftqym-fee1d2a312bf3f91b430c0f0d2442024_2Flita200_203_3000px_983965b4-b69f-490a-81a2-36a5bc2ca106.jpg?v=1734479748"},{"product_id":"over-the-edge","title":"Over The Edge","description":"\u003cp\u003e[[Release Detail]]\u003cmeta charset=\"utf-8\"\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eThe bleak, hard-driven third LP by the Wipers (originally released in 1983) offers Greg Sage at his most chased and breathless, lashing out with sharp staccato notes as if melody were his only defense. While their debut LP provided the blueprint for grunge, and their second album recast the band as one of America’s premier postpunk bands, it’s Over The Edge that best exemplifies the Wipers’ sound. The jagged, effortless guitar lines, the paranoid lyrics and raw-throated vocals and the taut, unified rhythms that define their sound bleed together most clearly on this LP, and it stands as both the best entry point for new fans and the most prevalent favorite of diehards.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eOriginally released in 1983\u003c\/li\u003e\n\u003cli\u003eThird LP by the Wipers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]JPR82803[[Artist]]Wipers\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Over The Edge \/ Vinyl \/ LP Black","offer_id":43959572005109,"sku":"JPR82803","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/wipers_over_the_edge.jpg?v=1690522222"},{"product_id":"is-this-real","title":"Is This Real?","description":"\u003cp\u003e[[Release Detail]]\u003cmeta charset=\"utf-8\"\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eUnquestionably Portland’s most well-loved punk group, the Wipers formed in the late 1970s and in 1980 released their debut LP, “Is This Real?”—twelve songs of stabbing, jittery guitar, snapped vocals, and unabashed teen angst. Full of desperation and yearning, the LP has stood as a blueprint for wretched youth for over 25 years. In the early 1990s “Is This Real?” was given mainstream attention when Nirvana covered two tracks off the record and Cobain announced it was one of the primary influences on his group.\u003c\/p\u003e\n\u003cp\u003eWhile it was reissued on compact disc and available as a part of the Wipers Boxed Set (Zeno), this is the first time “Is This Real?” has been available on vinyl in the U.S. since its initial release. Remastered from original tapes as provided by Greg Sage himself, the LP is pressed on audiophile grade vinyl and housed in a deluxe tip-on sleeve. Complete with a printed insert that replicates the original inner sleeve, the Jackpot Records reissue of “Is This Real?” is a lavish tribute to one of the greatest recordings of the last 30 years.\u003c\/p\u003e\n\u003cp\u003e“What more can I say about them? They started Seattle grunge rock in Portland, 1977”— Kurt Cobain “Ten Records that Changed My Life”, Melody Maker 1992\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eOriginally released in 1980\u003c\/li\u003e\n\u003cli\u003eListed in Kurt Cobain's \u003cmeta charset=\"utf-8\"\u003e“Ten Records that Changed My Life”, Melody Maker 1992\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]JPR82801[[Artist]]The Wipers\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Is This Real? \/ Vinyl \/ LP Black","offer_id":43959572201717,"sku":"JPR82801","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/isthisreal.jpg?v=1783978885"},{"product_id":"howlin-wolf-muddy-waters-and-bo-diddley","title":"Howlin' Wolf, Muddy Waters, and Bo Diddley","description":"\u003cp\u003e[[Release Detail]]\u003cmeta charset=\"utf-8\"\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eSuper Super Blues Band started out merely as Super Blues, a conglomerate of blues pillars Bo Diddley, Muddy Waters and Little Walter. When Little Walter bowed out and was replaced by Howlin’ Wolf, they rightfully threw another Super on the name, and went on to release this burning, irreverent and even sometimes hilarious set of drunken, wild-eyed electric blues. Long form jams roll on in a trance as the trio of blues legends flex egos, talking shit to each other, trading off leads and ducking blasts of unexpected wah-wah guitar lines. Songs are peppered with an incredible level of banter between the trio of bandleaders that predicts the call and response sing- talking of early hip hop, laced with random screams in the background that teeter between celebration and danger.\u003c\/p\u003e\n\u003cp\u003eThat these three ever got into the same room together is a miracle, and that they produced something so intense, energetic and weird is another almost unbelievable feat. The record is special enough as a stand-alone document of this meeting\/melting of the minds before you find out the backing band consists of Hubert Sumlin, Otis Spann and freaking Buddy Guy. Lordy. Might have needed one more “super” in there.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFeatures Howlin’ Wolf, Muddy Waters \u0026amp; Bo Diddley together\u003c\/li\u003e\n\u003cli\u003eOrignal Artwork w\/ liner notes by Richard Meltzer\u003c\/li\u003e\n\u003cli\u003eElectric Chicago Blues – at it’s finest\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]JPR033[[Artist]]Super Super Blues Band\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Howlin' Wolf, Muddy Waters, and Bo Diddley \/ Vinyl \/ LP Black","offer_id":43959616078069,"sku":"JPR033","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1467991797615-pr4138n5iss-0a0f14279cee9fa0de3d26b48b253481_2F602547763037.png?v=1690523577"},{"product_id":"lonely-woman","title":"Lonely Woman","description":"\u003cp\u003e[[Release Detail]]\u003c\/p\u003e\n\u003cp\u003eHaving sponsored Ornette Coleman at the School of Jazz near Lennox, MA, pianist and composer John Lewis helped launch the controversial career of one of the last great innovators in jazz. Lewis’ support of the ragtag Texas native was somewhat unique in jazz circles at the time and even surprising, especially considering the gulf between the classical jazz formality of his group the Modern Jazz Quartet and Coleman’s radical notions of free improvisation. Nevertheless, Lewis not only saw in Coleman the first jazz genius since bebop’s Parker, Gillespie, and Monk, but put pay to the praise with the MJQ’s 1962 rendition of one of Coleman’s most famous numbers, “Lonely Woman.” (Along with Art Pepper’s 1960 version of “Tears Inside,” this was one of the earliest of Coleman covers done.)\u003c\/p\u003e\n\u003cp\u003eThe 1962 Atlantic album of the same name turns out to be one of the band’s best efforts. Lewis and fellow \u003cspan class=\"caps\"\u003eMJQ\u003c\/span\u003e members Milt Jackson, Percy Heath, and Connie Kaye capitalize on the dramatic theme of “Lonely Woman” while adding a bit of chamber music complexity to the mix. The quartet doesn’t take Coleman’s free form harmolodic theory to heart with a round of quixotic solos, but the group does spotlight the often overlooked strength of his compositional ideas. And while the \u003cspan class=\"caps\"\u003eMJQ\u003c\/span\u003e further plies its knack for involved pieces on Lewis originals like “Fugato” and “Trieste,” the group also balances out the set with looser material more in tune with Jackson’s blues and swing sensibilities.\u003c\/p\u003e\n\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eHaving sponsored Ornette Coleman at the School of Jazz near Lennox, MA, pianist and composer John Lewis helped launch the controversial career of one of the last great innovators in jazz. Lewis’ support of the ragtag Texas native was somewhat unique in jazz circles at the time and even surprising, especially considering the gulf between the classical jazz formality of his group the Modern Jazz Quartet and Coleman’s radical notions of free improvisation. Nevertheless, Lewis not only saw in Coleman the first jazz genius since bebop’s Parker, Gillespie, and Monk, but put pay to the praise with the MJQ’s 1962 rendition of one of Coleman’s most famous numbers, “Lonely Woman.” (Along with Art Pepper’s 1960 version of “Tears Inside,” this was one of the earliest of Coleman covers done.)\u003c\/p\u003e\n\u003cp\u003eThe 1962 Atlantic album of the same name turns out to be one of the band’s best efforts. Lewis and fellow \u003cspan class=\"caps\"\u003eMJQ\u003c\/span\u003e members Milt Jackson, Percy Heath, and Connie Kaye capitalize on the dramatic theme of “Lonely Woman” while adding a bit of chamber music complexity to the mix. The quartet doesn’t take Coleman’s free form harmolodic theory to heart with a round of quixotic solos, but the group does spotlight the often overlooked strength of his compositional ideas. And while the \u003cspan class=\"caps\"\u003eMJQ\u003c\/span\u003e further plies its knack for involved pieces on Lewis originals like “Fugato” and “Trieste,” the group also balances out the set with looser material more in tune with Jackson’s blues and swing sensibilities.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLP pressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eOriginally released on Atlantic Records (1962)\u003c\/li\u003e\n\u003cli\u003ePressed on 180 gram vinyl\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPANSD1381[[Artist]]Modern Jazz Quartet\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Lonely Woman \/ Vinyl \/ LP Black","offer_id":43959633051893,"sku":"PPANSD1381","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/LonelyWomancover.jpg?v=1782328341"},{"product_id":"the-show-must-go-on","title":"The Show Must Go On","description":"\u003cp\u003e[[Release Detail]]\u003c\/p\u003e\n\u003cp\u003eThe best R\u0026amp;B songwriter and soul singer that most people have never heard of, Sam Dees has written songs for countless artists, including Gladys Knight, Aretha Franklin, Whitney Houston, George Benson, the Temptations, Teddy Pendergrass, Millie Jackson, Jackie Wilson, the Manhattans, Regina Belle, KC \u0026amp; the Sunshine Band, Willie Clayton, and many others. He’s also a pretty fine singer, having recorded for the Chess, Atlantic, Polydor, and \u003cspan class=\"caps\"\u003eSSS\u003c\/span\u003e labels, and he had a nice string of his own hits in the 1970s. His 1975 Atlantic album The Show Must Go On has long been regarded by Southern soul aficionados as one of the best of the genre. Sounding a bit like a deeper-voiced Curtis Mayfield (in both style and theme), Dees sings with assurance, wisdom, passion, and a whole lot of soul here. Songs like “Child of the Streets”, “Troubled Child,” \u0026amp; “What’s It Gonna Be,” share Mayfield’s commitment to social commentary, and Dees knows his way around a love song, too. It’s absolutely essential.\u003c\/p\u003e\n\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eThe best R\u0026amp;B songwriter and soul singer that most people have never heard of, Sam Dees has written songs for countless artists, including Gladys Knight, Aretha Franklin, Whitney Houston, George Benson, the Temptations, Teddy Pendergrass, Millie Jackson, Jackie Wilson, the Manhattans, Regina Belle, KC \u0026amp; the Sunshine Band, Willie Clayton, and many others. He’s also a pretty fine singer, having recorded for the Chess, Atlantic, Polydor, and \u003cspan class=\"caps\"\u003eSSS\u003c\/span\u003e labels, and he had a nice string of his own hits in the 1970s. His 1975 Atlantic album The Show Must Go On has long been regarded by Southern soul aficionados as one of the best of the genre. Sounding a bit like a deeper-voiced Curtis Mayfield (in both style and theme), Dees sings with assurance, wisdom, passion, and a whole lot of soul here. Songs like “Child of the Streets”, “Troubled Child,” \u0026amp; “What’s It Gonna Be,” share Mayfield’s commitment to social commentary, and Dees knows his way around a love song, too. It’s absolutely essential.