- Limited DELUXE VINYL EDITION is packaged in a old-school tip on gatefold jacket with printed inner sleeve.
- Initial VINYL pressing limited to 1,400 copies.
- CD version contains 12 page booklet with photos and liners.
- CD contains 4 extra bonus tracks that did not make the movie’s original score.
- Limited Cassette Store Day 2013 edition
- Includes 4 bonus tracks NOT on vinyl Version
- Limited to 400 copies worldwide
- Comes with double-sided inlay/J-Card
- If you are based in Europe, please visit www.onewaystatic.com to order your copy.
We are sold out of color wax. Black vinyl and compact disc still available. Customers who want to order the ‘special limited color variant’ can order it from www.onewaystatic.com who are now accepting international orders on this item.
One Way Static Records is proud to announce the release of this historical motion picture soundtrack. Now available in 3 versions:
- Regular vinyl edition: CLASSIC BLACK VINYL Packaged in an old-school tip on gatefold jacket with printed inner sleeve. Limited to #1400 copies.
- Compact disc edition: DELUXE DIGIPAK CD with 12 page booklet. Limited to #1000 copies. Contains 4 extra bonus tracks that did not make the movie’s original score, including a rare tribute version from David’s sons as heard during the end credits of ‘Cabin Fever’. These bonus tracks are exclusive to the CD version.
All versions come with with extensive and exclusive liner notes from: RUGGERO DEODATO (Cannibal Holocaust, The House On The Edge Of The Park) ULLI LOMMEL (The Boogey Man, Zodiac Killer) FRANCO NERO (Django, Django Unchained, Die Hard 2) GIOVANNI LOMBARDO RADICE (The House On The Edge Of The Park, Cannibal Ferox, City Of The Living Dead) MARC SHEFFLER (Happy Days, Who’s The Boss?, Charles In Charge) … and many more.
Born in 1936 in New York City, David Hess began his career when he recorded the original version of the Otis Blackwell composition “All Shook Up” under the stage name Dave Hill in 1956. The song became a Number 1 hit for Elvis Presley a year later and Hess became a songwriter at Shalimar Music. David went on to compose “Start Movin’” for Sal Mineo and “Rockin’ Shoes” for the Ames Brothers. He continued to write songs for Elvis throughout the ‘50s and ’60s, (including the Presley hit “I Got Stung” that was later covered by The Beatles). Other Hess tunes performed by The King include “Come Along,” and "Make Me Know You’re Mine" (first performed by Conway Twitty). “Your Hand, Your Heart, Your Love” became a 60s hit when it was performed by Andy Williams. In 1963 David wrote and recorded “Speedy Gonzalez,” which became a number one single for Pat Boone, selling more than eight million copies worldwide. David then recorded two solo albums for Kapp Records, again topping the charts, this time with a Top Ten folk hit called “Two Brothers.”
After a career as a record company executive, including becoming head of A&R at Mercury Records (where he co-wrote the Grammy award winning 1970 rock opera ‘The Naked Carmen’) in New York and working with PolyGram Records’ German affiliate in the 1970s, Hess took on the role of actor, writer, director and producer in the movie industry.
Writing the English language shooting scripts for such German directors as Rainer Werner Fassbinder, ReinhardHauff, Peter Schamoni,… and directing the 1980 slasher “To All A Good Night” were only a few of his many accomplishments.
Most of us will remember him as Krug Stillo, an unrepentant serial killer and leader of a gang in Wes Craven’s classic 1972 cult shocker “The Last House On The Left” (inspired by Ingmar Bergman’s ‘The Virgin Spring’), as well as portraying the villains in RuggeroDeodato’s “House on the Edge of the Park” (1980) and Wes Craven’s “Swamp Thing” (1982). Other movie roles include ’21 Hours At Munich’, ‘Hitch-Hike’, ‘White Star’, ‘Body Count’ and ‘Zodiac Killer’. David Hess also appeared regularly on the TV screen with appearances in shows such as ‘Knight Rider’, ‘The A-Team’, ‘The Fall Guy’ & ‘Royal Pains’.
Throughout his film career Hess’ love for music never waned. He continued to produce music, including several albums (“Caught Up In The Moment” and “Live & Unplugged in Hollywood, 2002.”). Some of his music can also be heard on more recent soundtracks, such as ‘Cabin Fever’ (2002) and ‘Manhunt’ (2008).
On October 7, 2011, just two years after his role in the 2009 horror epic “Smash Cut” starring Sasha Grey, David Hess sadly passed away at the age of 75. He will forever be in our hearts.
David Hess composed the soundtrack for ‘Last House on the Left’ in collaboration with Steve Chapin (Let Time Go Lightly).
David’s work here contains some truly beautiful songs, the discovery of which, for some, may be in stark contrast to the brutal displays of sadism and violence for which he was known to purvey onscreen. The fact that Hess could perform as both the poet, and the monster, is a testament to his skill as an artist. The soundtrack to Last House On The Left is a brilliantly unique and diverse mixture of farcical comedy, poignant, reflective folk music and instrumental experimentalism. Hess constructed a wonderful counterbalancing entity, which serves only to accentuate the impact of the movie.