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressed on black vinyl\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe best R\u0026amp;B songwriter and soul singer that most people have never heard of\u003c\/li\u003e\n\u003cli\u003eRegarded by Southern soul aficionados as one of the best of the genre\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPANSD18134[[Artist]]Sam Dees\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"The Show Must Go On \/ Vinyl \/ LP Black","offer_id":43959639703797,"sku":"PPANSD18134","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622216.jpg?v=1751327813"},{"product_id":"house-in-the-tall-grass","title":"House in the Tall Grass","description":"[[Release Detail]][[Release Description]]\n\u003cp\u003eLike a long journey this record unfolds itself through many layers.\u003c\/p\u003e\n\n\u003cp\u003eFans of Kikagaku Moyo will be comforted by the soft vocals harmonies and warm Sitar but what sets this release apart is the refinement of the band’s songwriting and their delicate execution.\u003c\/p\u003e\n\n\u003cp\u003eSide A begins with a pair of travelling songs where the interplay between the vocals, guitar, and sitar lift and suspend you on an unexpected journey.\u003c\/p\u003e\n\n\u003cp\u003eThe patient listener is rewarded by tracks like “Trad” and “Silver Owl” that demonstrate the masterful balance the band has between soft and loud; chaos and order, or being both cold and tender at the same time.\u003c\/p\u003e\n\n\u003cp\u003e“House in the Tall Grass” takes the listener by the hand on a comfortable quest through destinations both familiar and unknown.\u003c\/p\u003e\n\n\u003cp\u003eIt is a natural step forward for the band and perhaps the most refined example of their style to date.\u003c\/p\u003e\n\n\u003cp\u003eThe original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.\u003c\/p\u003e\n\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003eElements of classical Indian music, krautrock, traditional folk, and 70s rock.\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eRecorded at Studio Somil, Rio De Janeiro in 1972\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eProduced, arranged, and directed by Arthur Verocai\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]GGB-008[[Artist]]Kikagaku Moyo\u003c\/p\u003e","brand":"Guruguru Brain","offers":[{"title":"House in the Tall Grass \/ Vinyl \/ LP Black","offer_id":43959644455157,"sku":"GGB-008-2","price":27.0,"currency_code":"USD","in_stock":true},{"title":"House in the Tall Grass \/ CD \/ CD","offer_id":43959644487925,"sku":"GGB-008CD","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1648839254099-6xbs1u4zzg5-86bcd1c8046f1824041d039475737d4d_2FaDNJIzqg.jpg?v=1690524841"},{"product_id":"kikagaku-moyo","title":"Kikagaku Moyo","description":"\u003cp\u003e[[Release Detail]]\u003c\/p\u003e\n\u003cp\u003eFor a very long time, we have been trying to re-issue this record; a true and complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre.\u003c\/p\u003e\n\u003cp\u003eRecorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form.\u003c\/p\u003e\n\u003cp\u003eThe 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, \u003cspan class=\"caps\"\u003eMPB\u003c\/span\u003e, psychedelics and funk sit side by side effortlessly.\u003cbr\u003eThe album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris \u0026amp; Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others.\u003c\/p\u003e\n\u003cp\u003eThe original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.\u003c\/p\u003e\n\u003cp\u003e[[Release Description]]\u003c\/p\u003e\n\u003cp\u003eKikagaku Moyo’s debut album exerts an elemental power. Enlivening their sound with sitars, percussive drums, theremins, wind instruments and ethereal vocals, the band manages to sound powerfully spacious and lazily serene all at once. Their songs can be light as air, or heavy as earth. Many evolve out of intense experiences of engagement with the natural world. The album’s first track, “Can You Imagine Nothing?” was written over a night spent jamming on a suspended footbridge in remote mountains. As the song progressed the bridge began to sway, making band members feel as though they were floating weightless in midair.\u003c\/p\u003e\n\u003cp\u003eKikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free music collective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo call their sound psychedelicic because it encompasses a broad spectrum of influence. Their music incorporates elements of classical Indian music, Krautrock, Traditional Folk, and 70s Rock. Most importantly their music is about freedom of the mind and body and building a bridge between the supernatural and the present. Improvisation is a key element to their sound.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKikagaku Moyo's first self-titled album reissue\u003c\/li\u003e\n\u003cli\u003eOriginally released by Cosmic Eye Records in Sep 2013\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eElements of classical Indian music, krautrock, traditional folk, and 70s rock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]GGB-013[[Artist]]Kikagaku Moyo\/幾何学模様\u003c\/p\u003e","brand":"Guruguru Brain","offers":[{"title":"Kikagaku Moyo \/ Vinyl \/ LP Black","offer_id":43959644520693,"sku":"GGB-013","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Kikagaku Moyo \/ CD \/ CD","offer_id":43959644553461,"sku":"GGB-13CD","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1519070593368-k6wx3poxqe-e09cfade6d7f78ef1e6a3539dca09f71_2Fa0389363479_10.jpg?v=1690524841"},{"product_id":"inside-hifi","title":"Inside HiFi","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eThis excellent recording features altoist Lee Konitz with two separate quartets during 1956. Either guitarist Billy Bauer or pianist Sal Mosca are the main supporting voices in groups also including either Arnold Fishkind or Peter Ind on bass and Dick Scott on drums. The most unusual aspect to the set is that on the four selections with Mosca, Konitz switches to tenor, playing quite effectively in a recognizable cool style. The overall highlights of this enjoyable album are “Everything Happens to Me,” “All of Me,” and “Star Eyes,” but all eight performances are well played and swinging. Scott Yannow\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe introduction of Konitz’s tenor during this period is emblematic of this. His premiere tenor recordings on ’56’s Lee Konitz Inside Hi-Fi document how Konitz first translated the refinements of his alto conception to the larger horn, even on would-be barn burners as “Indiana” (which also features an excellent solo by pianist Sal Mosca), and began to apply the tenor’s capacity for broader, bolder strokes to such fine alto performances as the bluesy “Cork ‘N’ Bib.” The contrasts between Konitz’s alto and tenor are well-represented on “Kary’s Trance,” which includes choruses on both horns; the track is also one of guitarist Billy Bauer’s finest.\u003cbr\u003eBill Shoemaker\u003c\/p\u003e\n\u003cp\u003eA recent convert to Lee Konitz, the more I hear the more I like. Though he went on to record right up to the present day, the 50’s recordings are remarkably fresh, with his alto’s long fluid lines and swinging turns in direction. His alto has a refreshing lightness and his opening alto duet here with guitarist Billy Bauer on “Kary’s Trance” is a surprising sheer delight. Unusually, Konitz also picks up the tenor sax on several tracks for the first time, yielding a record with an additional layer of interest. The selling point for me, however, was the cover. For any audiophiles out there (yes you Guy! ) the artifice of Konitz, photographed through capacitors, valves and wires in Rudy Van Gelder’s recording studio, is the ultimate Jazz Audiophile image.\u003cbr\u003eLondonJazzCollector\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLP pressed on black vinyl\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eFeatures altoist Lee Konitz with two separate quartets during 1956\u003c\/li\u003e\n\u003cli\u003eIncludes performances of \u003cmeta charset=\"utf-8\"\u003e“Everything Happens to Me,” “All of Me,” and “Star Eyes\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN-SD1258[[Artist]]Lee Konitz\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Inside HiFi \/ Vinyl \/ LP Black","offer_id":43959646814453,"sku":"PPAN-SD1258","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622735.jpg?v=1755042631"},{"product_id":"masana-temples","title":"Masana Temples","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eKikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free music collective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo call their sound psychedelic because it encompasses a broad spectrum of influence. Their music incorporates elements of classical Indian music, Krautrock, Traditional Folk, and 70s Rock. Most importantly their music is about freedom of the mind and body and building a bridge between the supernatural and the present. Improvisation is a key element to their sound.\u003c\/p\u003e\n\u003cp\u003eThe shifting dimensions of Masana Temples, fourth album from psychedelic explorers Kikagaku Moyo, are informed by various experiences the band had with traveling through life together, ranging from the months spent on tour to making a pilgrimage to Lisbon to record the album with jazz musician Bruno Pernadas. The band sought out Pernadas both out of admiration for his music and in an intentional move to work with a producer who came from a wildly different background. With Masana Temples, the band wanted to challenge their own concepts of what psychedelic music could be. Elements of both the attentive folk and wild-eyed rocking sides of the band are still intact throughout, but they’re sharper and more defined.\u003c\/p\u003e\n\u003cp\u003eMore than the literal interpretation of being on a journey, the album’s always changing sonic panorama reflects the spiritual connection of the band moving through this all together. Life for a traveling band is a series of constant metamorphoses, with languages, cultures, climates and vibes changing with each new town. The only constant for Kikagaku Moyo throughout their travels were the five band members always together moving through it all, but each of them taking everything in from very different perspectives. Inspecting the harmonies and disparities between these perspectives, the group reflects the emotional impact of their nomadic paths. The music is the product of time spent in motion and all of the bending mindsets that come with it.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKikagaku Moyo's fourth full-length studio album\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eRecorded with jazz musician Bruno Pernadas\u003c\/li\u003e\n\u003cli\u003ePressed on black vinyl\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]GGB-017LP-2[[Artist]]Kikagaku Moyo\u003c\/p\u003e","brand":"Guruguru Brain","offers":[{"title":"Masana Temples \/ Vinyl \/ LP Black","offer_id":43959652221173,"sku":"GGB-017LP-2","price":27.0,"currency_code":"USD","in_stock":true},{"title":"Masana Temples \/ CD \/ CD","offer_id":43959652253941,"sku":"GGB-017CD","price":13.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1648839260622-qzjil5tnl5-7237878d4b4818c3f5104b74c334e734_2FDKjUJGNw.jpg?v=1690525172"},{"product_id":"love-in","title":"Love-In","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eFour-and-a-half decades after the event, saxophonist Charles Lloyd’s Love-In, recorded live at San Francisco’s Fillmore Auditorium in 1967, the counterculture’s West Coast music hub, endures as much as an archaeological artifact as a musical document. From sleeve designer Stanislaw Zagorski’s treatment of Rolling Stone photographer Jim Marshall’s cover shot, through the album title and some of the track titles (“Tribal Dance,” “Temple Bells”), and the inclusion of John Lennon and Paul McCartney’s “Here There and Everywhere,” Love-In’s semiology reeks of the acid-drenched zeitgeist of the mid 1960s, a time when creative music flourished, and rock fans were prepared to embrace jazz, provided the musicians did not come on like their parents: juicers dressed in sharp suits exuding cynicism.\u003c\/p\u003e\n\u003cp\u003eIt is likely that more joints were rolled on Love-In’s cover than that of any other jazz LP of the era, with the possible exception of saxophonists John Coltrane’s A Love Supreme (Impulse!, 1965) and Pharoah Sanders’s Tauhid (Impulse!, 1967). Chet Helms, a key mover and shaker in the West Coast counterculture, spoke for many when he hailed the Lloyd quartet as “the first psychedelic jazz group.”\u003c\/p\u003e\n\u003cp\u003eIt is to Lloyd’s credit that, at least in the early stages of his adoption by the counterculture, he resisted dumbing down his music. The adoption stemmed from Lloyd’s espoused attitude to society, his media savvy, his sartorial style and his sheer nerve in playing jazz in the temples of rock culture. He took the quartet into the Fillmore West three years before trumpeter Miles Davis took his into the Fillmore East—as documented on Live at the Fillmore East, March 6 1970: It’s About That Time (Columbia)—by which time his pianist, Keith Jarrett, and drummer, Jack DeJohnette, were members of Davis’ band (although Jarrett didn’t appear at the 1970 gig).\u003c\/p\u003e\n\u003cp\u003eSo Love-In comes with a load of baggage, some of it less than fragrant. But as 45 minutes of music, it still has legs. Lloyd’s vocalized tenor (and flute on two tracks) has Coltrane-derived muscle; the young Jarrett’s lyrical and funky solos, particularly on his 07:55 showcase, the gospel-ish “Sunday Morning,” his two featured originals (“Sunday Morning” and the soul jazz-ish “Is It Really the Same?”), and his playing the strings of the piano directly with his hands, all remain compelling; McClure and DeJohnette are solid and inventive.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLP pressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eRecorded live at San Francisco’s Fillmore Auditorium in 1967\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eHailed as “the first psychedelic jazz group\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e[[Catalog Number]]PPAN-SD11481[[Artist]]Charles Lloyd\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Love-In \/ Vinyl \/ LP Black","offer_id":43959653761269,"sku":"PPAN-SD11481","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622834.jpg?v=1754688691"},{"product_id":"vibes-from-the-tribe-trcd4008","title":"Vibes from the Tribe","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003ePhil Ranelin was a session trombonist recording with the likes of Steve Wonder before setting up the Tribe label with Wendell Harrison in Detroit.\u003c\/p\u003e\n\u003cp\u003eLike other contemporary artist run labels like Strata East and Black Jazz, Tribe releases were characterised by a heady mix of post Coltrane free jazz, soul and funk, all informed by a strong political conscience.\u003c\/p\u003e\n\u003cp\u003eVibes From the Tribe is a fine record. The title track is lusciously, greasily funky and stands in pretty stark contrast to the kind of airbrushed fusion that was in vogue at the time. “Sounds from the Village” is even better (and dirtier), showcasing Ranelin’s oily trombone gymnastics and a viciously fuzzed guitar solo. “Wife” features Phil’s singing and is oddly reminiscent of Frank Zappa’s writing on Sleep Dirt; an affecting, snaking melody topped off with a beautiful solo from the leader, whose playing here has the grace of Bob Brookmeyer coupled with the agility of George Lewis.\u003c\/p\u003e\n\u003cp\u003e“He The One We All Knew” is the obligatory Coltrane tribute and is a trip into the kind of groove based free playing typical of Pharoah Sanders, though only really picks up when the band launch into post bop swing mode in the last six minutes or so, provoking another fine Ranelin solo. Bassist Ralph Armstrong is particularly strong here; his brief solo passages are a wonder of agility and tough lyricism that make me wonder why he’s not better known. Other highlights come from the mellifluous flute of Wendell Harrison. Beautiful stuff, and it’s good to know that Ranelin is still at work even now. Essential.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eCharacterised by a heady mix of post Coltrane free jazz, soul and funk, all informed by a strong political conscience\u003c\/li\u003e\n\u003cli\u003eFeatures \u003cmeta charset=\"utf-8\"\u003eColtrane tribute, performance of \u003cmeta charset=\"utf-8\"\u003e“He The One We All Knew”\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003ePhil Ranelin, leader of Detroit jazz label Tribe Records and session trombonist for Steve Wonder\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TRCD4008[[Artist]]Phil Ranelin\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Vibes from the Tribe \/ Vinyl \/ LP Black","offer_id":43959653859573,"sku":"TRCD4008","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622803.jpg?v=1755042615"},{"product_id":"castle-in-the-sky-image-album","title":"Castle In The Sky: Image Album","description":"[[Release Detail]][[Release Description]]\u003cp\u003eThis album was created before the soundtrack, and is based on the image of Laputa given to Joe Hisaishi from director Hayao Miyazaki and producer Isao Takahata.\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eJapanese import\u003c\/li\u003e\n\t\u003cli\u003eJacket image is designed with a cutout of the main characters, Pazu and Sheeta, from the theater poster\u003c\/li\u003e\n\t\u003cli\u003eDouble jacket with duplicate cel of Pazu and Sheeta\u003c\/li\u003e\n\t\u003cli\u003eHoused in a gatefold jacket with an \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\t\u003cli\u003eLimited pressing\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]TJJA-10011[[Artist]]Joe Hisaishi","brand":"Tokuma Japan Communications","offers":[{"title":"Castle In The Sky: Image Album \/ Vinyl \/ LP Black","offer_id":43959654875381,"sku":"TJJA-10011","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1535746830071-kvtm903nw2-393e21091362e5d060c94a5b7ad2fb9b_2Fimage_2Balbum_2B.jpg?v=1690525286"},{"product_id":"castle-in-the-sky-soundtrack-tjja-10012-legacy","title":"Castle In The Sky: Soundtrack","description":"[[Release Detail]][[Release Description]]\n\u003cp\u003eSoundtrack includes the insert song ‘’Kimi o Nosete.’’ Jacket image is the Tiger Moth, the airship of the Doras the air pirates, which appeared in ’’Castle In The Sky.\"\u003c\/p\u003e\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003eJapanese import\u003c\/li\u003e\n\u003cli\u003ePressed on Black Vinyl\u003c\/li\u003e\n\u003cli\u003eHoused in a gatefold jacket with an \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]TJJA-10012[[Artist]]Joe Hisaishi","brand":"Tokuma Japan Communications","offers":[{"title":"Castle In The Sky: Soundtrack \/ LP \/ LP Black","offer_id":43959654908149,"sku":"TJJA-10012","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008085815.jpg?v=1747851897"},{"product_id":"castle-in-the-sky-symphony-version","title":"Castle In The Sky: Symphony Version","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eSymphony version of the image album ‘’Sora kara Futtekita Shoujo’’ performed by an orchestra of 60 players. Performance: Tokyo City Philharmonic Orchestra. Conductor: Katsuaki Nakatani.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJapanese Import\u003c\/li\u003e\n\u003cli\u003eIncludes 4 pages of illustrations plus an \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\u003cli\u003eLimited\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TJJA-10013[[Artist]]Joe Hisaishi\u003c\/p\u003e","brand":"Tokuma Japan Communications","offers":[{"title":"Castle In The Sky: Symphony Version \/ LP \/ LP Black","offer_id":43959654940917,"sku":"TJJA-10013","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008085914.jpg?v=1747852102"},{"product_id":"my-neighbor-totoro-image-album","title":"My Neighbor Totoro: Image Album","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eImage album created with the concept of ‘’making songs which children really want and can sing out loud with their mouths widely opened.’’\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJapanese import\u003c\/li\u003e\n\u003cli\u003e16-page booklet\u003c\/li\u003e\n\u003cli\u003eLimited edition with \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\u003cli\u003eIncludes 10 songs + 1 instrumental\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TJJA-10014[[Artist]]Joe Hisaishi\u003c\/p\u003e","brand":"Tokuma Japan Communications","offers":[{"title":"My Neighbor Totoro: Image Album (Restock) \/ LP \/ LP Black (Restock)","offer_id":46450311659765,"sku":"TJJA-10014","price":42.0,"currency_code":"USD","in_stock":true},{"title":"My Neighbor Totoro: Image Album (2025 Restock) \/ Vinyl \/ LP Black","offer_id":43959654973685,"sku":"TJJA-10014-2","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008086010.jpg?v=1747852370"},{"product_id":"my-neighbor-totoro-soundtrack","title":"My Neighbor Totoro: Soundtrack","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eSoundtrack in which you can feel warmth and enjoy Joe Hisaishi’s music to your heart’s content. Includes ’’Sanpo’’ and ‘’My Neighbor Totoro.’’\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJapanese import\u003c\/li\u003e\n\u003cli\u003eIncludes 4 pages of illustrations\u003c\/li\u003e\n\u003cli\u003eLimited edition with \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\u003cli\u003ePressed on Black Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TJJA-10015[[Artist]]Joe Hisaishi\u003c\/p\u003e","brand":"Tokuma Japan Communications","offers":[{"title":"My Neighbor Totoro: Soundtrack (Restock) \/ Vinyl \/ LP Black","offer_id":43959655039221,"sku":"TJJA-10015","price":42.0,"currency_code":"USD","in_stock":true},{"title":"My Neighbor Totoro: Soundtrack \/ Vinyl \/ LP Color","offer_id":43959655071989,"sku":"TJJA-10015-C","price":49.0,"currency_code":"USD","in_stock":true},{"title":"My Neighbor Totoro: Soundtrack \/ Vinyl \/ LP Black","offer_id":44467671662837,"sku":"TJJA-10015","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008086119.jpg?v=1747852030"},{"product_id":"nausicaa-of-the-valley-of-wind-image-album","title":"Nausicaa Of The Valley Of Wind: Image Album","description":"[[Release Detail]][[Release Description]]\u003cp\u003eA collection of works which are considered the origin of film music in Nausicaa, created even before the film’s production and based on the image in the original comics. Jacket image is a ‘’Torumakian Soldier’’ illustrated by director Hayao Miyazaki for appendix poster for Animage.\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eJapanese import\u003c\/li\u003e\n\t\u003cli\u003eLimited edition with \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\t\u003cli\u003eIncludes 4 pages of illustrations\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]TJJA-10008-2[[Artist]]Joe Hisaishi","brand":"Tokuma Japan Communications","offers":[{"title":"Nausicaa Of The Valley Of Wind: Image Album \/ Vinyl \/ LP Black","offer_id":43959655137525,"sku":"TJJA-10008","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008085419.jpg?v=1747851875"},{"product_id":"nausicaa-of-the-valley-of-wind-symphony-version","title":"Nausicaa Of The Valley Of Wind: Symphony Version","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eMasterpieces of ’’Nausicaa’’ reproduced by an orchestra of 50 players. Fully arranged and produced by composer Joe Hisaishi himself. Jacket image is Nausicaa departing for a journey.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJapanese import\u003c\/li\u003e\n\u003cli\u003e4 pages of illustrations\u003c\/li\u003e\n\u003cli\u003eHouses in double gatefold jacket with \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e strip\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TJJA-10010[[Artist]]Joe Hisaishi\u003c\/p\u003e","brand":"Tokuma Japan Communications","offers":[{"title":"Nausicaa Of The Valley Of Wind: Symphony Version \/ Vinyl \/ LP Black","offer_id":43959655203061,"sku":"TJJA-10010","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008085617.jpg?v=1748478051"},{"product_id":"cosmic-vortex-justice-divine","title":"Cosmic Vortex (Justice Divine)","description":"[[Release Detail]][[Release Description]]\u003cp\u003eAfter two visionary LPs for his own tiny Nodlew label, Weldon Irvine signed to \u003cspan class=\"caps\"\u003eRCA\u003c\/span\u003e for Cosmic Vortex (Justice Divine), exploring the deeply spiritual and political terrain of his previous efforts on the kind of grand musical scale that major-label funding accommodates. This is a big, bold record by any measure, with a startlingly pronounced focus on lyrics and vocals. At the same time, however, the melodies spread out like tentacles, informed by the improvisational sensibilities of jazz and the deep-groove spirit of funk.           Jason Ankeny\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eRe-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\t\u003cli\u003eRecording Engineer and Mixed By – Jim Crotty\u003c\/li\u003e\n\t\u003cli\u003eProducer, Arranged By, Conductor, Composed By – Weldon J. Irvine, Jr.\u003c\/li\u003e\n\t\u003cli\u003eRecorded in RCA’s Studio ‘D’, New York City, 1974\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]PPAN APL1-0703[[Artist]]Weldon Irvine","brand":"Pure Pleasure","offers":[{"title":"Cosmic Vortex (Justice Divine) \/ Vinyl \/ LP Black","offer_id":43959659725045,"sku":"PPAN APL1-0703","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622841.jpg?v=1755042755"},{"product_id":"buio-omega-original-motion-picture-soundtrack","title":"Buio Omega - Original Motion Picture Soundtrack","description":"[[Release Detail]][[Release Description]]\u003cp\u003eJoe D’Amato’s 1979 gorefest Buio Omega (Beyond the Darkness) concerns a local taxidermist Frank and his dead fiancée, unable to cope with his loss he of course digs up his deceased girlfriend and preserves and stuffs her. This (obviously) doesn’t sit well with his housekeeper who is secretly in love with Frank, from here on in things get even more bizarre and gruesome as Frank tries to find a replacement for his ex to no avail. As bodies pile up (and get broken down in acid baths) the local police get suspicious and it all comes to a head for Frank and his housekeeper. Buio Omega is an absolutely outrageous slice of Italian sleaze and recommended to those only with the strongest of stomachs!\u003c\/p\u003e\n\u003cp\u003eGoblin supplied the score to Buio Omaga and they really helped elevate the film. Synthesizers soar and drums rattle and the score is a funk filled masterpiece far better than the film probably deserves! We are thrilled to bring the full score on vinyl straight from the original masters and we have loaded it with unreleased tracks\/takes \u0026amp; stingers from the \u003cspan class=\"caps\"\u003eAMS\u003c\/span\u003e\/Cinevox vaults!\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eThe complete original score including 17 tracks never before pressed to vinyl straight from the vaults of \u003cspan class=\"caps\"\u003eAMS\u003c\/span\u003e \u0026amp; Cinevox\u003c\/li\u003e\n\t\u003cli\u003ePressed on \u003cspan class=\"caps\"\u003eGREEN\u003c\/span\u003e vinyl and limited to 1,000 LPs\u003c\/li\u003e\n\t\u003cli\u003eHoused in a gatefold jacket with printed insert\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]DW124[[Artist]]Goblin","brand":"Death Waltz Recording Co.","offers":[{"title":"Buio Omega - Original Motion Picture Soundtrack \/ Vinyl \/ LP Color","offer_id":43959663001845,"sku":"DW124","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1546973655594-9iqdw2ig4ji-f3154b6552c592a24e17ca644ace03d6_2Fdw124.jpg?v=1690525632"},{"product_id":"desert-fairy-princess","title":"Desert Fairy Princess","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eAdele Sebastian was an Afro American jazz flutist and singer, active from the early 70s (when she was still a teenager) until her untimely death at the age of 27 (!) in 1983 from a kidney failure. In fact she had been depending on monthly dialysis to stay alive for years. She lived through and for the music and you can hear it on her only solo album “Desert Fairy Princess” which was first issued in 1981. The mostly acoustic instrumentation brings a very natural and therefore rather retrospective sound considering the year the album was recorded. Adele and her band pull it off right from the start as if it had been 1966 and it was time for a revolution to shake the dust from the old time jazz. In a perfect way she mixes classic American vocal jazz elements with playful and more free passages, Latin music and tribal African sounds in the lengthy and quite rhythm oriented “Man From Tanganyika” and makes the title track start with a mystical “Allahu akbar“ chant while it turns more and more into a dark and gloomy song with something like a psychedelic edge reminiscent of Pharoah Sanders on his early works. Wild rhythms from drums, percussions with tons of bells and chimes weave a thick groove carpet and conjure a magical atmosphere. Those jazz aficionados who love the mid 60s John Coltrane, his sidekick Pharoah Sanders and Alice Coltrane will go crazy for this album.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eFirst issued in 1981\u003c\/li\u003e\n\u003cli\u003eRe-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\u003cli\u003eFor fans of \u003cmeta charset=\"utf-8\"\u003eJohn Coltrane, his sidekick Pharoah Sanders, and Alice Coltrane\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]NS-680[[Artist]]Adele Sebastian\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Desert Fairy Princess \/ Vinyl \/ LP Black","offer_id":43959665918197,"sku":"NS-680","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622933_3b55e7c1-7e85-4c3f-aa6f-c89d88b12b2c.jpg?v=1758313115"},{"product_id":"hassan-s-walk","title":"Hassan’s Walk","description":"[[Release Detail]][[Release Description]]\u003cp\u003eDon’t let the date fool you, released back in 1983 this modal to slightly free jazz outfit from California takes you on a journey back to the late 60s and very early 70s, into the spiritual realms of greats like John Coltrane, Pharoah Sanders, John McLaughlin and Miles Davis among others. A soul jazz treasure from the LA scene of the early 80s – a fantastic record that I rank with the best Strata East sides of the time! The group’s led by alto saxophonist Dadisi Komolafe, and features vibes by Ricky Kelly, piano by Eric Tillman, bass by Roberto Miranda, and drums by Sunship Theus – all working together in a style that’s infused with soulful, post-Coltrane exploratory energy, never going too far outside, and always staying true to the rhythmic pulse at its core. Kelly’s vibes are really great – sparkling underneath solos by Komolafe that remind me a lot of Gary Bartz’s earliest work.\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eRe-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\t\u003cli\u003eRecorded in Los Angeles in October 1983\u003c\/li\u003e\n\t\u003cli\u003eProduced by Tom Albach\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]NS-3035[[Artist]]Dadisi Komolahe","brand":"Pure Pleasure","offers":[{"title":"Hassan’s Walk \/ Vinyl \/ LP Black","offer_id":43959665950965,"sku":"NS-3035","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622940_b187ec50-62e1-41c5-ab4f-4f1a896358ae.jpg?v=1758313398"},{"product_id":"public-pressure-standard-vinyl-edition","title":"Public Pressure (Standard Vinyl Edition)","description":"[[Release Detail]][[Release Description]]\u003cp\u003eOriginally released in 1980, Public Pressure is Yellow Magic Orchestra’s third release and their first live album. Upon its original release in Japan, the album reached number one on the Oricon charts and sold a record 250,000 copies within two weeks of release. Public Pressure captures \u003cspan class=\"caps\"\u003eYMO\u003c\/span\u003e at their early peak as live performers, containing recordings from YMO’s first world tour including performances at The Venue (London), Greek Theatre (Los Angeles), and The Bottom Line (New York City).\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eRemastered by Bob Ludwig\u003c\/li\u003e\n\t\u003cli\u003eVinyl cutting by Bernie Grundman Mastering\u003c\/li\u003e\n\t\u003cli\u003ePlating at \u003cspan class=\"caps\"\u003eRTI\u003c\/span\u003e\n\u003c\/li\u003e\n\t\u003cli\u003ePressed at Sony \u003cspan class=\"caps\"\u003eDADC\u003c\/span\u003e Japan\u003c\/li\u003e\n\t\u003cli\u003eLimited edition import Japanese press\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]MHJL-63[[Artist]]Yellow Magic Orchestra","brand":"Great Tracks \/ Sony Japan","offers":[{"title":"Public Pressure（Standard Vinyl Edition) \/ Vinyl \/ LP Black","offer_id":43959669293301,"sku":"MHJL-63","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4560427445540.png?v=1738629142"},{"product_id":"x-multiplies-standard-vinyl-edition","title":"X∞Multiplies (Standard Vinyl Edition)","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1980, X∞Multiplies is Yellow Magic Orchestra’s fourth release, a 10\" mini album containing collaborations with the comedy troupe The Snakeman Show. Includes the classics “The End of Asia” and “Nice Age” as well as their version of Archie Bell \u0026amp; The Drells “Tighten Up,” which earned them a spot on the Billboard R\u0026amp;B singles chart along with an appearnce on the legendary TV show “Soul Train.”\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDeluxe 10\" Gatefold Jacket\u003c\/li\u003e\n\u003cli\u003eRemastered by Bob Ludwig\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLimited edition import Japanese press\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]MHJL-66[[Artist]]Yellow Magic Orchestra\u003c\/p\u003e","brand":"Great Tracks \/ Sony Japan","offers":[{"title":"X∞Multiplies (Standard Vinyl Edition) \/ Vinyl \/ 10” Black","offer_id":43959669326069,"sku":"MHJL-66","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1555546608425-qh16oqu04-7392b05e270b303742edde9fb1480f98_2Fymo-multiplies.png?v=1690525864"},{"product_id":"western-suite","title":"Western Suite","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eIn late 1957, jazz saxophonist, clarinetist, composer, and iconoclast Jimmy Giuffre broke up the original Jimmy Giuffre 3 with Ralph Pena and Jim Hall. In early 1958, for a recording session, he formed a new trio without a rhythm section. For the album “Trav’lin’ Light”, his new trio included Hall on guitar and the underrated trombone giant Bob Brookmeyer. For a year, they gigged together up and down the West Coast and played summer festivals, recorded, and even played clubs in New York.\u003c\/p\u003e\n\u003cp\u003eThey became a trio of adventurous musicians for whom form was not an obstacle to creativity. As the year wound down, Giuffre wanted to document the trio once more, sensing its life was coming to an end. He composed the four-movement “Western Suite” with the trio’s strengths in mind, as a way of documenting how they had come together as a band during that year. The piece itself stands as a crowning achievement in a career that included discovering the talents of Steve Swallow and Paul Bley and making the truly revolutionary recording “Free Fall” for Columbia three years later. The roots of that thinking lie in this set. Jim Hall’s playing was dark, funky, ambiguous, sounding like drums and voices all at the same time — particularly in the fourth movement. Brookmeyer became the pace setter. His lines were played as stage settings for the other two players to dialogue and narrate against. Giuffre, ever the storyteller, advanced the improvisation angle and wrote his score so that each player had to stand on his own as part of the group; there were no comfort zones. Without a rhythm section, notions of interval, extensions, interludes, and so on were out the window. He himself played some of his most restrained yet adventurous solos in the confines of this trio and within the form of this suite. It swung like West Coast jazz, but felt as ambitious as Copland’s “Billy The Kid”.\u003c\/p\u003e\n\u003cp\u003eThe record is filled out with two other tunes, one of Eddie Durham’s, “Topsy”, and the final moment of mastery this band ever recorded, the already classic “Blue Monk”. The easy stroll of the front line with Brookmeyer’s trombone strutting New Orleans’ style is in sharp contrast to Giuffre’s clarinet playing. Which carries the bluesy melody through three harmonic changes before he solos and then plays three more. Hall keeps it all on track, and somehow the piece sounds very natural this way, though unlike “Monk”, there are no edges here — everything is rounded off. This is as solid as any of the earlier or later Jimmy Giuffre 3 records, and two notches above “Trav’lin’ Light” in that it reveals a fully developed sense of the responsibilities, possibilities, and freedoms of reinventing jazz for the trio.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLP pressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eRecorded in 1958 by Heinz Kubicka, Herb Kaplan, and Tom Dowd\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eReveals a fully developed sense of the responsibilities, possibilities, and freedoms of reinventing jazz for the trio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN SD1330[[Artist]]Jimmy Giuffre\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Western Suite \/ Vinyl \/ LP Black","offer_id":43959694426357,"sku":"PPAN SD1330","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622278.jpg?v=1751327792"},{"product_id":"dream-weaver","title":"Dream Weaver","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eThe first studio date of the Charles Lloyd Quartet, with Keith Jarrett, Cecil McBee, and Jack DeJohnette, was recorded and released just a few days before the band took both the European and American festival circuits by storm. First came Europe, which was just getting the disc as the band was tearing up its stages. While the live dates are now the stuff of legend, it’s easy to overlook the recordings, but to do so would be a mistake. Dream Weaver is a fully realized project by a band — a real band — in which each member has a unique part of the whole to contribute. Jarrett’s unusual piano style fits musically with Lloyd’s lyricism in a way that it shouldn’t.\u003c\/p\u003e\n\u003cp\u003eJarrett was even then an iconoclast, playing harmonic figures from the inside out and relying on counterpoint to create new spaces, not fill them in. (Just listen to “Autumn Sequence,” where his solos and his backing harmonics are equally strident and inventive as Lloyd’s Eastern explorations of mood and mode.) And then there’s the rhythm section of McBee and DeJohnette, whose modal inventions on the intervals make the “Dream Weaver” suite an exercise in open time, allowing all players to wander around inside it and take what they want out. The set closes with a group party jam on “Sombrero Sam,” with Lloyd and Jarrett trading eights on a Cuban variation on a fantasia. There were no records like this one by new groups in 1966. Thom Jurek\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e180 gram\u003c\/li\u003e\n\u003cli\u003eLP pressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eRecorded in New York on March 29th, 1966\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN SD1459[[Artist]]Charles Lloyd\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Dream Weaver \/ Vinyl \/ LP Black","offer_id":43959694557429,"sku":"PPAN SD1459","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622490.png?v=1755042766"},{"product_id":"bright-moments","title":"Bright Moments","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eRahsaan Roland Kirk’s live club gigs were usually engaging, freewheeling affairs, full of good humor and a fantastically wide range of music. The double album Bright Moments is a near-definitive document of the Kirk live experience, and his greatest album of the ‘70s. The extroverted Kirk was in his element in front of an audience, always chatting, explaining his concepts, and recounting bits of jazz history. Even if some of his long, jive-talking intros can sound a little dated today, it’s clear in the outcome of the music that Kirk fed voraciously off the energy of the room. Most of the tracks are long (seven minutes or more), demonstrating Kirk’s wealth of soloing ideas in a variety of styles (and, naturally, on a variety of instruments). “Pedal Up” is a jaw-dropping demonstration of Kirk’s never-duplicated three-horns-at-once technique, including plenty of unaccompanied passages that simply sound impossible.\u003c\/p\u003e\n\u003cp\u003eThere’s more quintessential Kirk weirdness on “Fly Town Nose Blues,” which heavily features an instrument called the nose flute, and the title track has a healthy dose of Kirk singing through his (traditional) flute. His repertoire is typically eclectic: Ellington’s “Prelude to a Kiss”; a groovy Bacharach pop tune in “You’ll Never Get to Heaven”; a lovely version of Fats Waller’s “Jitterbug Waltz”; and a stomping, exultant New Orleans-style original, “Dem Red Beans and Rice.” Perhaps the best, however, is an impassioned rendition of the ballad standard “If I Loved You,” where Kirk’s viscerally raw, honking tone hints in a roundabout way at the avant-garde without ever losing its melodic foundation. Bright Moments empties all the major items out of Kirk’s bag of tricks, providing a neat microcosm of his talents and displaying a consummate and knowledgeable showman. In short, it’s nothing less than a tour de force. Steve Huey\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2LP pressed on black vinyl\u003c\/li\u003e\n\u003cli\u003eRecorded live at Keystone Korner, San Francisco, California in 1973\u003c\/li\u003e\n\u003cli\u003e180 gram LP x 2 gatefold sleeve\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN SD2-907[[Artist]]Rahsaan Roland Kirk\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Bright Moments \/ Vinyl \/ 2LP Black","offer_id":43959694721269,"sku":"PPAN SD2-907","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622377.jpg?v=1755042719"},{"product_id":"blues-from-the-gutter","title":"Blues From The Gutter","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eChampion Jack Dupree was a New Orleans bred boogie-woogie piano player. But boogie-woogie piano music has little or no collector value. The same cannot be said for Dupree Lps, which have always fetched healthy good prices in record bin and on eBay. While you can’t give away LPs from such accomplished boogie-woogie piano players such as Albert Ammons or Meade Lux Lewis, Dupree’s style of mixing boogie-woogie and the blues seems more modern and hip, attracting music lovers and record collectors alike.\u003c\/p\u003e\n\u003cp\u003eWhile just about anything on Atlantic or Blue Horizon is worth searching out, the real goods are to be found on Dupree’s very first LP released in 1958 on Atlantic- Blues From The Gutter; the title says it all and the lyrics rarely stray from sex and drugs. Dupree’s delivery simply ooze rock and roll, and I’m not talking about music. If the proverbial fire struck and I had to choose five blues LPs to save, this would make the cut. The mono original has a deeper soundstage and more immediacy, which has been traded off for a wider stage with this stereo issue. That quibble aside, this is essential music that should not be missed.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eChampion Jack Dupree's very first LP\u003c\/li\u003e\n\u003cli\u003eOriginally released in 1958\u003c\/li\u003e\n\u003cli\u003eRemastered at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN SD8019[[Artist]]Champion Jack Dupree\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Blues From The Gutter \/ Vinyl \/ LP Black","offer_id":43959694688501,"sku":"PPAN SD8019","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149622223.jpg?v=1751067318"},{"product_id":"east-coasting","title":"East Coasting","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eCharles Mingus is usually known for his wild, soulful and avant-garde compositions. “East Coasting” is mellow by comparison, but it still cooks on a musical level. The Mingus touches are there; the trombone, drummer Danny Richmond and of course the dark emotional undercurrent looms large, too. The personnel are all Mingus regulars, except for pianist Bill Evans, who would not be described as “soulful” in the traditional sense, but his introverted and sensitive style works well with Mingus’s music. His playing on “West Coast Ghost” (the album’s stand-out track) and “Celia” are two examples of Evans’ ability to understand an artist’s musical vision and play accordingly in his own beautifully original style.\u003c\/p\u003e\n\u003cp\u003e“East Coasting” sounds like the prototypical 1950s jazz recording. It’s something one would hear in an attic converted to a bedroom where an artist or lonely soul might live. It’s what a lot of people might believe Jazz would or should sound like. Highly recommended to Jazz lovers and perhaps more importantly- to young people who have just been blown away by Kerouac’s novel “On the Road” and have become interested in exploring Jazz. “East Coasting” will allow them to get a taste of lost creative America. S. Wynn\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e180 gram LP x 1 standard sleeve\u003c\/li\u003e\n\u003cli\u003eMono Recording\u003c\/li\u003e\n\u003cli\u003eRecorded August 1957, in New York City\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN P6019[[Artist]]Charles Mingus\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"East Coasting \/ Vinyl \/ LP Black","offer_id":43959695180021,"sku":"PPAN P6019","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149621974.jpg?v=1755042973"},{"product_id":"consummation","title":"Consummation","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eOf the many albums recorded by the Thad Jones\/Mel Lewis Orchestra, this was the greatest. This set introduced Jones’ best-known composition, “A Child Is Born,” and also has a colourful rendition of his sly “Tiptoe,” and finds the big band ripping the roof off during the lengthy and very exciting “Fingers.”\u003c\/p\u003e\n\u003cp\u003eThe all-star cast (which includes flugelhornist Jones, drummer Lewis, trumpeter Marvin Stamm, trombonist Jimmy Knepper, tenor great Billy Harper, the reeds of Jerome Richardson, Jerry Dodgion and Eddie Daniels, keyboardist Roland Hanna, and bassist Richard Davis, among others) is well served by Thad Jones’ inventive and swinging arrangements. A classic.\u003c\/p\u003e\n\u003cp\u003eScott Yanow\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eIntroduced Jones’ best-known composition, “A Child Is Born,” and also has a colourful rendition of his sly “Tiptoe\"\u003c\/li\u003e\n\u003cli\u003e180 gram LP x 1 gatefoldd sleeve\u003c\/li\u003e\n\u003cli\u003eRecorded January 20, 21, 28 \u0026amp; May 25, 1970 at A\u0026amp;R Studios\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN BST84346[[Artist]]Thad Jones\/Mel Lewis\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Consummation \/ Vinyl \/ LP Black","offer_id":43959695802613,"sku":"PPAN BST84346","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149621486.jpg?v=1755042730"},{"product_id":"such-sweet-thunder","title":"Such Sweet Thunder","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eThis music counts among Ellington’s most well-realized ‘concept projects’, all inspired by Shakespeare’s work and filled with memorable melodies and ample opportunities for solos by Cat Anderson, Johnny Hodges, Paul Gonsalves, and Quentin Jackson.\u003c\/p\u003e\n\u003cp\u003eThe Ellington-Strayhorn compositions treat their soloists like actors doing scenes and, in effect, playing parts, even quoting lines after a fashion — Clark Terry ‘plays’ “Puck” in “Up and Down, Up and Down (I Will Lead Them Up and Down)”, and Johnny Hodges turns in one of the most sensuous performances of his career for “Half the Fun,” from “Antony and Cleopatra”.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMono Recording\u003c\/li\u003e\n\u003cli\u003e1LP 180g 33rpm \/ standard sleeve\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eAmong Ellington’s most well-realized ‘concept projects’, all inspired by Shakespeare’s work\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN CL1033[[Artist]]Duke Ellington And His Orchestra\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Such Sweet Thunder \/ Vinyl \/ LP Black","offer_id":43959698096373,"sku":"PPAN CL1033","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149621301.jpg?v=1755042659"},{"product_id":"the-sound-of-jazz","title":"The Sound Of Jazz","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003e“The Sound of Jazz” is a 1957 edition of the \u003cspan class=\"caps\"\u003eCBS\u003c\/span\u003e television series Seven Lively Arts, and was one of the first major programmes featuring jazz to air on American network television.\u003c\/p\u003e\n\u003cp\u003eThe one-hour program aired on Sunday, December 8, 1957, at 5 p.m. Eastern Time, live from \u003cspan class=\"caps\"\u003eCBS\u003c\/span\u003e Studio 58, the Town Theater at 851 Ninth Avenue in New York City. The show was hosted by New York Herald-Tribune media critic John Crosby, directed by Jack Smight, and produced by Robert Herridge. Jazz writers Nat Hentoff and Whitney Balliett were the primary music consultants.\u003c\/p\u003e\n\u003cp\u003eThe Sound of Jazz brought together 32 leading musicians from the swing era including Count Basie, Lester Young, Ben Webster, Billie Holiday, Jo Jones and Coleman Hawkins; the Chicago style players of the same era, like Henry “Red” Allen, Vic Dickenson, and Pee Wee Russell; and younger ‘modernist’ musicians such as Gerry Mulligan, Thelonious Monk, and Jimmy Giuffre. These players played separately with their compatriots (see the song list below), but also joined to combine various styles in one group, such as Red Allen’s group and the group backing Billie Holiday on “Fine and Mellow”.\u003c\/p\u003e\n\u003cp\u003eThe show’s performance of “Fine and Mellow” reunited Billie Holiday with her estranged long-time friend Lester Young for the final time. Jazz critic Nat Hentoff, who was involved in the show, recalled that during rehearsals, they kept to opposite sides of the room. Young was very weak, and Hentoff told him to skip the big band section of the show and that he could sit while performing in the group with Holiday.\u003c\/p\u003e\n\u003cp\u003eDuring the performance of “Fine and Mellow”, Webster played the first solo. “Then”, Hentoff remembered: \u003cbr\u003eLester got up, and he played the purest blues I have ever heard, and [he and Holiday] were looking at each other, their eyes were sort of interlocked, and she was sort of nodding and half–smiling. It was as if they were both remembering what had been—whatever that was. And in the control room we were all crying. When the show was over, they went their separate ways.\u003c\/p\u003e\n\u003cp\u003eWithin two years, both Young and Holiday had died.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMono Recording\u003c\/li\u003e\n\u003cli\u003e180 gram LPx1 standard sleeve\u003c\/li\u003e\n\u003cli\u003eRecorded at Columbia’s 30th Street Studios, New York on December 4th, 1957\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN CL1098[[Artist]]Various Artists\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"The Sound Of Jazz \/ Vinyl \/ LP Black","offer_id":43959698161909,"sku":"PPAN CL1098","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149621479_d3a0581d-3517-4c3e-9138-f40095f647e4.jpg?v=1758313743"},{"product_id":"ellington-uptown","title":"Ellington Uptown","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eEven back in the early ’50s, Columbia Records took Duke Ellington seriously enough to place this album on its prestigious Masterworks label, heretofore reserved mostly for highbrow classical music and Broadway shows. Also, this LP explodes the critical line that the early ’50s was a relatively fallow period for the Duke; any of these smoking, concert-length tracks will torpedo that notion. The young Louis Bellson was powering the Ellington band at that time, and his revolutionary double-bass drum technique and rare ability to build coherent drum solos are put to astounding use on his self-penned leadoff track, “Skin Deep,” which was quite a demonstration piece for audiophiles at the time.\u003c\/p\u003e\n\u003cp\u003eOld favorites from the Ellington hit parade are given extended treatments, with singer Betty Roche taking the A-train for a bebop-flavored ride, “The Mooche” spotlighting clarinetists Jimmy Hamilton and Russell Procope, and Ellington’s boogie-woogie piano kicking off a super-charged “Perdido” for trumpeter Clark Terry. The centerpiece of the disc is a sharply drawn, idiomatically swinging, probably unbeatable performance of “A Tone Parallel to Harlem” that lays waste to any of the “symphonic” versions that turn up frequently at pop concerts. Another feature of this record is the great sound quality, a benefit of being entrusted to Columbia’s best engineers. Richard S. Ginell\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRemastered at Columbia Records\u003c\/li\u003e\n\u003cli\u003eFeatures old favorites from Ellington, including \u003cmeta charset=\"utf-8\"\u003e“The Mooche”\u003c\/li\u003e\n\u003cli\u003eLP x 1 standard sleeve\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN ML4639[[Artist]]Duke Ellington \u0026amp; His Orchestra\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Ellington Uptown \/ Vinyl \/ LP Black","offer_id":43959698620661,"sku":"PPAN ML4639","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149620724_ef1d32f4-1448-4c71-871e-780003bf5f2d.jpg?v=1758314056"},{"product_id":"peace-back-by-popular-demand","title":"Peace... Back By Popular Demand","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003e\"Peace…Back by Popular Demand finds Keb’ Mo’ covering nine classic protest and peace songs from the 1960s and early ’70s, and what is immediately apparent is how well these songs translate forward into the current political milieu.\u003c\/p\u003e\n\u003cp\u003e\"This is an album where the songs themselves are the stars, and Keb’ Mo’ wisely takes a low-key and measured vocal approach to each of them, letting the messages take hold over light soul-jazz backings, with just enough funk in the horn charts to give the arrangements some push. It’s hard to argue with the song selection, but as an interpreter, Mo’ seldom makes any of these tracks his own, and behind each stands the ghostly but clear memory of the original version. Obviously Mo’ isn’t trying to top the Hit Parade with anything here, and his effort to bring these important songs into a new light is laudable. Peace…Back by Popular Demand is not a major album, but it does have some major things to say, or re-say, in this case, and it serves as a reminder that every era could use (and deserves) some peace.\" - Steve Leggett\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e180g LP on black vinyl\u003c\/li\u003e\n\u003cli\u003eRecorded by Mark Johnson in studios throughout LA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN92687[[Artist]]Keb Mo\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Peace... Back By Popular Demand \/ Vinyl \/ LP Black","offer_id":43959700455669,"sku":"PPAN92687","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1563918173822-03mfjcp83jan-bbf98c411911e301f0c9f803abddf759_2F51sN8U_2BVGUL.jpg?v=1690526576"},{"product_id":"alabama-blues","title":"Alabama Blues","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eJ. B. Lenoir was one of the outstanding blues artists of all time. His album Alabama Blues is the first recorded document by any blues poet, who included and incorporated very critically the social and political situation of black people living in the U.S.A. in the year of 1965. Thus a musical document was created long before the black communities in the United States became proud of their heritage — their \u003cspan class=\"caps\"\u003eROOTS\u003c\/span\u003e. Jimi Hendrix was the first artist who acknowledged that J. B. Lenoir’s work, preserved in this album, was a major part of his self-liberation and of finding his own identity, Though the Library of Congress has placed this album in its achives as an important part of American Musical History — comparable to Duke Ellington’s “Black, Brown and Beige Suite” for example — it was never released in the United States, and even in Europe its distribution was poor. Because of this it has become one of the most searched-for collectors’ items in music today. I’m happy and proud to release this masterpiece of music again.\u003c\/p\u003e\n\u003cp\u003eHorst Lippmann 1979\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eOne of the outstanding blues artists of all time\u003c\/li\u003e\n\u003cli\u003eLP x 1 standard sleeve\u003c\/li\u003e\n\u003cli\u003eRecorded May 5th 1965 in Chicago under the supervision of Willie Dixon\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN LR42001[[Artist]]J.B. Lenoir\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Alabama Blues \/ Vinyl \/ LP Black","offer_id":43959701078261,"sku":"PPAN LR42001","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149620991_0ccec2a3-3286-4bb5-be40-ea60e316f883.jpg?v=1758313825"},{"product_id":"picture-of-heath","title":"Picture Of Heath","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eFirst released under the title “Playboys” in 1956, with the pinup model on the cover, it was the re-released under the title “Picture Of Heath” in 1961. Owing to the fact it carried the same name and favoured images of the men’s magazine.\u003c\/p\u003e\n\u003cp\u003eThis was the third session together of the dynamic duo of Chet Baker and Art Pepper, the previous two having been unequivocal success. Once again Baker and Pepper had an instinctual rapport that yielded outstanding interpaly.These thoroughly enjoyable and often high-energy sides are perfect for bop connoisseurs as well as mainstream jazz listeners. This beautiful sounding piece of vinyl was re-mastered from the orginal mono analogue tapes.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1xLP Standard Sleeve\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eThird session together of the dynamic duo of Chet Baker and Art Pepper\u003c\/li\u003e\n\u003cli\u003eRecorded on October 31st, 1956\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN 18[[Artist]]Chet Baker \u0026amp; Art Pepper\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Picture Of Heath \/ Vinyl \/ LP Black","offer_id":43959701569781,"sku":"PPAN 18","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149620168_6e0db535-4adc-4bca-a4a6-17c007f8d720.jpg?v=1758313600"},{"product_id":"they-live-original-motion-picture-soundtrack","title":"They Live - Original Motion Picture Soundtrack","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eA classic story of one man fighting for the freedom of the world with a great science-fiction twist. This movie is full of amazing dialogue and also contains the greatest fist fight in the history of cinema. Like most of Carpenter's films, THEY LIVE has an urban-western feel to it, which is emphasized by the infectious score. \u003c\/p\u003e\n\u003cp\u003eCelebrated designer and artist Alan Hynes has crafted a spectacular collectible package for the soundtrack befitting the film’s theme of subliminal communication, utilizing the iconic sunglasses to reveal hidden messages as you pull the disc sleeve from the slip case.  \u003c\/p\u003e\n\u003cp\u003eCarpenter and Howarth's main theme conjures up images of a lone cowboy entering town, with the main melody augmented with the sounds of harmonica and saxophone. There's a carefree attitude which reflects Rowdy Roddy Piper's character, but the score takes on a more sinister tone when he realizes he doesn't know anything about what's really going on. Carpenter's signature synth tones create an uncomfortable atmosphere, but the main bassline is always fighting against them, never giving up. Electric guitar is used fleetingly, but brilliantly, and the whole score embodies the kind of rebelling against authority Carpenter is famous for. THEY LIVE will rock your world without the need for a Brazilian plastic surgeon to put you back together again.  \u003cbr\u003eMusic by John Carpenter in association with Alan Howarth. Re-mastered by Alan Howarth. Package design by Alan Hynes.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003ePressed on Bubblegum Pink Vinyl\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eComposed by John Carpenter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRe-mastered by Alan Howarth\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003ePackage design by Alan Hynes\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]DW009F[[Artist]]John Carpenter \u0026amp; Alan Howarth\u003c\/p\u003e","brand":"Death Waltz Recording Co.","offers":[{"title":"They Live - Original Motion Picture Soundtrack \/ Vinyl \/ LP  Bubblegum Pink","offer_id":43959703765237,"sku":"DW009F","price":31.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/810140240385.jpg?v=1748478118"},{"product_id":"land-of-the-lost","title":"Land Of The Lost","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eJackpot Records is proud to announce the triumphant return of Land Of The Lost, the Wipers’ 4th LP, to the Wipers re-issue catalog.\u003c\/p\u003e\n\u003cp\u003eThis time, we even lovingly recreated the locked groove at the end of Side One (mimicking the original LP), and Chris Newman’s original, cryptic artwork still radiates from the album cover in the same way it did on its initial release in 1986.\u003c\/p\u003e\n\u003cp\u003eWith Greg Sage’s distinctive vocal pleas and his crunchy, swirling guitar riffs, Land Of The Lost feels heavier than anything the Wipers had attempted up to that point.\u003c\/p\u003e\n\u003cp\u003e“The most definitive Wipers record for sound and songwriting.” – Spin Alternative Record Guide\u003c\/p\u003e\n\u003cp\u003e“Heavier and riffier than anything the WIPERS had previously attempted, “Land of the Lost” hits like a steamroller on an inexorable march forward.” – Maximum Rocknroll\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWipers - Fourth Studio Album\u003c\/li\u003e\n\u003cli\u003eOriginally released in 1986 on Restless Records\u003c\/li\u003e\n\u003cli\u003eFeatures A Locked Groove At The End Of Side One\u003c\/li\u003e\n\u003cli\u003eVinyl pressed and plated at RTI\u003c\/li\u003e\n\u003cli\u003e4 1\/2 stars All Music Guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]JPR056[[Artist]]Wipers\u003c\/p\u003e","brand":"Jackpot Records","offers":[{"title":"Land Of The Lost \/ Vinyl \/ LP Black","offer_id":48155277623541,"sku":"JPR056-B","price":28.0,"currency_code":"USD","in_stock":true},{"title":"Land Of The Lost \/ Vinyl \/ LP Color","offer_id":43959723917557,"sku":"JPR056","price":26.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1568830654573-9k9wk8xudig-8c7401f37824b43d88caf948f986a8d9_2FJPR056_Cover_3K.jpg?v=1690527367"},{"product_id":"live-at-lobero","title":"Live At Lobero","description":"[[Release Detail]][[Release Description]]\u003cp\u003eThis is a reissue of a now out-of-print album from live trio date by the legendary LA-based pianist, composer and multi-bandleader, Horace Tapscott. Pianist Horace Tapscott is always at his best when he is leading a trio. “Sketches of Drunken Mary” features some sparkling piano revolving around a most lyrical bass part that is absolutely touching. The piece ends with a long, monstrous drum solo has to be heard to be believed. I recall hearing\/seeing the mighty Sonship with John McLaughlin’s One Truth band live at Central Park way back in 1979 and being knocked out by his drumming. “Raisha’s New Hip Dance” is a lovely piece that starts with some amazingly powerful and somewhat dark solo piano, with some strong two handed playing going in different directions and then winding down to somber conclusion, then building back up once again. The final piece is called “Dark Tree” which is a great work that features a colossal, McCoy-like repeating line that is most hypnotic. The trio explodes in waves together, an immensely propulsive circular current at the center of the storm. Roberto Miranda takes an astonishing, fleet-fingered contrabass solo and then Sonship again provides a cosmic gong, cymbals and drum solo. This is a momentous offering from start to finish. It doesn’t get any better than this.\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eRe-mastering by Kevin Gray\u003c\/li\u003e\n\t\u003cli\u003eProduced by Tom Albach\u003c\/li\u003e\n\t\u003cli\u003eRecorded \u0026amp; mixed by Dennis Moody Nov. 12, 1981 in the Lobero Theater, Santa Barbara, California\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]NS-1369[[Artist]]Horace Tapscott","brand":"Pure Pleasure","offers":[{"title":"Live At Lobero \/ Vinyl \/ LP Black","offer_id":43959725359349,"sku":"NS-1369","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149623060.jpg?v=1755042911"},{"product_id":"spirits-known-and-unknown","title":"Spirits Known And Unknown","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eLeon Thomas’ debut solo recording after his tenure with Pharoah Sanders is a fine one. Teaming with a cast of musicians that includes bassist Cecil McBee, flutist James Spaulding, Roy Haynes, Lonnie Liston Smith, Richard Davis, and Sanders (listed here as “Little Rock”), etc. Thomas’ patented yodel is in fine shape here, displayed alongside his singular lyric style and scat singing trademark. The set begins with a shorter, more lyrical version of Thomas’ signature tune “The Creator Has a Master Plan,” with the lyric riding easy and smooth alongside the yodel, which bubbles up only in the refrains. It’s a different story on his own “One,” with Davis’ piano leading the charge and Spaulding blowing through the center of the track, Thomas alternates scatting and his moaning, yodeling, howling, across the lyrics, through them under them and in spite of them. It’s an intense ride and one that sets up the glorious “Echoes.” This tune is Thomas at his most spiritual and uplifting, carrying the mysterious drift of his tune entwined with Spaulding’s flute and a set of Pan pipes, fluttering in and out of the mix before his wail comes to the fore as a solo. The end of side one reaches into Thomas’ past (he sang with everyone from Count Basie to Grant Green and Mary Lou Williams) for a highly original read of Horace Silver’s classic “Song for My Father.” Thomas imbues the tune with so much emotion, it’s a wonder he can keep it under wraps. Side two is more free from in nature with “Damn Nam,” a near rant, but one possessed with melodic vision and harmonic invention with this band. There’s also the deeply moving “Malcolm’s Gone,” a co-write between Thomas and Sanders that features the latter’s gorgeous blowing, hard and true in the middle of the mix, and a wildly spiritual Eastern vibe coming through in the improvisation. It’s the longest track on the record, and one of the most criminally ignored in Thomas’ long career. The album closes with Bell and Houston’s “Let the Rain Fall on Me.” It’s a shimmering straight jazz number with a beautiful piano solo by Smith. It sends out a visionary album out on a sweet, soulful note. Ultimately, this is among Thomas’ finest moments on vinyl, proving his versatility and accessibility to an audience who, for too long already, had associated him too closely with the avant-garde and free jazz. -Thom Jurek\/\u003cspan class=\"caps\"\u003eAMG\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e180 gram LP\u003c\/li\u003e\n\u003cli\u003eLeon Thomas’ debut solo recording after his tenure with Pharoah Sanders\u003c\/li\u003e\n\u003cli\u003eRemastering by Ray Staff at Air Mastering, Lyndhurst Hall, London\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]FDS-115[[Artist]]Leon Thomas\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Spirits Known And Unknown \/ Vinyl \/ LP Black","offer_id":43959728996597,"sku":"FDS-115","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149623077.jpg?v=1755042832"},{"product_id":"kiki-s-delivery-service-image-album","title":"Kiki's Delivery Service: Image Album","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eWith new mastering and new jacket artwork. Enjoy the beauty of the artwork with the rich sound of a vinyl record.\u003c\/p\u003e\n\u003cp\u003eScore by Joe Hisaishi. Including 12 tracks.\u003c\/p\u003e\n\u003cp\u003eDirector Miyazaki’s image ‘’somewhere in Europe, around the Mediterranean…’’ is expressed in this album with original soundtrack scores and the concept.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eJapanese Import\u003c\/li\u003e\n\u003cli\u003eFirst time on vinyl, remastered, new artwork\u003c\/li\u003e\n\u003cli\u003eLimited\u003c\/li\u003e\n\u003cli\u003eSingle Jacket, \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e, Insert\u003c\/li\u003e\n\u003cli\u003eFirst Release: April 10, 1989\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TJJA-10020[[Artist]]Joe Hisaishi\u003c\/p\u003e","brand":"Tokuma Japan Communications","offers":[{"title":"Kiki's Delivery Service: Image Album (Restock) \/ Vinyl \/ LP Black","offer_id":43959735812341,"sku":"TJJA-10020","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1578346978328-hc51bva98ma-43bd4523cdcd4c0a7899eefabfd5c720_2FTJJA-10020_2BCover.jpg?v=1690527851"},{"product_id":"kiki-s-delivery-service-soundtrack","title":"Kiki's Delivery Service: Soundtrack","description":"[[Release Detail]][[Release Description]]\n\u003cp\u003eWith new mastering and new jacket artwork. Enjoy the beauty of the artwork with the rich sound of a vinyl record.\u003c\/p\u003e\n\u003cp\u003eScore by Joe Hisaishi, Including 21 tracks.\u003c\/p\u003e\n\u003cp\u003eIncludes the songs ‘’Rouge no Dengon’’ and ‘’Wrapped in Kindness’’ with vocals by Yumi Arai ‘’Rouge no Dengon’’ is the movie version.\u003c\/p\u003e\n\u003cp\u003eSoundtrack music collection including all the scores used in the movie.\u003c\/p\u003e\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003eJapanese Import\u003c\/li\u003e\n\u003cli\u003eFirst time on vinyl, remastered, new artwork\u003c\/li\u003e\n\u003cli\u003eLimited Edition\u003c\/li\u003e\n\u003cli\u003eSingle Jacket, \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e, Insert\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]TJJA-10021[[Artist]]Joe Hisaishi","brand":"Tokuma Japan Communications","offers":[{"title":"Kiki's Delivery Service: Soundtrack \/ Vinyl \/ LP Black","offer_id":43959735845109,"sku":"TJJA-10021","price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008087314.jpg?v=1747852049"},{"product_id":"porco-rosso-image-album","title":"Porco Rosso: Image Album","description":"[[Release Detail]][[Release Description]]\u003cp\u003eBased on the original story of Porco Rosso, director Miyazaki’s cartoon ‘’Hikotei Jidai’’ and his notes of music, this album was created with an image of Italy at the end of 1920’s.\u003c\/p\u003e\n\u003cp\u003eWith new mastering and new jacket artwork. Enjoy the beauty of the artwork with the rich sound of a vinyl record.\u003c\/p\u003e\n\u003cp\u003eScore by Joe Hisaishi. Includes 10 tracks.\u003c\/p\u003e\n\u003cp\u003eFirst Release: May 25, 1992\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eJapanese Import\u003c\/li\u003e\n\t\u003cli\u003eFirst time on vinyl, remastered, new artwork\u003c\/li\u003e\n\t\u003cli\u003eSingle Jacket, \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e, Insert\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]TJJA-10022[[Artist]]Joe Hisaishi","brand":"Tokuma Japan Communications","offers":[{"title":"Porco Rosso: Image Album \/ Vinyl \/ LP Black","offer_id":43959735910645,"sku":"TJJA-10022","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008087413.jpg?v=1747852228"},{"product_id":"porco-rosso-soundtrack","title":"Porco Rosso: Soundtrack","description":"[[Release Detail]][[Release Description]]\n\u003cp\u003eWith new mastering and new jacket artwork. Enjoy the beauty of the artwork with the rich sound of a vinyl record.\u003c\/p\u003e\n\u003cp\u003eScore by Joe Hisaishi. Includes 23 tracks.\u003c\/p\u003e\n\u003cp\u003eFeatures the theme song ‘’The Time Of The Cherries’’ and ending song ‘’Once In A While, Let’s Talk About The Old Days’’ with vocals by Tokiko Kato.\u003c\/p\u003e\n\u003cp\u003eCommitted to acoustic sound, this album was recorded by full orchestra of 70 people.\u003c\/p\u003e\n\u003cp\u003eFirst Release: July 25, 1992\u003c\/p\u003e\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003ePressed on Black Vinyl\u003c\/li\u003e\n\u003cli\u003eJapanese Import\u003c\/li\u003e\n\u003cli\u003eSingle Jacket, \u003cspan class=\"caps\"\u003eOBI\u003c\/span\u003e, Insert\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]TJJA-10023[[Artist]]Joe Hisaishi","brand":"Tokuma Japan Communications","offers":[{"title":"Porco Rosso: Soundtrack \/ LP \/ LP Black","offer_id":43959735943413,"sku":"TJJA-10023","price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008087512.jpg?v=1747852189"},{"product_id":"the-in-sound","title":"The In Sound","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eThis is one of Eddie Harris’ great records. The playing is inspired! What a band! Cedar Walton (piano) and Billy Higgins (drums), Lee Morgan’s favourite rhythm section. The underrated but popular tenor saxophonist introduces his “Freedom Jazz Dance,” which would become a jazz standard after featuring on Miles Davis’ album Miles Smiles. Plays one of the earlier versions of “The Shadow of Your Smile,” romps on “Love for Sale” and “’S Wonderful,” and also performs “Born to Be Blue” and his own “Cryin’ Blues.” Harris is heard in prime form in a quartet\/quintet with pianist Cedar Walton, bassist Ron Carter, drummer Billy Higgins, and part-time trumpeter Ray Codrington. A gem.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLP pressed on black vinyl\u003c\/li\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003eOne of Eddie Harris’ great records\u003c\/li\u003e\n\u003cli\u003eRe-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London\u003cmeta charset=\"utf-8\"\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]PPAN SD11448[[Artist]]Eddie Harris\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"The In Sound \/ Vinyl \/ LP Black","offer_id":43959737712885,"sku":"PPAN SD11448","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149623091_426b47ad-bcc9-445e-a627-f67ffcac1a76.jpg?v=1751066574"},{"product_id":"summer-nerves","title":"Summer Nerves","description":"[[Release Detail]][[Release Description]]\u003cp\u003eThe great Ryuichi Sakamoto with an all-star line-up (Yukihiro Takahashi, Ray Ohara, Kenji Ohmura, Pecker, Akiko Yano, Shigeru Suzuki, Masaki Matsubara…), with a glimpse of Dub-mixing techniques for an exceptional album originally released in 1979 on \u003cspan class=\"caps\"\u003eCBS\u003c\/span\u003e \/ Sony Japan and reissued on vinyl for the first time since 1983!\u003c\/p\u003e[[Selling Points]]\u003cul\u003e\n\t\u003cli\u003eLong awaited official reissue of this Japanese gem\u003c\/li\u003e\n\t\u003cli\u003eJapanese pressing, clear yellow vinyl\u003c\/li\u003e\n\t\u003cli\u003eCutting by Bernie Grundman\u003c\/li\u003e\n\t\u003cli\u003eLimited supply\u003c\/li\u003e\n\u003c\/ul\u003e[[Catalog Number]]MHJL-155[[Artist]]Ryuichi Sakamoto \u0026amp; The Kakutougi Session","brand":"Great Tracks \/ Sony Japan","offers":[{"title":"Summer Nerves \/ Vinyl \/ LP Yellow","offer_id":43959747346677,"sku":"MHJL-155","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/tmp_2F1584555838634-h5x7deba39l-494d2b1c478ecc122e47c591eb2879d4_2FMHJL155.jpg?v=1690528311"},{"product_id":"princess-mononoke-soundtrack","title":"Princess Mononoke: Soundtrack","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eFollowing the popular LP releases of ‘’Nausicaa of the Valley of the Wind,’’ ‘’Castle in the Sky,’’ ‘’My Neighbor Totoro,’’ ’’Kiki’s Delivery Service,‘’ and ’’Porco Rosso’’, ‘’Princess Mononoke’’ is finally coming out on LP.\u003c\/p\u003e\n\u003cp\u003eImage Album, Soundtrack and Symphonic Suite are remastered, with new deluxe artwork and liner notes. Furthermore, these three scores have never been released on vinyl before.\u003c\/p\u003e\n\u003cp\u003ePlease enjoy the beauty of the artwork and rich sound of this vinyl record.\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePressed on black vinyl\u003c\/li\u003e\n\u003cli\u003ePackaged in gatefold jacket\u003c\/li\u003e\n\u003cli\u003eMovie soundtrack by full orchestra of Tokyo City Philharmonic Orchestra\u003c\/li\u003e\n\u003cli\u003eMain theme ‘’Princess Mononoke’’ (Vocal: Yoshikazu Mera) is also included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TJJA-10025[[Artist]]Joe Hisaishi\u003c\/p\u003e","brand":"Tokuma Japan Communications","offers":[{"title":"Princess Mononoke: Soundtrack \/ Vinyl \/ 2LP Black","offer_id":43959749017845,"sku":"TJJA-10025","price":60.0,"currency_code":"USD","in_stock":true},{"title":"Princess Mononoke: Soundtrack (DEACTIVATED) \/ Vinyl \/ 2LP Color","offer_id":43959749050613,"sku":"TJJA-10025-C","price":59.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008087710.jpg?v=1748478185"},{"product_id":"princess-mononoke-image-album","title":"Princess Mononoke: Image Album","description":"[[Release Detail]][[Release Description]]\n\u003cp\u003e“Following the popular LP releases of ‘’Nausicaa of the Valley of the Wind,’’ ‘’Castle in the Sky,’’ ‘’My Neighbor Totoro,’’ ’’Kiki’s Delivery Service,‘’ and ’’Porco Rosso’’, ‘’Princess Mononoke’’ is finally coming out on LP.\u003c\/p\u003e\n\u003cp\u003eImage Album, Soundtrack and Symphonic Suite are remastered, with new deluxe artwork and liner notes. Furthermore, these three scores have never been released on vinyl before.\u003c\/p\u003e\n\u003cp\u003ePlease enjoy the beauty of the artwork and rich sound of this vinyl record.\u003c\/p\u003e\n\u003cp\u003eImage Album recorded ahead of the soundtrack by Joe Hisaishi, based on the notes which Director Miyazaki wrote about music when he was planning the movie.\u003c\/p\u003e\n[[Selling Points]]\n\u003cul\u003e\n\u003cli\u003eImage Album recorded ahead of the soundtrack by Joe Hisaishi, based on the notes which Director Miyazaki wrote about music when he was planning the movie\u003c\/li\u003e\n\u003cli\u003ePressed on Black Vinyl\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLimited Edition\u003c\/li\u003e\n\u003c\/ul\u003e\n[[Catalog Number]]TJJA-10024[[Artist]]Joe Hisaishi","brand":"Tokuma Japan Communications","offers":[{"title":"Princess Mononoke: Image Album (Restock) \/ LP \/ LP Black","offer_id":43959749083381,"sku":"TJJA-10024","price":48.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/4988008087611.jpg?v=1747851949"},{"product_id":"kabsha","title":"Kabsha","description":"\u003cp\u003e[[Release Detail]][[Release Description]]\u003c\/p\u003e\n\u003cp\u003eThis little-known album by New Orleans-born drummer Idris Muhammad (1939-2014) was originally recorded for \u003cspan class=\"caps\"\u003eTHERESA\u003c\/span\u003e at Rudy Van Gelder’s studio in New Jersey on September 12, 1980 with George Coleman \u0026amp; Pharoah Sanders on tenor saxophones \u0026amp; Ray Drummond on bass.\u003c\/p\u003e\n\u003cp\u003eThe six powerful tracks include originals from Muhammad \u0026amp; Drummond and an impressive version of Billy Eckstine’s ‘I Want To Talk About You’ featuring Sanders.\u003c\/p\u003e\n\u003cp\u003e‘Kabsha’, which is dedicated to Muhammad’s youngest daughter, is recommended to anyone who appreciates inventive and passionate modern jazz.\u003c\/p\u003e\n\u003cp\u003eDrummer Idris Muhammad’s strongest jazz date as a leader. Muhammad, who had often been heard in funky or more commercial settings, really excels in this sparse setting, showing off what he learned from hearing bands in his native New Orleans. In addition, both the underrated Coleman and Sanders are heard in top form, stretching out on originals, basic pieces, and “I Want to Talk About You” (during which Sanders lets out a few trademark screams so everyone knows that he is not John Coltrane).\u003c\/p\u003e\n\u003cp\u003e[[Selling Points]]\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOriginally recorded for \u003cspan class=\"caps\"\u003eTHERESA\u003c\/span\u003e at Rudy Van Gelder’s studio in New Jersey on September 12, 1980 with George Coleman \u0026amp; Pharoah Sanders on tenor saxophones \u0026amp; Ray Drummond on bass.\u003c\/li\u003e\n\u003cli\u003eRecommended to anyone who appreciates inventive and passionate modern jazz.\u003c\/li\u003e\n\u003cli\u003e180 gram LP x 1 in standard sleeve\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e[[Catalog Number]]TR110[[Artist]]Idris Muhammed\u003c\/p\u003e","brand":"Pure Pleasure","offers":[{"title":"Kabsha \/ Vinyl \/ LP Black","offer_id":43959750623477,"sku":"TR110","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0080\/6417\/2096\/files\/5060149623176_f79ceb12-8440-4295-b72e-8310c146c63f.jpg?v=1758314712"}],"url":"https:\/\/lightintheattic.net\/collections\/just-added-email.oembed?page=6","provider":"Light in the Attic","version":"1.0","type":"link"}